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		<title>The Chile Magazine - Category: Chile</title>
		<link>http://www.chileno.co.uk/</link>
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			<title>Michelle Bachelet and inequality upsidedownworld</title>
			<link>http://www.chileno.co.uk/chile/michelle-bachelet-and-inequality-upsidedownworld</link>
			<pubDate>Thu, 09 May 2013 18:16:00 +0000</pubDate>			<dc:creator>Chileno</dc:creator>
			<category domain="main">Chile</category>			<guid isPermaLink="false">215@http://www.chileno.co.uk/</guid>
						<description>&lt;p&gt;&lt;span style=&quot;font-family: georgia,palatino;&quot;&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;span style=&quot;color: #000000; background-color: transparent; font-variant: normal; text-decoration: none; vertical-align: baseline;&quot;&gt;As Chilean Presidential candidate Michelle Bachelet begins her campaign, questions arise as to the ability of the center-left coalition to tackle the extreme inequality that plagues the nation. As reported by upsidedownworld.org &lt;/span&gt;&lt;span style=&quot;color: #000000; background-color: transparent; font-weight: bold; font-variant: normal; text-decoration: none; vertical-align: baseline;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: georgia,palatino;&quot;&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;span style=&quot;color: #000000; background-color: transparent; font-weight: bold; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;&quot;&gt;&lt;em&gt;&lt;br /&gt;&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;span style=&quot;color: #000000; background-color: transparent; font-weight: bold; font-variant: normal; text-decoration: none; vertical-align: baseline;&quot;&gt;Center-left coalition leader and former Chilean President Michelle Bachelet looks for a second Presidential term, focusing on themes of inequality, universal education, and tax reform. But have lessons been learned from the previous coalition terms?&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif;&quot;&gt;&lt;em&gt;&amp;#160;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;line-height: 1.15; margin-top: 0pt; margin-bottom: 10pt;&quot; dir=&quot;ltr&quot;&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;span style=&quot;color: #000000; background-color: transparent; font-weight: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;&quot;&gt;Former President Michelle Bachelet, now official center-left coalition &lt;/span&gt;&lt;span style=&quot;color: #000000; background-color: transparent; font-weight: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;&quot;&gt;Concertaci&amp;#243;n&lt;/span&gt;&lt;span style=&quot;color: #000000; background-color: transparent; font-weight: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;&quot;&gt; candidate for the 2014 presidential elections has sketched out a campaign strategy based on the reduction in &lt;/span&gt;&lt;a style=&quot;text-decoration: none;&quot; href=&quot;http://www.guardian.co.uk/world/feedarticle/10721270&quot;&gt;&lt;span style=&quot;color: #0000ff; background-color: transparent; font-weight: normal; font-variant: normal; vertical-align: baseline; text-decoration: underline;&quot;&gt;income inequality&lt;/span&gt;&lt;/a&gt;&lt;span style=&quot;color: #000000; background-color: transparent; font-weight: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;&quot;&gt;, &amp;#8220;those who earn more, contribute more&amp;#8221;, and educational reform, which she has recently suggested would be funded by an overhaul of the &lt;/span&gt;&lt;a style=&quot;text-decoration: none;&quot; href=&quot;http://www.reuters.com/article/2013/04/09/us-chile-bachelet-taxes-idUSBRE93815E20130409&quot;&gt;&lt;span style=&quot;color: #0000ff; background-color: transparent; font-weight: normal; font-variant: normal; vertical-align: baseline; text-decoration: underline;&quot;&gt;tax system&lt;/span&gt;&lt;/a&gt;&lt;span style=&quot;color: #000000; background-color: transparent; font-weight: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;&quot;&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif;&quot;&gt;&lt;em&gt;&amp;#160;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;line-height: 1.15; margin-top: 0pt; margin-bottom: 10pt;&quot; dir=&quot;ltr&quot;&gt;&lt;span style=&quot;font-family: arial,helvetica,sans-serif;&quot;&gt;&lt;em&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;span style=&quot;color: #000000; background-color: transparent; font-weight: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;&quot;&gt;In her formal acceptance of the &lt;/span&gt;&lt;span style=&quot;color: #000000; background-color: transparent; font-weight: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;&quot;&gt;Concertaci&amp;#243;n&lt;/span&gt;&lt;span style=&quot;color: #000000; background-color: transparent; font-weight: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;&quot;&gt; nomination Bachelet said, &amp;#8220;Combating inequality is what gives us a purpose to be here. It&#039;s the fine print that affects millions of consumers who are in debt. It&#039;s the &lt;/span&gt;&lt;a style=&quot;text-decoration: none;&quot; href=&quot;http://www.chileno.co.uk/chile/the-poverty-gap-s-in-chile#.UXupCkpfaSo&quot;&gt;&lt;span style=&quot;color: #0000ff; background-color: transparent; font-weight: normal; font-variant: normal; vertical-align: baseline; text-decoration: underline;&quot;&gt;salary gap between men and women&lt;/span&gt;&lt;/a&gt;&lt;span style=&quot;color: #000000; background-color: transparent; font-weight: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;&quot;&gt; and the inability of workers to negotiate collectively.&amp;#8221;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;
&lt;span style=&quot;font-family: arial,helvetica,sans-serif;&quot;&gt;&lt;cite&gt;Matthew Owens&lt;/cite&gt;&lt;/span&gt;&lt;/blockquote&gt;
&lt;p&gt;&amp;#160;&lt;/p&gt;
&lt;p style=&quot;line-height: 1.15; margin-top: 0pt; margin-bottom: 10pt;&quot; dir=&quot;ltr&quot;&gt;&lt;span style=&quot;font-family: georgia,palatino;&quot;&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;span style=&quot;color: #000000; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;&quot;&gt;Read more at &lt;a href=&quot;http://upsidedownworld.org/main/chile-archives-34/4284-michelle-bachelet-inequality-in-chile&quot; target=&quot;_blank&quot;&gt;upsidedownworld.org&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class=&quot;item_footer&quot;&gt;&lt;p&gt;&lt;small&gt;&lt;a href=&quot;http://www.chileno.co.uk/chile/michelle-bachelet-and-inequality-upsidedownworld&quot;&gt;Original post&lt;/a&gt; blogged on &lt;a href=&quot;http://www.chileno.co.uk/&quot;&gt;Chileno&lt;/a&gt;.&lt;/small&gt;&lt;/p&gt;&lt;/div&gt;</description>
			<content:encoded><![CDATA[<p><span style="font-family: georgia,palatino;"><span style="font-size: medium;"><span style="color: #000000; background-color: transparent; font-variant: normal; text-decoration: none; vertical-align: baseline;">As Chilean Presidential candidate Michelle Bachelet begins her campaign, questions arise as to the ability of the center-left coalition to tackle the extreme inequality that plagues the nation. As reported by upsidedownworld.org </span><span style="color: #000000; background-color: transparent; font-weight: bold; font-variant: normal; text-decoration: none; vertical-align: baseline;"><br /></span></span></span></p>
<p><span style="font-family: georgia,palatino;"><span style="font-size: medium;"><span style="color: #000000; background-color: transparent; font-weight: bold; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;"><em><br /></em></span></span></span></p>
<blockquote>
<p><span style="font-family: arial,helvetica,sans-serif;"><em><span style="font-size: medium;"><span style="color: #000000; background-color: transparent; font-weight: bold; font-variant: normal; text-decoration: none; vertical-align: baseline;">Center-left coalition leader and former Chilean President Michelle Bachelet looks for a second Presidential term, focusing on themes of inequality, universal education, and tax reform. But have lessons been learned from the previous coalition terms?</span></span></em></span></p>
<p><span style="font-family: arial,helvetica,sans-serif;"><em>&#160;</em></span></p>
<p style="line-height: 1.15; margin-top: 0pt; margin-bottom: 10pt;" dir="ltr"><span style="font-family: arial,helvetica,sans-serif;"><em><span style="font-size: medium;"><span style="color: #000000; background-color: transparent; font-weight: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;">Former President Michelle Bachelet, now official center-left coalition </span><span style="color: #000000; background-color: transparent; font-weight: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;">Concertaci&#243;n</span><span style="color: #000000; background-color: transparent; font-weight: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;"> candidate for the 2014 presidential elections has sketched out a campaign strategy based on the reduction in </span><a style="text-decoration: none;" href="http://www.guardian.co.uk/world/feedarticle/10721270"><span style="color: #0000ff; background-color: transparent; font-weight: normal; font-variant: normal; vertical-align: baseline; text-decoration: underline;">income inequality</span></a><span style="color: #000000; background-color: transparent; font-weight: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;">, &#8220;those who earn more, contribute more&#8221;, and educational reform, which she has recently suggested would be funded by an overhaul of the </span><a style="text-decoration: none;" href="http://www.reuters.com/article/2013/04/09/us-chile-bachelet-taxes-idUSBRE93815E20130409"><span style="color: #0000ff; background-color: transparent; font-weight: normal; font-variant: normal; vertical-align: baseline; text-decoration: underline;">tax system</span></a><span style="color: #000000; background-color: transparent; font-weight: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;">.</span></span></em></span></p>
<p><span style="font-family: arial,helvetica,sans-serif;"><em>&#160;</em></span></p>
<p style="line-height: 1.15; margin-top: 0pt; margin-bottom: 10pt;" dir="ltr"><span style="font-family: arial,helvetica,sans-serif;"><em><span style="font-size: medium;"><span style="color: #000000; background-color: transparent; font-weight: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;">In her formal acceptance of the </span><span style="color: #000000; background-color: transparent; font-weight: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;">Concertaci&#243;n</span><span style="color: #000000; background-color: transparent; font-weight: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;"> nomination Bachelet said, &#8220;Combating inequality is what gives us a purpose to be here. It's the fine print that affects millions of consumers who are in debt. It's the </span><a style="text-decoration: none;" href="http://www.chileno.co.uk/chile/the-poverty-gap-s-in-chile#.UXupCkpfaSo"><span style="color: #0000ff; background-color: transparent; font-weight: normal; font-variant: normal; vertical-align: baseline; text-decoration: underline;">salary gap between men and women</span></a><span style="color: #000000; background-color: transparent; font-weight: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;"> and the inability of workers to negotiate collectively.&#8221;</span></span></em></span></p>
<span style="font-family: arial,helvetica,sans-serif;"><cite>Matthew Owens</cite></span></blockquote>
<p>&#160;</p>
<p style="line-height: 1.15; margin-top: 0pt; margin-bottom: 10pt;" dir="ltr"><span style="font-family: georgia,palatino;"><span style="font-size: medium;"><span style="color: #000000; background-color: transparent; font-weight: normal; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline;">Read more at <a href="http://upsidedownworld.org/main/chile-archives-34/4284-michelle-bachelet-inequality-in-chile" target="_blank">upsidedownworld.org</a><br /></span></span></span></p><div class="item_footer"><p><small><a href="http://www.chileno.co.uk/chile/michelle-bachelet-and-inequality-upsidedownworld">Original post</a> blogged on <a href="http://www.chileno.co.uk/">Chileno</a>.</small></p></div>]]></content:encoded>
								<comments>http://www.chileno.co.uk/chile/michelle-bachelet-and-inequality-upsidedownworld#comments</comments>
			<wfw:commentRss>http://www.chileno.co.uk/?tempskin=_rss2&#38;disp=comments&#38;p=215</wfw:commentRss>
		</item>
				<item>
			<title>Minimental</title>
			<link>http://www.chileno.co.uk/music/minimental-music</link>
			<pubDate>Fri, 26 Apr 2013 18:26:00 +0000</pubDate>			<dc:creator>Chileno</dc:creator>
			<category domain="alt">Chile</category>
<category domain="main">Music</category>			<guid isPermaLink="false">213@http://www.chileno.co.uk/</guid>
						<description>&lt;p&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;&lt;a title=&quot;Cristobal Torres AKA Minimental.&quot; href=&quot;http://www.chileno.co.uk/media/blogs/a/minimental.jpg&quot; rel=&quot;lightbox&quot;&gt;&lt;img style=&quot;float: left; margin: 5px;&quot; src=&quot;http://www.chileno.co.uk/media/blogs/a/minimental.jpg&quot; alt=&quot;&quot; width=&quot;180&quot; height=&quot;135&quot; /&gt;&lt;/a&gt;We had a chat with Cristobal Torres, the hands behind the Chilean electronic music that is &lt;em&gt;Minimental&lt;/em&gt;, who took time out to speak to chileno about what he&#039;s up to at the moment. Cristobal is from Santiago and his style is a &lt;/span&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;mix of progressive trance, techno &amp;amp; experimental music. He has been playing music for several years now and describes himself as an &#039;active lover of the underground music scene&#039;. After DJing for several years, he now produces his own music, a mix of progressive techno with a twist. Minimental has performed worldwide including Chile, South Africa and Spain.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;&amp;#160;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;iframe width=&quot;100%&quot; height=&quot;166&quot; scrolling=&quot;no&quot; frameborder=&quot;no&quot; src=&quot;https://w.soundcloud.com/player/?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F80369737&quot;&gt;&lt;/iframe&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;&lt;strong&gt;chileno:&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160; So, what have you been up to recently Cristobal?&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;Well,&amp;#160; I`ve been releasing music on a new label based in Chile for progressive and psychedelic trance `&lt;a href=&quot;http://www.digitalyonkis.com/&quot; target=&quot;_blank&quot;&gt;Digital Yonkis Records&lt;/a&gt;`, an EP and a compilation album have been released with good feedback from everyone, so I&#039;m really happy about it!&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;&lt;strong&gt;&lt;strong&gt;chileno:&lt;/strong&gt;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160; How would you describe your sound and what are some of your main influences?&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;It&#039;s kinda difficult to define, because it&#039;s a mix of styles; progressive, deep, techno psychedelic&amp;#8230;even experimental. It&#039;s something that flows, I can`t push myself to create a style that I don&#039;t fit in. My main influences came from the time when i produced psytrance, lots of the old school wave of the psychedelic techno sounds and of course new sounds too, to name a few: Atmos, Behind Blue Eyes, Sun Control Species, Perfect Stranger, X-Dream, Saiko pod, Kox Box, Penta, Ocelot, Iboga Records, Spiral Trax, Digital Structures, Flow, Echoes, etc.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;&lt;strong&gt;&lt;strong&gt;chileno:&lt;/strong&gt;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160; Are there any British sounds that you like? Boards of Canada or Aphex Twin for example?&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;Well, Simon Posford, Twisted Records, Tip Records, Prometheus, Eat Static, Shpongle, ManwithnoName, TRISTAN, NaNo,Dick Trevor,AMD, etc,etc,etc.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;&lt;strong&gt;&lt;strong&gt;chileno:&lt;/strong&gt;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160; What&amp;#8217;s your philosophy in making music?&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;Just flow and create something new, not a copy, not thinking about a hit&amp;#8230;just create.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;&lt;strong&gt;&lt;strong&gt;chileno:&lt;/strong&gt;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160; When did you first get into music?&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;At 10, when my dad gave me a drum, then I played a bit of bass til 14. After that, nothing til 2004, when I introduced myself into psychedelic trance. That&amp;#180;s when I met people involved and started DJing and since 2007 producing.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;&lt;strong&gt;&lt;strong&gt;chileno:&lt;/strong&gt;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160; Do you play in clubs a lot?&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;Well, there have been two years with not much music activity, playing just a few times a year, but now I&#039;m focusing on music again, releasing and producing in my new studio.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;&lt;strong&gt;&lt;strong&gt;chileno:&lt;/strong&gt;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160; What&amp;#8217;s the electronica scene like in Chile today?&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;iframe width=&quot;100%&quot; height=&quot;166&quot; scrolling=&quot;no&quot; frameborder=&quot;no&quot; src=&quot;https://w.soundcloud.com/player/?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F74133787&quot;&gt;&lt;/iframe&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;Techno scene is quite big, good artists coming every month and good parties, psychedelic is serious, with some consolidated festivals and parties in the city often. Very good artists are coming up, good music and very professional in what they do, so it&amp;#180;s good for everyone.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;&lt;strong&gt;&lt;strong&gt;chileno:&lt;/strong&gt;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160; What other Chilean groups do you like?&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;Well, of course most of my friends producers/DJs from the label and others, they are producing massive tunes! Moaiact, Zlott, Electryxeed, Zoologic, Soldier, Sumerian Droids, Solar, Magnizm and more.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;&lt;strong&gt;&lt;strong&gt;chileno:&lt;/strong&gt;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160; Have you got any live gigs coming up?&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;Yes, but no official date to confirm.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;&lt;strong&gt;&lt;strong&gt;chileno:&lt;/strong&gt;&amp;#160;&amp;#160; When you are not playing music what do you like doing?&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;I`m with my little daughter Rafaella a lot, but after work I train Brazilian Jiu Jitsu 3 times a week, and after being with Rafa i try to go cycling whenever possible, be with family, friends, outdoors, sports, cool stuff you know.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;&lt;strong&gt;&lt;strong&gt;chileno:&lt;/strong&gt;&amp;#160;&amp;#160; What are you most excited about at the moment&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;Being a father. :)&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;iframe width=&quot;100%&quot; height=&quot;166&quot; scrolling=&quot;no&quot; frameborder=&quot;no&quot; src=&quot;https://w.soundcloud.com/player/?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F74234723&quot;&gt;&lt;/iframe&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;&lt;strong&gt;&lt;strong&gt;chileno:&lt;/strong&gt;&amp;#160;&amp;#160; What are your plans for 2013?&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;Release a lot of music, play lots, have fun and of course, enjoy!&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;&lt;strong&gt;Keep up with &lt;a href=&quot;http://www.facebook.com/Minimental&quot; target=&quot;_blank&quot;&gt;Minimental&lt;/a&gt; via facebook.&lt;/strong&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class=&quot;item_footer&quot;&gt;&lt;p&gt;&lt;small&gt;&lt;a href=&quot;http://www.chileno.co.uk/music/minimental-music&quot;&gt;Original post&lt;/a&gt; blogged on &lt;a href=&quot;http://www.chileno.co.uk/&quot;&gt;Chileno&lt;/a&gt;.&lt;/small&gt;&lt;/p&gt;&lt;/div&gt;</description>
			<content:encoded><![CDATA[<p><span style="font-family: cambria; font-size: medium;"><a title="Cristobal Torres AKA Minimental." href="http://www.chileno.co.uk/media/blogs/a/minimental.jpg" rel="lightbox"><img style="float: left; margin: 5px;" src="http://www.chileno.co.uk/media/blogs/a/minimental.jpg" alt="" width="180" height="135" /></a>We had a chat with Cristobal Torres, the hands behind the Chilean electronic music that is <em>Minimental</em>, who took time out to speak to chileno about what he's up to at the moment. Cristobal is from Santiago and his style is a </span><span style="font-family: cambria; font-size: medium;">mix of progressive trance, techno &amp; experimental music. He has been playing music for several years now and describes himself as an 'active lover of the underground music scene'. After DJing for several years, he now produces his own music, a mix of progressive techno with a twist. Minimental has performed worldwide including Chile, South Africa and Spain.<br /></span></p>
<p><span style="font-family: cambria; font-size: medium;">&#160;</span></p>
<p><iframe width="100%" height="166" scrolling="no" frameborder="no" src="https://w.soundcloud.com/player/?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F80369737"></iframe></p>
<p><span style="font-family: cambria; font-size: medium;"><strong>chileno:&#160;&#160;&#160;&#160;&#160;&#160; So, what have you been up to recently Cristobal?</strong></span></p>
<p><span style="font-family: cambria; font-size: medium;">Well,&#160; I`ve been releasing music on a new label based in Chile for progressive and psychedelic trance `<a href="http://www.digitalyonkis.com/" target="_blank">Digital Yonkis Records</a>`, an EP and a compilation album have been released with good feedback from everyone, so I'm really happy about it!</span></p>
<p><span style="font-family: cambria; font-size: medium;"><strong><strong>chileno:</strong>&#160;&#160;&#160;&#160;&#160;&#160; How would you describe your sound and what are some of your main influences?</strong></span></p>
<p><span style="font-family: cambria; font-size: medium;">It's kinda difficult to define, because it's a mix of styles; progressive, deep, techno psychedelic&#8230;even experimental. It's something that flows, I can`t push myself to create a style that I don't fit in. My main influences came from the time when i produced psytrance, lots of the old school wave of the psychedelic techno sounds and of course new sounds too, to name a few: Atmos, Behind Blue Eyes, Sun Control Species, Perfect Stranger, X-Dream, Saiko pod, Kox Box, Penta, Ocelot, Iboga Records, Spiral Trax, Digital Structures, Flow, Echoes, etc.</span></p>
<p><span style="font-family: cambria; font-size: medium;"><strong><strong>chileno:</strong>&#160;&#160;&#160;&#160;&#160; Are there any British sounds that you like? Boards of Canada or Aphex Twin for example?</strong></span></p>
<p><span style="font-family: cambria; font-size: medium;">Well, Simon Posford, Twisted Records, Tip Records, Prometheus, Eat Static, Shpongle, ManwithnoName, TRISTAN, NaNo,Dick Trevor,AMD, etc,etc,etc.</span></p>
<p><span style="font-family: cambria; font-size: medium;"><strong><strong>chileno:</strong>&#160;&#160;&#160;&#160;&#160;&#160; What&#8217;s your philosophy in making music?</strong></span></p>
<p><span style="font-family: cambria; font-size: medium;">Just flow and create something new, not a copy, not thinking about a hit&#8230;just create.</span></p>
<p><span style="font-family: cambria; font-size: medium;"><strong><strong>chileno:</strong>&#160;&#160;&#160;&#160;&#160;&#160; When did you first get into music?</strong></span></p>
<p><span style="font-family: cambria; font-size: medium;">At 10, when my dad gave me a drum, then I played a bit of bass til 14. After that, nothing til 2004, when I introduced myself into psychedelic trance. That&#180;s when I met people involved and started DJing and since 2007 producing.</span></p>
<p><span style="font-family: cambria; font-size: medium;"><strong><strong>chileno:</strong>&#160;&#160;&#160;&#160;&#160;&#160; Do you play in clubs a lot?</strong></span></p>
<p><span style="font-family: cambria; font-size: medium;">Well, there have been two years with not much music activity, playing just a few times a year, but now I'm focusing on music again, releasing and producing in my new studio.</span></p>
<p><span style="font-family: cambria; font-size: medium;"><strong><strong>chileno:</strong>&#160;&#160;&#160;&#160;&#160;&#160; What&#8217;s the electronica scene like in Chile today?</strong></span></p>
<p><iframe width="100%" height="166" scrolling="no" frameborder="no" src="https://w.soundcloud.com/player/?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F74133787"></iframe></p>
<p><span style="font-family: cambria; font-size: medium;">Techno scene is quite big, good artists coming every month and good parties, psychedelic is serious, with some consolidated festivals and parties in the city often. Very good artists are coming up, good music and very professional in what they do, so it&#180;s good for everyone.</span></p>
<p><span style="font-family: cambria; font-size: medium;"><strong><strong>chileno:</strong>&#160;&#160;&#160;&#160;&#160;&#160; What other Chilean groups do you like?</strong></span></p>
<p><span style="font-family: cambria; font-size: medium;">Well, of course most of my friends producers/DJs from the label and others, they are producing massive tunes! Moaiact, Zlott, Electryxeed, Zoologic, Soldier, Sumerian Droids, Solar, Magnizm and more.</span></p>
<p><span style="font-family: cambria; font-size: medium;"><strong><strong>chileno:</strong>&#160;&#160;&#160;&#160;&#160; Have you got any live gigs coming up?</strong></span></p>
<p><span style="font-family: cambria; font-size: medium;">Yes, but no official date to confirm.</span></p>
<p><span style="font-family: cambria; font-size: medium;"><strong><strong>chileno:</strong>&#160;&#160; When you are not playing music what do you like doing?</strong></span></p>
<p><span style="font-family: cambria; font-size: medium;">I`m with my little daughter Rafaella a lot, but after work I train Brazilian Jiu Jitsu 3 times a week, and after being with Rafa i try to go cycling whenever possible, be with family, friends, outdoors, sports, cool stuff you know.</span></p>
<p><span style="font-family: cambria; font-size: medium;"><strong><strong>chileno:</strong>&#160;&#160; What are you most excited about at the moment</strong></span></p>
<p><span style="font-family: cambria; font-size: medium;">Being a father. :)</span></p>
<p><iframe width="100%" height="166" scrolling="no" frameborder="no" src="https://w.soundcloud.com/player/?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F74234723"></iframe></p>
<p><span style="font-family: cambria; font-size: medium;"><strong><strong>chileno:</strong>&#160;&#160; What are your plans for 2013?</strong></span></p>
<p><span style="font-family: cambria; font-size: medium;">Release a lot of music, play lots, have fun and of course, enjoy!</span></p>
<p><span style="font-family: cambria; font-size: medium;"><strong>Keep up with <a href="http://www.facebook.com/Minimental" target="_blank">Minimental</a> via facebook.</strong><br /></span></p><div class="item_footer"><p><small><a href="http://www.chileno.co.uk/music/minimental-music">Original post</a> blogged on <a href="http://www.chileno.co.uk/">Chileno</a>.</small></p></div>]]></content:encoded>
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			<title>The unique language of Chile</title>
			<link>http://www.chileno.co.uk/chile/the-unique-language-of-chile</link>
			<pubDate>Wed, 24 Apr 2013 07:54:00 +0000</pubDate>			<dc:creator>Chileno</dc:creator>
			<category domain="main">Chile</category>			<guid isPermaLink="false">211@http://www.chileno.co.uk/</guid>
						<description>&lt;p class=&quot;normal&quot;&gt;&lt;strong&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;By &lt;a href=&quot;http://www.chileno.co.uk/contributors/marcela-de-vivo#.UXeSgEpfaSo&quot; target=&quot;_self&quot;&gt;Marcela de Vivo&lt;/a&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p class=&quot;normal&quot;&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;It is often remarked upon how the English spoken by Americans isn&amp;#8217;t really &amp;#8220;English,&amp;#8221; but within the small area of the United Kingdom&amp;#8212;or even just England&amp;#8212;a diverse range of accents and slang can make one person almost unintelligible to their neighbour.&lt;/span&gt;&lt;/p&gt;
&lt;p class=&quot;normal&quot;&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;This language barrier becomes even more pronounced when time and vast oceans separate the native tongue from the soil to which it was transplanted. Any Spanish speaker from Spain will tell you that the same language spoken in South American countries may be called &amp;#8220;Spanish,&amp;#8221; but they would be hard pressed to understand exactly what their Southern brethren are saying, unless they learned the country&amp;#8217;s particular dialect.&lt;/span&gt;&lt;/p&gt;
&lt;p class=&quot;normal&quot;&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;Chilean Spanish stands apart from other Latin American dialects, due partly to the blend of indigenous languages from the original natives. As regional dialects vary from country to country, even those who speak fluent Latin American Spanish can run into miscommunication while in Chile, sometimes leading to&lt;a href=&quot;http://blogs.transparent.com/spanish/humor-tenia-dos-guaguas/&quot; target=&quot;_blank&quot;&gt; funny&lt;/a&gt; results.&lt;/span&gt;&lt;/p&gt;
&lt;p class=&quot;normal&quot;&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;&lt;strong&gt;Background&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class=&quot;normal&quot;&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;Chilean Spanish is part of the &amp;#8220;American Spanish group&amp;#8221; (in contrast to the Old World varieties), alongside Mexican, Caribbean (Cuba, Venezuela, Puerto Rico, Dominican Republic, Panama, and northern Colombia), Central American, Plata River (Argentina, Uruguay, and Paraguay) and Andean-Pacific (Peru, Ecuador, western Bolivia, Colombia and western Venezuela). Chilean Spanish is in a group by itself, unlike most other countries, which are grouped together in distinct regions.&lt;/span&gt;&lt;/p&gt;
&lt;p class=&quot;normal&quot;&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;Of the 16 million Chileans, over 90% speak Spanish as their primary language. Similar to Andalusian Spanish, it is a dialect that can be challenging for speakers of the Castilian version (from Spain) to understand.&lt;/span&gt;&lt;/p&gt;
&lt;p class=&quot;normal&quot;&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;Many indigenous groups lived in the region prior to the arrival of Spanish conquistadors, however, only 11 percent of the population is indigenous today. Many languages have become extinct or borderline extinct as the native population waned.&lt;/span&gt;&lt;/p&gt;
&lt;p class=&quot;normal&quot;&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;After the Spanish, who began intermarrying with indigenous peoples, populated Chile, the connection and reinforcement of the original Castilian Spanish began to fall away, leading to the development of this new dialect.&lt;/span&gt;&lt;/p&gt;
&lt;p class=&quot;normal&quot;&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;&lt;strong&gt;Differences from other Spanish dialects&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class=&quot;normal&quot;&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;Chilean Spanish has a great deal of distinctive vocabulary and slang. Many words are borrowed from neighbouring Amerindian language, Quechua. &lt;em&gt;Chilenismos&lt;/em&gt; also borrow heavily from the native language, Mapudungun, primarily for names of plants and animals.&lt;/span&gt;&lt;/p&gt;
&lt;p class=&quot;normal&quot;&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;There are few regional divisions within the country, with the Spanish spoken in the Northern, Central, and Southern areas being relatively consistent throughout. Areas like Ays&amp;#233;n, Magallanes, Chilo&amp;#233;, or Arica have greater differences, especially in the accent. There is remarkable variation in the Spanish spoken by different social classes, as well, centering on the usage of &amp;#8220;voseo,&amp;#8221; amongst other grammatical quirks.&lt;/span&gt;&lt;/p&gt;
&lt;div&gt;
&lt;p class=&quot;normal&quot;&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;&lt;strong&gt;Other languages spoken in Chile&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class=&quot;normal&quot;&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;&lt;img style=&quot;float: left; margin: 5px;&quot; title=&quot;Mapuche woman&quot; src=&quot;http://www.chileno.co.uk/media/blogs/a/Mapuche_woman.png&quot; alt=&quot;&quot; width=&quot;267&quot; height=&quot;179&quot; /&gt;Chile has seven living languages and several extinct or nearly extinct languages. Some of the indigenous languages include Mapudungun, Quechua, Rapa Nui, Huilliche, Central Aymara, Kawesqar (only 20 remaining speakers), and Yamana, which is spoken by only one person and will soon be an extinct language. Spanish is not the only language imported from Europe; several thousand Chileans also speak German, though the numbers of people who speak it have been in decline since World War II. Chilean Sign Language is a developing language; tens of thousands use the language, and is encouraged by the country by including the sign language in its bilingual-bicultural approach to education.&lt;/span&gt;&lt;/p&gt;
&lt;p class=&quot;normal&quot;&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;If you&amp;#8217;re planning a trip to Chile, or are just curious about chilenismos, read this &lt;a href=&quot;http://www.thisischile.cl/Article.aspx?id=1207&amp;amp;sec=361&amp;amp;eje=&amp;amp;t=language-of-chile-chileanismos%2c-castellano-and-indigenous-roots&amp;amp;idioma=2&quot; target=&quot;_blank&quot;&gt;guide&lt;/a&gt; and check out our &lt;a href=&quot;http://www.chileno.co.uk/chile/chilenismos#.UXDPpSsjqp0&quot;&gt;common Chilean slang terms&lt;/a&gt; to get a feel for the difference in the language.&lt;/span&gt;&lt;/p&gt;
&lt;/div&gt;&lt;div class=&quot;item_footer&quot;&gt;&lt;p&gt;&lt;small&gt;&lt;a href=&quot;http://www.chileno.co.uk/chile/the-unique-language-of-chile&quot;&gt;Original post&lt;/a&gt; blogged on &lt;a href=&quot;http://www.chileno.co.uk/&quot;&gt;Chileno&lt;/a&gt;.&lt;/small&gt;&lt;/p&gt;&lt;/div&gt;</description>
			<content:encoded><![CDATA[<p class="normal"><strong><span style="font-family: cambria; font-size: medium;">By <a href="http://www.chileno.co.uk/contributors/marcela-de-vivo#.UXeSgEpfaSo" target="_self">Marcela de Vivo</a></span></strong></p>
<p class="normal"><span style="font-family: cambria; font-size: medium;">It is often remarked upon how the English spoken by Americans isn&#8217;t really &#8220;English,&#8221; but within the small area of the United Kingdom&#8212;or even just England&#8212;a diverse range of accents and slang can make one person almost unintelligible to their neighbour.</span></p>
<p class="normal"><span style="font-family: cambria; font-size: medium;">This language barrier becomes even more pronounced when time and vast oceans separate the native tongue from the soil to which it was transplanted. Any Spanish speaker from Spain will tell you that the same language spoken in South American countries may be called &#8220;Spanish,&#8221; but they would be hard pressed to understand exactly what their Southern brethren are saying, unless they learned the country&#8217;s particular dialect.</span></p>
<p class="normal"><span style="font-family: cambria; font-size: medium;">Chilean Spanish stands apart from other Latin American dialects, due partly to the blend of indigenous languages from the original natives. As regional dialects vary from country to country, even those who speak fluent Latin American Spanish can run into miscommunication while in Chile, sometimes leading to<a href="http://blogs.transparent.com/spanish/humor-tenia-dos-guaguas/" target="_blank"> funny</a> results.</span></p>
<p class="normal"><span style="font-family: cambria; font-size: medium;"><strong>Background</strong></span></p>
<p class="normal"><span style="font-family: cambria; font-size: medium;">Chilean Spanish is part of the &#8220;American Spanish group&#8221; (in contrast to the Old World varieties), alongside Mexican, Caribbean (Cuba, Venezuela, Puerto Rico, Dominican Republic, Panama, and northern Colombia), Central American, Plata River (Argentina, Uruguay, and Paraguay) and Andean-Pacific (Peru, Ecuador, western Bolivia, Colombia and western Venezuela). Chilean Spanish is in a group by itself, unlike most other countries, which are grouped together in distinct regions.</span></p>
<p class="normal"><span style="font-family: cambria; font-size: medium;">Of the 16 million Chileans, over 90% speak Spanish as their primary language. Similar to Andalusian Spanish, it is a dialect that can be challenging for speakers of the Castilian version (from Spain) to understand.</span></p>
<p class="normal"><span style="font-family: cambria; font-size: medium;">Many indigenous groups lived in the region prior to the arrival of Spanish conquistadors, however, only 11 percent of the population is indigenous today. Many languages have become extinct or borderline extinct as the native population waned.</span></p>
<p class="normal"><span style="font-family: cambria; font-size: medium;">After the Spanish, who began intermarrying with indigenous peoples, populated Chile, the connection and reinforcement of the original Castilian Spanish began to fall away, leading to the development of this new dialect.</span></p>
<p class="normal"><span style="font-family: cambria; font-size: medium;"><strong>Differences from other Spanish dialects</strong></span></p>
<p class="normal"><span style="font-family: cambria; font-size: medium;">Chilean Spanish has a great deal of distinctive vocabulary and slang. Many words are borrowed from neighbouring Amerindian language, Quechua. <em>Chilenismos</em> also borrow heavily from the native language, Mapudungun, primarily for names of plants and animals.</span></p>
<p class="normal"><span style="font-family: cambria; font-size: medium;">There are few regional divisions within the country, with the Spanish spoken in the Northern, Central, and Southern areas being relatively consistent throughout. Areas like Ays&#233;n, Magallanes, Chilo&#233;, or Arica have greater differences, especially in the accent. There is remarkable variation in the Spanish spoken by different social classes, as well, centering on the usage of &#8220;voseo,&#8221; amongst other grammatical quirks.</span></p>
<div>
<p class="normal"><span style="font-family: cambria; font-size: medium;"><strong>Other languages spoken in Chile</strong></span></p>
<p class="normal"><span style="font-family: cambria; font-size: medium;"><img style="float: left; margin: 5px;" title="Mapuche woman" src="http://www.chileno.co.uk/media/blogs/a/Mapuche_woman.png" alt="" width="267" height="179" />Chile has seven living languages and several extinct or nearly extinct languages. Some of the indigenous languages include Mapudungun, Quechua, Rapa Nui, Huilliche, Central Aymara, Kawesqar (only 20 remaining speakers), and Yamana, which is spoken by only one person and will soon be an extinct language. Spanish is not the only language imported from Europe; several thousand Chileans also speak German, though the numbers of people who speak it have been in decline since World War II. Chilean Sign Language is a developing language; tens of thousands use the language, and is encouraged by the country by including the sign language in its bilingual-bicultural approach to education.</span></p>
<p class="normal"><span style="font-family: cambria; font-size: medium;">If you&#8217;re planning a trip to Chile, or are just curious about chilenismos, read this <a href="http://www.thisischile.cl/Article.aspx?id=1207&amp;sec=361&amp;eje=&amp;t=language-of-chile-chileanismos%2c-castellano-and-indigenous-roots&amp;idioma=2" target="_blank">guide</a> and check out our <a href="http://www.chileno.co.uk/chile/chilenismos#.UXDPpSsjqp0">common Chilean slang terms</a> to get a feel for the difference in the language.</span></p>
</div><div class="item_footer"><p><small><a href="http://www.chileno.co.uk/chile/the-unique-language-of-chile">Original post</a> blogged on <a href="http://www.chileno.co.uk/">Chileno</a>.</small></p></div>]]></content:encoded>
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			<title>Journey Latin America</title>
			<link>http://www.chileno.co.uk/travel/journey-latin-america</link>
			<pubDate>Tue, 05 Mar 2013 09:34:00 +0000</pubDate>			<dc:creator>Chileno</dc:creator>
			<category domain="alt">Chile</category>
<category domain="main">Travel</category>			<guid isPermaLink="false">207@http://www.chileno.co.uk/</guid>
						<description>&lt;div&gt;&lt;div&gt;&lt;a href=&quot;http://www.chileno.co.uk/media/blogs/a/JLA_LOGO_CMYK_small.jpg?mtime=1362473373&quot; rel=&quot;lightbox[p207]&quot;&gt;&lt;img alt=&quot;&quot; src=&quot;http://www.chileno.co.uk/media/blogs/a/./_evocache/JLA_LOGO_CMYK_small.jpg/fit-320x320.jpg?mtime=1362473373&quot; width=&quot;320&quot; height=&quot;147&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;p&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;We are delighted to introduce one of Chileno&#039;s new sponsors, &lt;em&gt;Journey Latin America&lt;/em&gt;, &lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;the UK&#039;s N&amp;#186;1 specialist in travel to Central and South America&lt;/span&gt;. Read on to find out more about the online company and click here to view their &lt;a href=&quot;http://www.journeylatinamerica.co.uk/papagaio/&quot; target=&quot;_blank&quot;&gt;magazine&lt;/a&gt; and browse their &lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;&lt;span style=&quot;text-decoration: underline;&quot;&gt;&lt;span style=&quot;color: #00ffff; text-decoration: underline;&quot;&gt;&lt;a href=&quot;http://www.journeylatinamerica.co.uk/&quot; target=&quot;_blank&quot;&gt;&lt;span style=&quot;color: #00ffff; text-decoration: underline;&quot;&gt;South American holidays&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;About Journey Latin America&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt; Our online magazine gives us the opportunity to share our expertise of all things Latin America and engage with our customers to hear their stories too. Still independently owned, Journey Latin America have been creating award-winning holidays to every corner of the region for over thirty years: and with over 70 staff, all of whom have lived, worked or travelled throughout the area we pride ourselves on being the most knowledgeable people there are when it comes to travel to Central and South America &amp;#8211; and passionate about it too. Co-founders, Chris Parrott and Brian Williams met while teaching in the British School in Rio de Janeiro and during their stint on the continent they travelled, separately, all over Latin America. Their combined knowledge and skills lead them to a ground-breaking plan and they began to run escorted holidays to Latin America. Some 30 years later the motivation hasn&amp;#8217;t changed: authentic experiences, knowledge and passion are what we&amp;#8217;re about. We aim to reflect these core principles in our online magazine too. From creative Latin American recipes to expert insight into both popular and off-the-beaten track routes, we&amp;#8217;ve something to interest every kind of explorer, both offline and on. If you&amp;#8217;re interested in the beaches of Brazil, snorkelling in the turquoise waters of Mexico, rubbing shoulders with the tropical penguins of the Gal&amp;#225;pagos or riding with the Gauchos of Argentina, browse our &lt;span style=&quot;text-decoration: underline;&quot;&gt;&lt;span style=&quot;color: #00ffff; text-decoration: underline;&quot;&gt;&lt;a href=&quot;http://www.journeylatinamerica.co.uk/&quot; target=&quot;_blank&quot;&gt;&lt;span style=&quot;color: #00ffff; text-decoration: underline;&quot;&gt;South American holidays&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;, follow us on &lt;span style=&quot;text-decoration: underline;&quot;&gt;&lt;span style=&quot;color: #00ffff;&quot;&gt;&lt;a href=&quot;http://www.facebook.com/JourneyLatinAmerica&quot; target=&quot;_blank&quot;&gt;&lt;span style=&quot;color: #00ffff; text-decoration: underline;&quot;&gt;Facebook&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt; and &lt;span style=&quot;text-decoration: underline;&quot;&gt;&lt;span style=&quot;color: #00ffff; text-decoration: underline;&quot;&gt;&lt;a href=&quot;https://twitter.com/JLA_UK&quot; target=&quot;_blank&quot;&gt;&lt;span style=&quot;color: #00ffff; text-decoration: underline;&quot;&gt;Twitter&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt; or give us a call on: 02036427857. Journey Latin America are the UK&#039;s N&amp;#186;1 specialist in travel to Central and South America and are happy to answer all your questions, however you wish to contact us.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class=&quot;item_footer&quot;&gt;&lt;p&gt;&lt;small&gt;&lt;a href=&quot;http://www.chileno.co.uk/travel/journey-latin-america&quot;&gt;Original post&lt;/a&gt; blogged on &lt;a href=&quot;http://www.chileno.co.uk/&quot;&gt;Chileno&lt;/a&gt;.&lt;/small&gt;&lt;/p&gt;&lt;/div&gt;</description>
			<content:encoded><![CDATA[<div><div><a href="http://www.chileno.co.uk/media/blogs/a/JLA_LOGO_CMYK_small.jpg?mtime=1362473373" rel="lightbox[p207]"><img alt="" src="http://www.chileno.co.uk/media/blogs/a/./_evocache/JLA_LOGO_CMYK_small.jpg/fit-320x320.jpg?mtime=1362473373" width="320" height="147" /></a></div></div><p><span style="font-family: cambria; font-size: medium;">We are delighted to introduce one of Chileno's new sponsors, <em>Journey Latin America</em>, <span style="font-family: cambria; font-size: medium;">the UK's N&#186;1 specialist in travel to Central and South America</span>. Read on to find out more about the online company and click here to view their <a href="http://www.journeylatinamerica.co.uk/papagaio/" target="_blank">magazine</a> and browse their <span style="font-family: cambria; font-size: medium;"><span style="text-decoration: underline;"><span style="color: #00ffff; text-decoration: underline;"><a href="http://www.journeylatinamerica.co.uk/" target="_blank"><span style="color: #00ffff; text-decoration: underline;">South American holidays</span></a></span></span></span>.<br /></span></p>
<p><strong><span style="font-family: cambria; font-size: medium;"><br /></span></strong></p>
<p><strong><span style="font-family: cambria; font-size: medium;">About Journey Latin America</span></strong></p>
<p><span style="font-family: cambria; font-size: medium;"> Our online magazine gives us the opportunity to share our expertise of all things Latin America and engage with our customers to hear their stories too. Still independently owned, Journey Latin America have been creating award-winning holidays to every corner of the region for over thirty years: and with over 70 staff, all of whom have lived, worked or travelled throughout the area we pride ourselves on being the most knowledgeable people there are when it comes to travel to Central and South America &#8211; and passionate about it too. Co-founders, Chris Parrott and Brian Williams met while teaching in the British School in Rio de Janeiro and during their stint on the continent they travelled, separately, all over Latin America. Their combined knowledge and skills lead them to a ground-breaking plan and they began to run escorted holidays to Latin America. Some 30 years later the motivation hasn&#8217;t changed: authentic experiences, knowledge and passion are what we&#8217;re about. We aim to reflect these core principles in our online magazine too. From creative Latin American recipes to expert insight into both popular and off-the-beaten track routes, we&#8217;ve something to interest every kind of explorer, both offline and on. If you&#8217;re interested in the beaches of Brazil, snorkelling in the turquoise waters of Mexico, rubbing shoulders with the tropical penguins of the Gal&#225;pagos or riding with the Gauchos of Argentina, browse our <span style="text-decoration: underline;"><span style="color: #00ffff; text-decoration: underline;"><a href="http://www.journeylatinamerica.co.uk/" target="_blank"><span style="color: #00ffff; text-decoration: underline;">South American holidays</span></a></span></span>, follow us on <span style="text-decoration: underline;"><span style="color: #00ffff;"><a href="http://www.facebook.com/JourneyLatinAmerica" target="_blank"><span style="color: #00ffff; text-decoration: underline;">Facebook</span></a></span></span> and <span style="text-decoration: underline;"><span style="color: #00ffff; text-decoration: underline;"><a href="https://twitter.com/JLA_UK" target="_blank"><span style="color: #00ffff; text-decoration: underline;">Twitter</span></a></span></span> or give us a call on: 02036427857. Journey Latin America are the UK's N&#186;1 specialist in travel to Central and South America and are happy to answer all your questions, however you wish to contact us.</span></p>
<p><span style="font-family: cambria; font-size: medium;"><br /></span></p><div class="item_footer"><p><small><a href="http://www.chileno.co.uk/travel/journey-latin-america">Original post</a> blogged on <a href="http://www.chileno.co.uk/">Chileno</a>.</small></p></div>]]></content:encoded>
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			<title>Gabriela Mistral: Poema de Chile</title>
			<link>http://www.chileno.co.uk/poetry/gabriela-mistral-poema-de-chile</link>
			<pubDate>Sun, 17 Feb 2013 10:21:00 +0000</pubDate>			<dc:creator>Chileno</dc:creator>
			<category domain="alt">Chile</category>
<category domain="main">Poetry</category>			<guid isPermaLink="false">199@http://www.chileno.co.uk/</guid>
						<description>&lt;p&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;&lt;strong&gt;Gabriela Mistral&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;&lt;img style=&quot;float: left; margin: 5px;&quot; src=&quot;http://chileno.co.uk/images/Mistral.png&quot; alt=&quot;Gabriela Mistral&quot; width=&quot;138&quot; height=&quot;199&quot; /&gt;&lt;a href=&quot;http://www.poetryfoundation.org/bio/gabriela-mistral&quot; target=&quot;_blank&quot;&gt;Gabriela Mistral&lt;/a&gt; (1889-1957), born Lucila de Mar&amp;#237;a de Perpetuo Socorro Godoy Alcayaga, was the first Chilean and indeed the first Latin American to receive the Nobel Prize in Literature (1945). In 1929 Gabriela defined her project in the following immortal terms: &quot;Nuestra obligaci&amp;#243;n primog&amp;#233;nita como escritores es entregar a los extra&amp;#241;os el paisaje nativo&quot; or, &quot;it is our obligation as writers to show the world our native land.&quot; In perhaps her most well-known work, &lt;em&gt;Poema de Chile,&lt;/em&gt; Mistral undertakes a phenomenological and existential investigation into the essence of Chile and what is means to be Chilean. In addition &lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;Gabriela Mistral was often a defender of the under-represented sections of society such as the indigenous people of Chile and these themes are found within her work. For example, she wrote a poem on the plight of the Araucanians, or Mapuche, a large indigenous people in Chile. &lt;/span&gt;&lt;/span&gt;The posthumously published book is the product &lt;/span&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;of extensive travel through the length and breadth of the country and &lt;/span&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;includes 77 poems which touch on the themes of animals, plants, rivers and the sea, as well as problems that face the common Chilean people. The full collection of &lt;a href=&quot;http://www.memoriachilena.cl/temas/documento_detalle.asp?id=MC0003272&quot; target=&quot;_blank&quot;&gt;Poema de Chile&lt;/a&gt; is available for download at memoria chilena and a Spanish language site has been established that is dedicated to Mistral (&lt;a href=&quot;http://salamistral.salasvirtuales.cl/index.php&quot; target=&quot;_blank&quot;&gt;salamistral&lt;/a&gt;), documenting her life through photographs, text and and audio/visual media. You can also find a bibliography at the bottom of this page compiled by the &lt;a href=&quot;http://www.poetryfoundation.org/bio/gabriela-mistral&quot; target=&quot;_blank&quot;&gt;Poetry Foundation&lt;/a&gt;. Check their website for any updates. Several poems follow below including an ode to the nation&#039;s most precious resource, copper and a poem on the &lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;Mapuche.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;&lt;strong&gt;&lt;a name=&quot;Mistral_COBRE&quot;&gt;&lt;/a&gt;COBRE&lt;/strong&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt;&lt;em&gt;&lt;span style=&quot;line-height: 115%;&quot; lang=&quot;ES-CL&quot;&gt;&amp;#160;&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt;Est&amp;#225;n redimiendo el cobre&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt;con las virtudes del fuego.&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt;De all&amp;#237; va a salir hermoso&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt;como nunca se lo vieron&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt;las piedras que eran sus madres&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt;y el que lo bef&amp;#243; por necio.&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt;&amp;#160; Suba el Padre Cobre, suba,&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt;que naciste para el fuego&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt;y te pareces a &amp;#233;l&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt;en el fervour de tu pecho.&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt;Todav&amp;#237;a, todav&amp;#237;a&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt;no confiesas el secreto&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt;del amor y de la fiebre&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt;que est&amp;#225; en tus piedras gimiendo.&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt;Nadie te habr&amp;#225; dicho hermoso,&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt;porque el pecho no te vieron&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt;&amp;#160; D&amp;#237;a a d&amp;#237;a te volviste&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt;la pobre piedra quedada&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt;la pobre piedra que duerme&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt;y dura y odia la llama&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt;y eres, ya, todos tus muertos&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt;antes de ser sepultada.&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt;&amp;#160; Helados, llanto y sonrisa,&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt;la oraci&amp;#243;n y la palabara,&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt;el amanacer la siesta&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt;y la oraci&amp;#243;n no arribada.&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt;Ya es o mismo, ya es igual&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt;la mundez que la palabara.&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt;ARAUCANOS&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt;&amp;#160; Vamos pasando, pasando&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt; la vieja Araucan&amp;#237;a&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt; que ni vemos ni mentamos.&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt; Vamos, sin saber, pasando&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt; reino de unos olvidados,&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt; que por mestizos banales,&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt; por f&amp;#225;bula los contamos,&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt; aunque nuestras caras suelen&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt; sin palabras declararlos.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt;&amp;#160; Eso que viene y se acerca&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt; como una palabra r&amp;#225;pida&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt; no es el escapar de un ciervo&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt; que es una india azorada.&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt; Lleva a la espalda al indito&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt; y va que vuela. &amp;#161;Cuitada!&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt;&amp;#160; -&amp;#191;Por qu&amp;#233; va corriendo, di,&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt; y escabullendo la cara?&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt; Ll&amp;#225;mala, tr&amp;#225;ela, corre&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt; que se parece a mi mama.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt;&amp;#160; -No va a volverse, chiquito,&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt; ya pas&amp;#243; como un fantasma.&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt; Corre m&amp;#225;s, nadie la alcanza.&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt; Va escapada de que vio&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt; forasteros, gente blanca.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt;&amp;#160; -Chiquito, escucha: ellos eran&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt; due&amp;#241;os de bosque y monta&amp;#241;a&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt; de lo que los ojos ven&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt; y lo que el ojo no alcanza,&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt; de hierbas, de frutos, de&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt; aire y luces araucanas,&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt; hasta el llegar de unos due&amp;#241;os&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt; de rifles y caballadas.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt;&amp;#160; -No cuentes ahora, no,&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt; grita, da un silbido, tr&amp;#225;ela.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt;&amp;#160; -Ya se pierde ya, mi ni&amp;#241;o,&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt; de Madre-Selva tragada.&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt; &amp;#191;A qu&amp;#233; lloras? Ya la viste,&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt; ya ni se le ve la espalda.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt;&amp;#160; -Di c&amp;#243;mo se llaman, dilo.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt;&amp;#160; -Hasta su nombre les falta.&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt; Los mientan &quot;araucanos&quot;&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt; y no quieren de nosotros&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt; vernos bulto, o&amp;#237;rnos habla.&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt; Ellos fueron despojados,&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt; pero son la Vieja Patria,&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt; el primer vagido nuestro&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt; y nuestra primera palabra.&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt; Son un largo coro antiguo&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt; que no m&amp;#225;s r&amp;#237;e y ni canta.&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt; N&amp;#243;mbrala t&amp;#250;, di conmigo:&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt; brava-gente-araucana.&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt; Sigue diciendo: cayeron.&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt; Di m&amp;#225;s: volver&amp;#225;n ma&amp;#241;ana.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt;&amp;#160; Deja, la ver&amp;#225;s un d&amp;#237;a&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt; devuelta y transfigurada&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt; bajar de la tierra quechua&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt; a la tierra araucana,&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt; mirarse y reconocerse&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt; y abrazarse sin palabras.&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt; Ellas nunca se encontraron&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt; para mirarse a la cara&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt; y amarse y deletrear&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt; sobre los rostros sus almas.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;&amp;#160;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt;ARAUCANIANS&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt;&amp;#160; We&amp;#8217;re passing, passing through&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt; the old land of the Araucanians,&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt; whom we neither see nor name.&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt; We&amp;#8217;re crossing without knowing it&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt; a kingdom of the forgotten,&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt; whom we discount as halfbreeds,&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt; or mere legends,&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt; though our faces go on&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt;Wordlessly proclaiming them.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt;&amp;#160; What&amp;#8217;s coming, coming near&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt; like a quick word,&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt; isn&amp;#8217;t a fleeing stag&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt; but a frightened Indian woman.&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt; She carries her baby on her back&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt; and flies on. Panic!&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt;&amp;#160; -Tell me why does she run away,&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt; hiding her face from us?&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt; Run, call her, bring her back&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt; for she looks like my mama.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt;&amp;#160; -She won&amp;#8217;t come back, Little one,&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt; she&amp;#8217;s gone now like a ghost,&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt; running so fast no one can stop her.&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt; She fled because she saw&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt; foreigners, white people.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt;&amp;#160; -Little one, listen: they were&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt; lords of forest and mountain,&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt; of all the eye can see&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt; and all the eye can&amp;#8217;t reach,&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt; of herbs, of fruits&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt; of the winds and lights of Arauco,&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt; until some people got here&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt; with rifles and horses.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt;&amp;#160; -Don&amp;#8217;t tell about it now,&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt; call, whistle, bring her back!&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt;&amp;#160; -She&amp;#8217;s lost already, gone my son,&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt; swallowed up in the Mother-Forest.&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt; Why are you crying? You just saw her,&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt; now even her back has vanished.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt;&amp;#160; -Say what they&amp;#8217;re called, tell me.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt;&amp;#160; -Even their name is lost.&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt; They&amp;#8217;re called &quot;Araucanians&quot;&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt; and all they want of us&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt; is not to see us, hear us talk.&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt; They were dispossessed,&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt; but they are the Old Land,&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt; our first birth-cry&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt; and the first word we spoke.&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt; They are a broad ancicent chorus&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt; that no longer laughs or sings.&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt; Name them with me:&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt; brave-Araucanian-people.&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt; Go on: They were slain.&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt; Say more: They will return tomorrow.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt;Let it be; one day you&amp;#8217;ll see her&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt; changed and transfigured&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt; coming down from Quechuan land&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt; to Araucanian land,&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt; to gaze and recognize&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt; and embrace without speaking.&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt; They never met&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt; to look into each other&amp;#8217;s eyes,&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt; to love each other, and to trace&lt;/span&gt;&lt;br /&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt; their souls on their faces.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt;Translation from &#039;selected poems of Gabriela Mistral&#039; by &lt;a href=&quot;http://www.ursulakleguin.com/Mistral_Note.html&quot; target=&quot;_blank&quot;&gt;Ursula Le Guin.&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&lt;strong&gt;&lt;span style=&quot;font-family: cambria;&quot;&gt;Bibliography - compiled by the &lt;a href=&quot;http://www.poetryfoundation.org/bio/gabriela-mistral&quot; target=&quot;_blank&quot;&gt;Poetry Foundation&lt;/a&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt;&lt;strong&gt;BOOKS&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;span style=&quot;font-family: cambria;&quot;&gt;&lt;em&gt;Desolaci&amp;#243;n&lt;/em&gt; (New York: Instituto de las Espa&amp;#241;as, 1922; enlarged edition, Santiago: Nascimento, 1923).&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style=&quot;font-family: cambria;&quot;&gt;&lt;em&gt;Ternura: Canciones de ni&amp;#241;os&lt;/em&gt; (Madrid: Saturnino Calleja, 1924; revised edition, Buenos Aires: Espasa-Calpe, 1945).&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style=&quot;font-family: cambria;&quot;&gt;&lt;em&gt;Tala&lt;/em&gt; (Buenos Aires: Sur, 1938; revised edition, Buenos Aires: Losada, 1946).&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style=&quot;font-family: cambria;&quot;&gt;&lt;em&gt;Croquis mexicano,&lt;/em&gt; edited by Alfonso Calder&amp;#243;n (Mexico City: Costa-Amie, 1957).&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style=&quot;font-family: cambria;&quot;&gt;&lt;em&gt;Recados: Contando a Chile,&lt;/em&gt; edited by Alfonso M. Escudero (Santiago: Editorial del Pac&amp;#237;fico, 1957).&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style=&quot;font-family: cambria;&quot;&gt;&lt;em&gt;Poes&amp;#237;as completas,&lt;/em&gt; edited by Margaret Bates (Madrid: Aguilar, 1958).&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style=&quot;font-family: cambria;&quot;&gt;&lt;em&gt;P&amp;#225;ginas en prosa,&lt;/em&gt; edited by Jos&amp;#233; Pereira Rodr&amp;#237;guez (Buenos Aires: Kapelusz, 1962).&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style=&quot;font-family: cambria;&quot;&gt;&lt;em&gt;Motivos de San Francisco,&lt;/em&gt; edited by C&amp;#233;sar D&amp;#237;az-Mu&amp;#241;oz Cormatches (Santiago: Editorial del Pac&amp;#237;fico, 1965).&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style=&quot;font-family: cambria;&quot;&gt;&lt;em&gt;Poema de Chile&lt;/em&gt; (Barcelona: Pomaire, 1967).&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style=&quot;font-family: cambria;&quot;&gt;&lt;em&gt;Materias: Prosa in&amp;#233;dita,&lt;/em&gt; edited by Calder&amp;#243;n (Santiago: Editorial Universitaria, 1978).&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style=&quot;font-family: cambria;&quot;&gt;&lt;em&gt;Gabriela anda por el mundo,&lt;/em&gt; edited by Roque Esteban Scarpa (Santiago: Andr&amp;#233;s Bello, 1978).&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style=&quot;font-family: cambria;&quot;&gt;&lt;em&gt;Gabriela piensa en . . . ,&lt;/em&gt; edited by Esteban Scarpa (Santiago: Andr&amp;#233;s Bello, 1978).&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style=&quot;font-family: cambria;&quot;&gt;&lt;em&gt;Gabriela Mistral en el &quot;Repertorio Americano,&quot;&lt;/em&gt; edited by Mario C&amp;#233;spedes (San Jos&amp;#233;: Editorial Universidad de Costa Rica, 1978).&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style=&quot;font-family: cambria;&quot;&gt;&lt;em&gt;Prosa religiosa de Gabriela Mistral,&lt;/em&gt; edited by Luis Vargas Saavedra (Santiago: Andr&amp;#233;s Bello, 1978).&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style=&quot;font-family: cambria;&quot;&gt;&lt;em&gt;Magisterio y ni&amp;#241;o,&lt;/em&gt; edited by Esteban Scarpa (Santiago: Andr&amp;#233;s Bello, 1979).&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style=&quot;font-family: cambria;&quot;&gt;&lt;em&gt;Grandeza de los oficios,&lt;/em&gt; edited by Esteban Scarpa (Santiago: Andr&amp;#233;s Bello, 1979).&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style=&quot;font-family: cambria;&quot;&gt;&lt;em&gt;Elogio de las cosas de la tierra,&lt;/em&gt; edited by Esteban Scarpa (Santiago: Andr&amp;#233;s Bello, 1979).&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style=&quot;font-family: cambria;&quot;&gt;&lt;em&gt;Reino: Poes&amp;#237;a dispersa e in&amp;#233;dita, en verso y prosa,&lt;/em&gt; edited by Gast&amp;#243;n von dem Bussche (Valpara&amp;#237;so: Ediciones Universitarias de Valpara&amp;#237;so, 1983).&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style=&quot;font-family: cambria;&quot;&gt;&lt;em&gt;Lagar II,&lt;/em&gt; edited by Ana Mar&amp;#237;a Cuneo and Pedro Pablo Zegers (Santiago: Dirreci&amp;#243;n de Bibliotecas, Archivos y Museos, Biblioteca Nacional, 1991).&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style=&quot;font-family: cambria;&quot;&gt;&lt;em&gt;Bendita mi lengua sea: Diario &amp;#237;ntima de Gabriela Mistral, 1905-1956,&lt;/em&gt; edited by Jaime Quezada (Santiago: Planeta/Ariel, 2002).&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style=&quot;font-family: cambria;&quot;&gt;&lt;em&gt;Recopilaci&amp;#243;n de la obra mistraliana, 1902-1922,&lt;/em&gt; edited by Zegers (Santiago: Ril, 2002).&lt;/span&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt;&lt;strong&gt;Collections&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;span style=&quot;font-family: cambria;&quot;&gt;&lt;em&gt;Antolog&amp;#237;a po&amp;#233;tica de Gabriela Mistral,&lt;/em&gt; selected by Alfonso Calder&amp;#243;n (Santiago: Editorial Universitaria, 1974).&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style=&quot;font-family: cambria;&quot;&gt;&lt;em&gt;Poes&amp;#237;a y prosa,&lt;/em&gt; edited by Quezada (Caracas: Biblioteca Ayacucho, 1993).&lt;/span&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt;&lt;strong&gt;Editions in English&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;span style=&quot;font-family: cambria;&quot;&gt;&lt;em&gt;Selected Poems of Gabriela Mistral,&lt;/em&gt; translated by Langston Hughes (Bloomington &amp;amp; London: Indiana University Press, 1957).&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style=&quot;font-family: cambria;&quot;&gt;&lt;em&gt;Selected Poems of Gabriela Mistral,&lt;/em&gt; translated and edited by Doris Dana (Baltimore: Johns Hopkins University Press, 1971).&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style=&quot;font-family: cambria;&quot;&gt;&lt;em&gt;A Gabriela Mistral Reader,&lt;/em&gt; translated by Maria Giachetti, edited by Marjorie Agos&amp;#237;n (Fredonia, N.Y.: White Pines, 1993).&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style=&quot;font-family: cambria;&quot;&gt;&lt;em&gt;Selected Prose and Prose-Poems,&lt;/em&gt; edited and translated by Stephen Tapscott (Austin: University of Texas Press, 2002).&lt;/span&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt;&lt;strong&gt;OTHER&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;span style=&quot;font-family: cambria;&quot;&gt;&lt;em&gt;Lecturas para mujeres,&lt;/em&gt; edited by Mistral (Mexico City: Secretar&amp;#237;a de Educaci&amp;#243;n P&amp;#250;blica, 1924).&lt;/span&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt;&lt;strong&gt;LETTERS&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;span style=&quot;font-family: cambria;&quot;&gt;&lt;em&gt;Epistolario: Cartas a Eugenio Labarca (1915-16),&lt;/em&gt; edited by Ra&amp;#250;l Silva Castro (Santiago: Anales de la Universidad de Chile, 1957).&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style=&quot;font-family: cambria;&quot;&gt;&lt;em&gt;Cartas de Gabriela Mistral a Juan Ram&amp;#243;n Jim&amp;#233;nez&lt;/em&gt; (San Juan, Puerto Rico: Ediciones de La Torre, 1961).&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style=&quot;font-family: cambria;&quot;&gt;&lt;em&gt;Cartas de Gabriela Mistral,&lt;/em&gt; edited by Luis Vargas Saavedra (Santiago: Biblioteca Nacional, 1970).&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style=&quot;font-family: cambria;&quot;&gt;&lt;em&gt;Cartas de amor de Gabriela Mistral,&lt;/em&gt; edited by Sergio Fern&amp;#225;ndez Larra&amp;#237;n (Santiago: Andr&amp;#233;s Bello, 1978).&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style=&quot;font-family: cambria;&quot;&gt;Eduardo Frei Montalva, &lt;em&gt;Memorias y correspondencias con Gabriela Mistral y Jacques Maritain&lt;/em&gt; (Santiago: Planeta, 1989).&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style=&quot;font-family: cambria;&quot;&gt;&lt;em&gt;Gabriela Mistral y Joaqu&amp;#237;n Garc&amp;#237;a Monge: Una correspondencia in&amp;#233;dita,&lt;/em&gt; edited by Magda Arce (Santiago: Andr&amp;#233;s Bello, 1989).&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style=&quot;font-family: cambria;&quot;&gt;&lt;em&gt;Tan de usted: Epistelario de Gabriela Mistral con Alfonso Reyes,&lt;/em&gt; edited by Vargas Saavedra (Santiago: Hachette/Editorial Universitaria Cat&amp;#243;lica de Chile, 1991).&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style=&quot;font-family: cambria;&quot;&gt;&lt;em&gt;En batalla de sencillez: De Lucila a Gabriela: Cartas a Pedro Prado, 1915-1939,&lt;/em&gt; edited by Vargas Saavedra, Mar&amp;#237;a Ester Mart&amp;#237;nez Sanz, and Regina Vald&amp;#233;s Bowen (Santiago: Dolmen, 1993).&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style=&quot;font-family: cambria;&quot;&gt;&lt;em&gt;Epistolario de Gabriela Mistral e Isolina Barraza&lt;/em&gt; (La Serena, Chile: Rosales, 1995).&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style=&quot;font-family: cambria;&quot;&gt;&lt;em&gt;Vuestra Gabriel: cartas in&amp;#233;ditas de Gabriela Mistral a los Err&amp;#225;zuriz Echenique y Tomic Err&amp;#225;zuriz,&lt;/em&gt; edited by Vargas Saavedra (Santiago: Zig-Zag, 1995).&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style=&quot;font-family: cambria;&quot;&gt;&lt;em&gt;Cartas de amor y desamor,&lt;/em&gt; edited by Jaime Quezada and Fern&amp;#225;ndez Larra&amp;#237;n (Santiago: Andr&amp;#233;s Bello, 1999).&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style=&quot;font-family: cambria;&quot;&gt;&lt;em&gt;Castilla, tajeada de sed como mi lengua: Gabriela Mistral ante Espa&amp;#241;a y Espa&amp;#241;a ante Gabriela Mistral, 1933 a 1935,&lt;/em&gt; edited by Vargas Saavedra (Santiago: Ediciones Universidad Cat&amp;#243;lica de Chile, 2002).&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style=&quot;font-family: cambria;&quot;&gt;&lt;em&gt;This America of Ours: The Letters of Gabriela Mistral and Victoria Ocampo,&lt;/em&gt; edited and translated by Elizabeth Horan and Doris Meyer (Austin: University of Texas Press, 2003).&lt;/span&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class=&quot;item_footer&quot;&gt;&lt;p&gt;&lt;small&gt;&lt;a href=&quot;http://www.chileno.co.uk/poetry/gabriela-mistral-poema-de-chile&quot;&gt;Original post&lt;/a&gt; blogged on &lt;a href=&quot;http://www.chileno.co.uk/&quot;&gt;Chileno&lt;/a&gt;.&lt;/small&gt;&lt;/p&gt;&lt;/div&gt;</description>
			<content:encoded><![CDATA[<p><span style="font-family: cambria; font-size: medium;"><strong>Gabriela Mistral</strong></span></p>
<p><span style="font-family: cambria; font-size: medium;"><img style="float: left; margin: 5px;" src="http://chileno.co.uk/images/Mistral.png" alt="Gabriela Mistral" width="138" height="199" /><a href="http://www.poetryfoundation.org/bio/gabriela-mistral" target="_blank">Gabriela Mistral</a> (1889-1957), born Lucila de Mar&#237;a de Perpetuo Socorro Godoy Alcayaga, was the first Chilean and indeed the first Latin American to receive the Nobel Prize in Literature (1945). In 1929 Gabriela defined her project in the following immortal terms: "Nuestra obligaci&#243;n primog&#233;nita como escritores es entregar a los extra&#241;os el paisaje nativo" or, "it is our obligation as writers to show the world our native land." In perhaps her most well-known work, <em>Poema de Chile,</em> Mistral undertakes a phenomenological and existential investigation into the essence of Chile and what is means to be Chilean. In addition <span style="font-family: cambria; font-size: medium;"><span style="font-family: cambria; font-size: medium;">Gabriela Mistral was often a defender of the under-represented sections of society such as the indigenous people of Chile and these themes are found within her work. For example, she wrote a poem on the plight of the Araucanians, or Mapuche, a large indigenous people in Chile. </span></span>The posthumously published book is the product </span><span style="font-family: cambria; font-size: medium;">of extensive travel through the length and breadth of the country and </span><span style="font-family: cambria; font-size: medium;">includes 77 poems which touch on the themes of animals, plants, rivers and the sea, as well as problems that face the common Chilean people. The full collection of <a href="http://www.memoriachilena.cl/temas/documento_detalle.asp?id=MC0003272" target="_blank">Poema de Chile</a> is available for download at memoria chilena and a Spanish language site has been established that is dedicated to Mistral (<a href="http://salamistral.salasvirtuales.cl/index.php" target="_blank">salamistral</a>), documenting her life through photographs, text and and audio/visual media. You can also find a bibliography at the bottom of this page compiled by the <a href="http://www.poetryfoundation.org/bio/gabriela-mistral" target="_blank">Poetry Foundation</a>. Check their website for any updates. Several poems follow below including an ode to the nation's most precious resource, copper and a poem on the <span style="font-family: cambria; font-size: medium;"><span style="font-family: cambria; font-size: medium;">Mapuche.</span></span><br /></span></p>
<div style="text-align: justify;"><span style="font-family: cambria; font-size: medium;"><strong><a name="Mistral_COBRE"></a>COBRE</strong></span></div>
<div style="text-align: justify;"><span style="font-size: medium; font-family: cambria;"><em><span style="line-height: 115%;" lang="ES-CL">&#160;</span></em></span></div>
<p style="text-align: justify;"><span style="font-size: medium; font-family: cambria;">Est&#225;n redimiendo el cobre</span></p>
<p style="text-align: justify;"><span style="font-size: medium; font-family: cambria;">con las virtudes del fuego.</span></p>
<p style="text-align: justify;"><span style="font-size: medium; font-family: cambria;">De all&#237; va a salir hermoso</span></p>
<p style="text-align: justify;"><span style="font-size: medium; font-family: cambria;">como nunca se lo vieron</span></p>
<p style="text-align: justify;"><span style="font-size: medium; font-family: cambria;">las piedras que eran sus madres</span></p>
<p style="text-align: justify;"><span style="font-size: medium; font-family: cambria;">y el que lo bef&#243; por necio.</span></p>
<p style="text-align: justify;"><span style="font-size: medium; font-family: cambria;"><br /></span></p>
<p style="text-align: justify;"><span style="font-size: medium; font-family: cambria;">&#160; Suba el Padre Cobre, suba,</span></p>
<p style="text-align: justify;"><span style="font-size: medium; font-family: cambria;">que naciste para el fuego</span></p>
<p style="text-align: justify;"><span style="font-size: medium; font-family: cambria;">y te pareces a &#233;l</span></p>
<p style="text-align: justify;"><span style="font-size: medium; font-family: cambria;">en el fervour de tu pecho.</span></p>
<p style="text-align: justify;"><span style="font-size: medium; font-family: cambria;">Todav&#237;a, todav&#237;a</span></p>
<p style="text-align: justify;"><span style="font-size: medium; font-family: cambria;">no confiesas el secreto</span></p>
<p style="text-align: justify;"><span style="font-size: medium; font-family: cambria;">del amor y de la fiebre</span></p>
<p style="text-align: justify;"><span style="font-size: medium; font-family: cambria;">que est&#225; en tus piedras gimiendo.</span></p>
<p style="text-align: justify;"><span style="font-size: medium; font-family: cambria;">Nadie te habr&#225; dicho hermoso,</span></p>
<p style="text-align: justify;"><span style="font-size: medium; font-family: cambria;">porque el pecho no te vieron</span></p>
<p style="text-align: justify;"><span style="font-size: medium; font-family: cambria;"><br /></span></p>
<p style="text-align: justify;"><span style="font-size: medium; font-family: cambria;">&#160; D&#237;a a d&#237;a te volviste</span></p>
<p style="text-align: justify;"><span style="font-size: medium; font-family: cambria;">la pobre piedra quedada</span></p>
<p style="text-align: justify;"><span style="font-size: medium; font-family: cambria;">la pobre piedra que duerme</span></p>
<p style="text-align: justify;"><span style="font-size: medium; font-family: cambria;">y dura y odia la llama</span></p>
<p style="text-align: justify;"><span style="font-size: medium; font-family: cambria;">y eres, ya, todos tus muertos</span></p>
<p style="text-align: justify;"><span style="font-size: medium; font-family: cambria;">antes de ser sepultada.</span></p>
<p style="text-align: justify;"><span style="font-size: medium; font-family: cambria;"><br /></span></p>
<p style="text-align: justify;"><span style="font-size: medium; font-family: cambria;">&#160; Helados, llanto y sonrisa,</span></p>
<p style="text-align: justify;"><span style="font-size: medium; font-family: cambria;">la oraci&#243;n y la palabara,</span></p>
<p style="text-align: justify;"><span style="font-size: medium; font-family: cambria;">el amanacer la siesta</span></p>
<p style="text-align: justify;"><span style="font-size: medium; font-family: cambria;">y la oraci&#243;n no arribada.</span></p>
<p style="text-align: justify;"><span style="font-size: medium; font-family: cambria;">Ya es o mismo, ya es igual</span></p>
<p style="text-align: justify;"><span style="font-size: medium; font-family: cambria;">la mundez que la palabara.</span></p>
<p style="text-align: justify;"><span style="font-family: cambria; font-size: medium;"><br /></span></p>
<p><span style="font-size: medium; font-family: cambria;">ARAUCANOS</span></p>
<p><span style="font-size: medium; font-family: cambria;">&#160; Vamos pasando, pasando</span><br /><span style="font-size: medium; font-family: cambria;"> la vieja Araucan&#237;a</span><br /><span style="font-size: medium; font-family: cambria;"> que ni vemos ni mentamos.</span><br /><span style="font-size: medium; font-family: cambria;"> Vamos, sin saber, pasando</span><br /><span style="font-size: medium; font-family: cambria;"> reino de unos olvidados,</span><br /><span style="font-size: medium; font-family: cambria;"> que por mestizos banales,</span><br /><span style="font-size: medium; font-family: cambria;"> por f&#225;bula los contamos,</span><br /><span style="font-size: medium; font-family: cambria;"> aunque nuestras caras suelen</span><br /><span style="font-size: medium; font-family: cambria;"> sin palabras declararlos.</span></p>
<p><span style="font-size: medium; font-family: cambria;">&#160; Eso que viene y se acerca</span><br /><span style="font-size: medium; font-family: cambria;"> como una palabra r&#225;pida</span><br /><span style="font-size: medium; font-family: cambria;"> no es el escapar de un ciervo</span><br /><span style="font-size: medium; font-family: cambria;"> que es una india azorada.</span><br /><span style="font-size: medium; font-family: cambria;"> Lleva a la espalda al indito</span><br /><span style="font-size: medium; font-family: cambria;"> y va que vuela. &#161;Cuitada!</span></p>
<p><span style="font-size: medium; font-family: cambria;">&#160; -&#191;Por qu&#233; va corriendo, di,</span><br /><span style="font-size: medium; font-family: cambria;"> y escabullendo la cara?</span><br /><span style="font-size: medium; font-family: cambria;"> Ll&#225;mala, tr&#225;ela, corre</span><br /><span style="font-size: medium; font-family: cambria;"> que se parece a mi mama.</span></p>
<p><span style="font-size: medium; font-family: cambria;">&#160; -No va a volverse, chiquito,</span><br /><span style="font-size: medium; font-family: cambria;"> ya pas&#243; como un fantasma.</span><br /><span style="font-size: medium; font-family: cambria;"> Corre m&#225;s, nadie la alcanza.</span><br /><span style="font-size: medium; font-family: cambria;"> Va escapada de que vio</span><br /><span style="font-size: medium; font-family: cambria;"> forasteros, gente blanca.</span></p>
<p><span style="font-size: medium; font-family: cambria;">&#160; -Chiquito, escucha: ellos eran</span><br /><span style="font-size: medium; font-family: cambria;"> due&#241;os de bosque y monta&#241;a</span><br /><span style="font-size: medium; font-family: cambria;"> de lo que los ojos ven</span><br /><span style="font-size: medium; font-family: cambria;"> y lo que el ojo no alcanza,</span><br /><span style="font-size: medium; font-family: cambria;"> de hierbas, de frutos, de</span><br /><span style="font-size: medium; font-family: cambria;"> aire y luces araucanas,</span><br /><span style="font-size: medium; font-family: cambria;"> hasta el llegar de unos due&#241;os</span><br /><span style="font-size: medium; font-family: cambria;"> de rifles y caballadas.</span></p>
<p><span style="font-size: medium; font-family: cambria;">&#160; -No cuentes ahora, no,</span><br /><span style="font-size: medium; font-family: cambria;"> grita, da un silbido, tr&#225;ela.</span></p>
<p><span style="font-size: medium; font-family: cambria;">&#160; -Ya se pierde ya, mi ni&#241;o,</span><br /><span style="font-size: medium; font-family: cambria;"> de Madre-Selva tragada.</span><br /><span style="font-size: medium; font-family: cambria;"> &#191;A qu&#233; lloras? Ya la viste,</span><br /><span style="font-size: medium; font-family: cambria;"> ya ni se le ve la espalda.</span></p>
<p><span style="font-size: medium; font-family: cambria;">&#160; -Di c&#243;mo se llaman, dilo.</span></p>
<p><span style="font-size: medium; font-family: cambria;">&#160; -Hasta su nombre les falta.</span><br /><span style="font-size: medium; font-family: cambria;"> Los mientan "araucanos"</span><br /><span style="font-size: medium; font-family: cambria;"> y no quieren de nosotros</span><br /><span style="font-size: medium; font-family: cambria;"> vernos bulto, o&#237;rnos habla.</span><br /><span style="font-size: medium; font-family: cambria;"> Ellos fueron despojados,</span><br /><span style="font-size: medium; font-family: cambria;"> pero son la Vieja Patria,</span><br /><span style="font-size: medium; font-family: cambria;"> el primer vagido nuestro</span><br /><span style="font-size: medium; font-family: cambria;"> y nuestra primera palabra.</span><br /><span style="font-size: medium; font-family: cambria;"> Son un largo coro antiguo</span><br /><span style="font-size: medium; font-family: cambria;"> que no m&#225;s r&#237;e y ni canta.</span><br /><span style="font-size: medium; font-family: cambria;"> N&#243;mbrala t&#250;, di conmigo:</span><br /><span style="font-size: medium; font-family: cambria;"> brava-gente-araucana.</span><br /><span style="font-size: medium; font-family: cambria;"> Sigue diciendo: cayeron.</span><br /><span style="font-size: medium; font-family: cambria;"> Di m&#225;s: volver&#225;n ma&#241;ana.</span></p>
<p><span style="font-size: medium; font-family: cambria;">&#160; Deja, la ver&#225;s un d&#237;a</span><br /><span style="font-size: medium; font-family: cambria;"> devuelta y transfigurada</span><br /><span style="font-size: medium; font-family: cambria;"> bajar de la tierra quechua</span><br /><span style="font-size: medium; font-family: cambria;"> a la tierra araucana,</span><br /><span style="font-size: medium; font-family: cambria;"> mirarse y reconocerse</span><br /><span style="font-size: medium; font-family: cambria;"> y abrazarse sin palabras.</span><br /><span style="font-size: medium; font-family: cambria;"> Ellas nunca se encontraron</span><br /><span style="font-size: medium; font-family: cambria;"> para mirarse a la cara</span><br /><span style="font-size: medium; font-family: cambria;"> y amarse y deletrear</span><br /><span style="font-size: medium; font-family: cambria;"> sobre los rostros sus almas.</span></p>
<p><span style="font-family: cambria; font-size: medium;">&#160;</span></p>
<p><span style="font-size: medium; font-family: cambria;">ARAUCANIANS</span></p>
<p><span style="font-size: medium; font-family: cambria;">&#160; We&#8217;re passing, passing through</span><br /><span style="font-size: medium; font-family: cambria;"> the old land of the Araucanians,</span><br /><span style="font-size: medium; font-family: cambria;"> whom we neither see nor name.</span><br /><span style="font-size: medium; font-family: cambria;"> We&#8217;re crossing without knowing it</span><br /><span style="font-size: medium; font-family: cambria;"> a kingdom of the forgotten,</span><br /><span style="font-size: medium; font-family: cambria;"> whom we discount as halfbreeds,</span><br /><span style="font-size: medium; font-family: cambria;"> or mere legends,</span><br /><span style="font-size: medium; font-family: cambria;"> though our faces go on</span></p>
<p><span style="font-size: medium; font-family: cambria;">Wordlessly proclaiming them.</span></p>
<p><span style="font-size: medium; font-family: cambria;">&#160; What&#8217;s coming, coming near</span><br /><span style="font-size: medium; font-family: cambria;"> like a quick word,</span><br /><span style="font-size: medium; font-family: cambria;"> isn&#8217;t a fleeing stag</span><br /><span style="font-size: medium; font-family: cambria;"> but a frightened Indian woman.</span><br /><span style="font-size: medium; font-family: cambria;"> She carries her baby on her back</span><br /><span style="font-size: medium; font-family: cambria;"> and flies on. Panic!</span></p>
<p><span style="font-size: medium; font-family: cambria;">&#160; -Tell me why does she run away,</span><br /><span style="font-size: medium; font-family: cambria;"> hiding her face from us?</span><br /><span style="font-size: medium; font-family: cambria;"> Run, call her, bring her back</span><br /><span style="font-size: medium; font-family: cambria;"> for she looks like my mama.</span></p>
<p><span style="font-size: medium; font-family: cambria;">&#160; -She won&#8217;t come back, Little one,</span><br /><span style="font-size: medium; font-family: cambria;"> she&#8217;s gone now like a ghost,</span><br /><span style="font-size: medium; font-family: cambria;"> running so fast no one can stop her.</span><br /><span style="font-size: medium; font-family: cambria;"> She fled because she saw</span><br /><span style="font-size: medium; font-family: cambria;"> foreigners, white people.</span></p>
<p><span style="font-size: medium; font-family: cambria;">&#160; -Little one, listen: they were</span><br /><span style="font-size: medium; font-family: cambria;"> lords of forest and mountain,</span><br /><span style="font-size: medium; font-family: cambria;"> of all the eye can see</span><br /><span style="font-size: medium; font-family: cambria;"> and all the eye can&#8217;t reach,</span><br /><span style="font-size: medium; font-family: cambria;"> of herbs, of fruits</span><br /><span style="font-size: medium; font-family: cambria;"> of the winds and lights of Arauco,</span><br /><span style="font-size: medium; font-family: cambria;"> until some people got here</span><br /><span style="font-size: medium; font-family: cambria;"> with rifles and horses.</span></p>
<p><span style="font-size: medium; font-family: cambria;">&#160; -Don&#8217;t tell about it now,</span><br /><span style="font-size: medium; font-family: cambria;"> call, whistle, bring her back!</span></p>
<p><span style="font-size: medium; font-family: cambria;">&#160; -She&#8217;s lost already, gone my son,</span><br /><span style="font-size: medium; font-family: cambria;"> swallowed up in the Mother-Forest.</span><br /><span style="font-size: medium; font-family: cambria;"> Why are you crying? You just saw her,</span><br /><span style="font-size: medium; font-family: cambria;"> now even her back has vanished.</span></p>
<p><span style="font-size: medium; font-family: cambria;">&#160; -Say what they&#8217;re called, tell me.</span></p>
<p><span style="font-size: medium; font-family: cambria;">&#160; -Even their name is lost.</span><br /><span style="font-size: medium; font-family: cambria;"> They&#8217;re called "Araucanians"</span><br /><span style="font-size: medium; font-family: cambria;"> and all they want of us</span><br /><span style="font-size: medium; font-family: cambria;"> is not to see us, hear us talk.</span><br /><span style="font-size: medium; font-family: cambria;"> They were dispossessed,</span><br /><span style="font-size: medium; font-family: cambria;"> but they are the Old Land,</span><br /><span style="font-size: medium; font-family: cambria;"> our first birth-cry</span><br /><span style="font-size: medium; font-family: cambria;"> and the first word we spoke.</span><br /><span style="font-size: medium; font-family: cambria;"> They are a broad ancicent chorus</span><br /><span style="font-size: medium; font-family: cambria;"> that no longer laughs or sings.</span><br /><span style="font-size: medium; font-family: cambria;"> Name them with me:</span><br /><span style="font-size: medium; font-family: cambria;"> brave-Araucanian-people.</span><br /><span style="font-size: medium; font-family: cambria;"> Go on: They were slain.</span><br /><span style="font-size: medium; font-family: cambria;"> Say more: They will return tomorrow.</span></p>
<p><span style="font-size: medium; font-family: cambria;">Let it be; one day you&#8217;ll see her</span><br /><span style="font-size: medium; font-family: cambria;"> changed and transfigured</span><br /><span style="font-size: medium; font-family: cambria;"> coming down from Quechuan land</span><br /><span style="font-size: medium; font-family: cambria;"> to Araucanian land,</span><br /><span style="font-size: medium; font-family: cambria;"> to gaze and recognize</span><br /><span style="font-size: medium; font-family: cambria;"> and embrace without speaking.</span><br /><span style="font-size: medium; font-family: cambria;"> They never met</span><br /><span style="font-size: medium; font-family: cambria;"> to look into each other&#8217;s eyes,</span><br /><span style="font-size: medium; font-family: cambria;"> to love each other, and to trace</span><br /><span style="font-size: medium; font-family: cambria;"> their souls on their faces.</span></p>
<p><span style="font-size: medium; font-family: cambria;">Translation from 'selected poems of Gabriela Mistral' by <a href="http://www.ursulakleguin.com/Mistral_Note.html" target="_blank">Ursula Le Guin.</a></span></p>
<p><span style="font-size: medium; font-family: cambria;"><br /></span></p>
<p><span style="font-size: large;"><strong><span style="font-family: cambria;">Bibliography - compiled by the <a href="http://www.poetryfoundation.org/bio/gabriela-mistral" target="_blank">Poetry Foundation</a></span></strong></span></p>
<p><span style="font-size: medium; font-family: cambria;"><strong>BOOKS</strong></span></p>
<ul>
<li><span style="font-family: cambria;"><em>Desolaci&#243;n</em> (New York: Instituto de las Espa&#241;as, 1922; enlarged edition, Santiago: Nascimento, 1923).</span></li>
<li><span style="font-family: cambria;"><em>Ternura: Canciones de ni&#241;os</em> (Madrid: Saturnino Calleja, 1924; revised edition, Buenos Aires: Espasa-Calpe, 1945).</span></li>
<li><span style="font-family: cambria;"><em>Tala</em> (Buenos Aires: Sur, 1938; revised edition, Buenos Aires: Losada, 1946).</span></li>
<li><span style="font-family: cambria;"><em>Croquis mexicano,</em> edited by Alfonso Calder&#243;n (Mexico City: Costa-Amie, 1957).</span></li>
<li><span style="font-family: cambria;"><em>Recados: Contando a Chile,</em> edited by Alfonso M. Escudero (Santiago: Editorial del Pac&#237;fico, 1957).</span></li>
<li><span style="font-family: cambria;"><em>Poes&#237;as completas,</em> edited by Margaret Bates (Madrid: Aguilar, 1958).</span></li>
<li><span style="font-family: cambria;"><em>P&#225;ginas en prosa,</em> edited by Jos&#233; Pereira Rodr&#237;guez (Buenos Aires: Kapelusz, 1962).</span></li>
<li><span style="font-family: cambria;"><em>Motivos de San Francisco,</em> edited by C&#233;sar D&#237;az-Mu&#241;oz Cormatches (Santiago: Editorial del Pac&#237;fico, 1965).</span></li>
<li><span style="font-family: cambria;"><em>Poema de Chile</em> (Barcelona: Pomaire, 1967).</span></li>
<li><span style="font-family: cambria;"><em>Materias: Prosa in&#233;dita,</em> edited by Calder&#243;n (Santiago: Editorial Universitaria, 1978).</span></li>
<li><span style="font-family: cambria;"><em>Gabriela anda por el mundo,</em> edited by Roque Esteban Scarpa (Santiago: Andr&#233;s Bello, 1978).</span></li>
<li><span style="font-family: cambria;"><em>Gabriela piensa en . . . ,</em> edited by Esteban Scarpa (Santiago: Andr&#233;s Bello, 1978).</span></li>
<li><span style="font-family: cambria;"><em>Gabriela Mistral en el "Repertorio Americano,"</em> edited by Mario C&#233;spedes (San Jos&#233;: Editorial Universidad de Costa Rica, 1978).</span></li>
<li><span style="font-family: cambria;"><em>Prosa religiosa de Gabriela Mistral,</em> edited by Luis Vargas Saavedra (Santiago: Andr&#233;s Bello, 1978).</span></li>
<li><span style="font-family: cambria;"><em>Magisterio y ni&#241;o,</em> edited by Esteban Scarpa (Santiago: Andr&#233;s Bello, 1979).</span></li>
<li><span style="font-family: cambria;"><em>Grandeza de los oficios,</em> edited by Esteban Scarpa (Santiago: Andr&#233;s Bello, 1979).</span></li>
<li><span style="font-family: cambria;"><em>Elogio de las cosas de la tierra,</em> edited by Esteban Scarpa (Santiago: Andr&#233;s Bello, 1979).</span></li>
<li><span style="font-family: cambria;"><em>Reino: Poes&#237;a dispersa e in&#233;dita, en verso y prosa,</em> edited by Gast&#243;n von dem Bussche (Valpara&#237;so: Ediciones Universitarias de Valpara&#237;so, 1983).</span></li>
<li><span style="font-family: cambria;"><em>Lagar II,</em> edited by Ana Mar&#237;a Cuneo and Pedro Pablo Zegers (Santiago: Dirreci&#243;n de Bibliotecas, Archivos y Museos, Biblioteca Nacional, 1991).</span></li>
<li><span style="font-family: cambria;"><em>Bendita mi lengua sea: Diario &#237;ntima de Gabriela Mistral, 1905-1956,</em> edited by Jaime Quezada (Santiago: Planeta/Ariel, 2002).</span></li>
<li><span style="font-family: cambria;"><em>Recopilaci&#243;n de la obra mistraliana, 1902-1922,</em> edited by Zegers (Santiago: Ril, 2002).</span></li>
</ul>
<p><span style="font-size: medium; font-family: cambria;"><strong>Collections</strong></span></p>
<ul>
<li><span style="font-family: cambria;"><em>Antolog&#237;a po&#233;tica de Gabriela Mistral,</em> selected by Alfonso Calder&#243;n (Santiago: Editorial Universitaria, 1974).</span></li>
<li><span style="font-family: cambria;"><em>Poes&#237;a y prosa,</em> edited by Quezada (Caracas: Biblioteca Ayacucho, 1993).</span></li>
</ul>
<p><span style="font-size: medium; font-family: cambria;"><strong>Editions in English</strong></span></p>
<ul>
<li><span style="font-family: cambria;"><em>Selected Poems of Gabriela Mistral,</em> translated by Langston Hughes (Bloomington &amp; London: Indiana University Press, 1957).</span></li>
<li><span style="font-family: cambria;"><em>Selected Poems of Gabriela Mistral,</em> translated and edited by Doris Dana (Baltimore: Johns Hopkins University Press, 1971).</span></li>
<li><span style="font-family: cambria;"><em>A Gabriela Mistral Reader,</em> translated by Maria Giachetti, edited by Marjorie Agos&#237;n (Fredonia, N.Y.: White Pines, 1993).</span></li>
<li><span style="font-family: cambria;"><em>Selected Prose and Prose-Poems,</em> edited and translated by Stephen Tapscott (Austin: University of Texas Press, 2002).</span></li>
</ul>
<p><span style="font-size: medium; font-family: cambria;"><strong>OTHER</strong></span></p>
<ul>
<li><span style="font-family: cambria;"><em>Lecturas para mujeres,</em> edited by Mistral (Mexico City: Secretar&#237;a de Educaci&#243;n P&#250;blica, 1924).</span></li>
</ul>
<p><span style="font-size: medium; font-family: cambria;"><strong>LETTERS</strong></span></p>
<ul>
<li><span style="font-family: cambria;"><em>Epistolario: Cartas a Eugenio Labarca (1915-16),</em> edited by Ra&#250;l Silva Castro (Santiago: Anales de la Universidad de Chile, 1957).</span></li>
<li><span style="font-family: cambria;"><em>Cartas de Gabriela Mistral a Juan Ram&#243;n Jim&#233;nez</em> (San Juan, Puerto Rico: Ediciones de La Torre, 1961).</span></li>
<li><span style="font-family: cambria;"><em>Cartas de Gabriela Mistral,</em> edited by Luis Vargas Saavedra (Santiago: Biblioteca Nacional, 1970).</span></li>
<li><span style="font-family: cambria;"><em>Cartas de amor de Gabriela Mistral,</em> edited by Sergio Fern&#225;ndez Larra&#237;n (Santiago: Andr&#233;s Bello, 1978).</span></li>
<li><span style="font-family: cambria;">Eduardo Frei Montalva, <em>Memorias y correspondencias con Gabriela Mistral y Jacques Maritain</em> (Santiago: Planeta, 1989).</span></li>
<li><span style="font-family: cambria;"><em>Gabriela Mistral y Joaqu&#237;n Garc&#237;a Monge: Una correspondencia in&#233;dita,</em> edited by Magda Arce (Santiago: Andr&#233;s Bello, 1989).</span></li>
<li><span style="font-family: cambria;"><em>Tan de usted: Epistelario de Gabriela Mistral con Alfonso Reyes,</em> edited by Vargas Saavedra (Santiago: Hachette/Editorial Universitaria Cat&#243;lica de Chile, 1991).</span></li>
<li><span style="font-family: cambria;"><em>En batalla de sencillez: De Lucila a Gabriela: Cartas a Pedro Prado, 1915-1939,</em> edited by Vargas Saavedra, Mar&#237;a Ester Mart&#237;nez Sanz, and Regina Vald&#233;s Bowen (Santiago: Dolmen, 1993).</span></li>
<li><span style="font-family: cambria;"><em>Epistolario de Gabriela Mistral e Isolina Barraza</em> (La Serena, Chile: Rosales, 1995).</span></li>
<li><span style="font-family: cambria;"><em>Vuestra Gabriel: cartas in&#233;ditas de Gabriela Mistral a los Err&#225;zuriz Echenique y Tomic Err&#225;zuriz,</em> edited by Vargas Saavedra (Santiago: Zig-Zag, 1995).</span></li>
<li><span style="font-family: cambria;"><em>Cartas de amor y desamor,</em> edited by Jaime Quezada and Fern&#225;ndez Larra&#237;n (Santiago: Andr&#233;s Bello, 1999).</span></li>
<li><span style="font-family: cambria;"><em>Castilla, tajeada de sed como mi lengua: Gabriela Mistral ante Espa&#241;a y Espa&#241;a ante Gabriela Mistral, 1933 a 1935,</em> edited by Vargas Saavedra (Santiago: Ediciones Universidad Cat&#243;lica de Chile, 2002).</span></li>
<li><span style="font-family: cambria;"><em>This America of Ours: The Letters of Gabriela Mistral and Victoria Ocampo,</em> edited and translated by Elizabeth Horan and Doris Meyer (Austin: University of Texas Press, 2003).</span></li>
</ul>
<p><span style="font-size: medium; font-family: cambria;"><br /></span></p><div class="item_footer"><p><small><a href="http://www.chileno.co.uk/poetry/gabriela-mistral-poema-de-chile">Original post</a> blogged on <a href="http://www.chileno.co.uk/">Chileno</a>.</small></p></div>]]></content:encoded>
								<comments>http://www.chileno.co.uk/poetry/gabriela-mistral-poema-de-chile#comments</comments>
			<wfw:commentRss>http://www.chileno.co.uk/?tempskin=_rss2&#38;disp=comments&#38;p=199</wfw:commentRss>
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			<title>Top 5 Soccer Players in Chile</title>
			<link>http://www.chileno.co.uk/sport/top-5-soccer-players-in-chile</link>
			<pubDate>Sat, 16 Feb 2013 13:26:00 +0000</pubDate>			<dc:creator>Chileno</dc:creator>
			<category domain="alt">Chile</category>
<category domain="main">Sport</category>			<guid isPermaLink="false">197@http://www.chileno.co.uk/</guid>
						<description>&lt;p&gt;&lt;strong&gt;By&amp;#160;&lt;a href=&quot;http://www.chileno.co.uk/contributors/eric-radakovic&quot; target=&quot;_self&quot;&gt;Eric Radakovic&lt;/a&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;/strong&gt;Football was brought to &lt;a href=&quot;http://en.wikipedia.org/wiki/Football_in_Chile&quot;&gt;Chile&lt;/a&gt; by the British in the 19th Century who played the sport during tours to commercial ports such as Valpara&amp;#237;so where locals were introduced to how the game was played. Indeed Chile&#039;s oldest football club, the Anglo-Saxon sounding &lt;a href=&quot;http://www.santiagowanderers.cl/page/26/nuestra-historia.html&quot; target=&quot;_blank&quot;&gt;Santiago Wanderers&lt;/a&gt;, was founded in 1892 and is based in Valpara&amp;#237;so. Today, football is incredibly popular in Chile and the country has one of the most competitive &lt;a href=&quot;http://int.soccerway.com/national/chile/primera-division/2013/apertura/&quot; target=&quot;_blank&quot;&gt;leagues &lt;/a&gt;in South America which continually produces homegrown talent through the youth systems as well as attracting the best players from abroad. Chile has produced a throng&amp;#160; of football stars over the years, many playing in top leagues across the world, such as &lt;a href=&quot;http://www.ticketbis.net/premier-league-tickets/ca667&quot;&gt;the Premier League&lt;/a&gt;, Serie A, La Liga, to name&amp;#160; just a few.&amp;#160; The presence of Chilean players has been particularly strong in &lt;a href=&quot;http://www.chileno.co.uk/sport/chilean-football-players-in-europe-top-10#.UR9A5PK9aSo&quot; target=&quot;_self&quot;&gt;Europe&lt;/a&gt;, with potential stars emerging every year. For example, the exciting 17-year-old Cristian Cuevas has recently &lt;a href=&quot;http://www.mirror.co.uk/sport/football/transfer-news/new-chelsea-signing-cristian-cimbi-1711695&quot; target=&quot;_blank&quot;&gt;signed for Chelsea&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;iframe style=&quot;display: block; margin-left: auto; margin-right: auto;&quot; src=&quot;http://www.youtube.com/embed/YH6feb8bbE8&quot; frameborder=&quot;0&quot; width=&quot;560&quot; height=&quot;315&quot;&gt;&lt;/iframe&gt;&amp;#160;&lt;/p&gt;
&lt;center&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;
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&lt;/span&gt;&lt;/center&gt;
&lt;p&gt;&amp;#160;Here is a list of top 5 best footballers who are showing superb form in the Chilean league.&lt;/p&gt;
&lt;p&gt;&amp;#160;&lt;strong&gt;1. Carlos Labr&amp;#237;n&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;img class=&quot;rg_i&quot; style=&quot;width: 155px; height: 218px; float: left;&quot; src=&quot;http://www.chileno.co.uk/media/blogs/a/carlos_labrin.jpg&quot; alt=&quot;&quot; name=&quot;2IGXN4i9sH52dM:&quot; width=&quot;189&quot; height=&quot;266&quot; data-sz=&quot;f&quot; /&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&amp;#160;&lt;strong&gt;&lt;em&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;em&gt;&lt;br /&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;em&gt;&lt;br /&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;em&gt;&lt;br /&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;em&gt;&lt;br /&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;em&gt;&lt;br /&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;em&gt;&lt;br /&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;em&gt;&lt;br /&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;em&gt;Carlos Alfredo Labrin&lt;/em&gt;&lt;/strong&gt; was born in 2nd December, 1990 in Mulch&amp;#233;n, Chile. The 23 year old Chilean international currently plays for Huachipato. He has the ability to break or make the squad with his vision, skills and performance. The player began his career in youth ranks of Huachipato being promoted to the first 11 in 2008. Despite his lack of experience, he soon won the support of Manager Fernando Vergara, who frequently featured him in his starting team.&lt;/p&gt;
&lt;p&gt;&amp;#160;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;2. Francisco Ib&amp;#225;&amp;#241;ez Campos&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&amp;#160;&lt;img src=&quot;http://www.chileno.co.uk/media/blogs/a/francisco_ibanez.jpg&quot; alt=&quot;&quot; width=&quot;240&quot; height=&quot;240&quot; /&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;em&gt;Francisco Javier Ib&lt;/em&gt;&lt;/strong&gt;&lt;strong&gt;&lt;em&gt;&amp;#225;&amp;#241;&lt;/em&gt;&lt;/strong&gt;&lt;strong&gt;&lt;em&gt;ez Campos&lt;/em&gt;&lt;/strong&gt; was born on the 13th January 1986 in Chile. He currently plays as a forward for San Marcos de Arica. The player is a natural striker, with stamina, pace and aptitude in any position on the pitch. He started his career in the Universidad de Chile youth system prior to making his debut in 2006 with Palestino.&lt;/p&gt;
&lt;p&gt;&amp;#160;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;3. Lorenzo Reyes&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&amp;#160;&lt;img style=&quot;float: left;&quot; src=&quot;http://www.chileno.co.uk/media/blogs/a/lorenzo_reyes.jpg&quot; alt=&quot;&quot; width=&quot;264&quot; height=&quot;191&quot; /&gt;&lt;/p&gt;
&lt;p&gt;&amp;#160;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;em&gt;&lt;br /&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;em&gt;&lt;br /&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;em&gt;&lt;br /&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;em&gt;&lt;br /&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;em&gt;&lt;br /&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;em&gt;Lorenzo Enrique Reyes&lt;/em&gt;&lt;/strong&gt; was born on the 13th of June 1991. The 21 year-old Chilean is a midfielder for Primera Divisi&amp;#243;n club Huachipato. The player moves, passes, and dribbles the ball with grace. Reyes plays a smart and simple style of football. The young star knows what he has to do with the ball even before he gets hold of it. He is fearless and makes the game look simple, as many of the greats in football do. You hardly ever see this player lose possession of the ball.&lt;/p&gt;
&lt;p&gt;&amp;#160;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;4. Francisco Pizarro&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&amp;#160;&lt;img style=&quot;float: left;&quot; src=&quot;http://www.chileno.co.uk/media/blogs/a/francisco_pizarro.jpg&quot; alt=&quot;&quot; /&gt;&lt;/p&gt;
&lt;p&gt;&amp;#160;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;em&gt;&lt;br /&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;em&gt;&lt;br /&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;em&gt;&lt;br /&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;em&gt;&lt;br /&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;em&gt;&lt;br /&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;em&gt;&lt;br /&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;em&gt;Francisco Pizarro&lt;/em&gt;&lt;/strong&gt; is a 23 year old Chilean player who plays as a forward for Cobreloa in the Chilean league. Of all the primera division stars, one would beyond doubt be hard-pressed to find a single most exceptional star than Pizarro. Anyone who has watched the Chilean can attest to his influence in the team. And without a doubt Pizarro will carry on with his skills in any of the premier league club.&lt;/p&gt;
&lt;p&gt;&amp;#160;&lt;/p&gt;
&lt;center&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;
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&lt;/span&gt;&lt;/center&gt;
&lt;p&gt;&lt;strong&gt;5. Marcos Sebastian Pol Guti&amp;#233;rrez&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&amp;#160;&lt;img style=&quot;float: left;&quot; src=&quot;http://www.chileno.co.uk/media/blogs/a/sebastian_pol.png&quot; alt=&quot;&quot; width=&quot;249&quot; height=&quot;342&quot; /&gt;&lt;/p&gt;
&lt;p&gt;&amp;#160;&lt;/p&gt;
&lt;p&gt;&amp;#160;&lt;/p&gt;
&lt;p&gt;&amp;#160;&lt;/p&gt;
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&lt;p&gt;&amp;#160;&lt;/p&gt;
&lt;p&gt;&amp;#160;&lt;/p&gt;
&lt;p&gt;&amp;#160;&lt;/p&gt;
&lt;p&gt;&amp;#160;&lt;/p&gt;
&lt;p&gt;&amp;#160;&lt;/p&gt;
&lt;p&gt;&amp;#160;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;em&gt;Marcos Sebastian Pol&lt;/em&gt;&lt;/strong&gt; is an Argentine player currently on the books at Primera Divisi&amp;#243;n club Cobreloa as a striker. He started his career in the San Lorenzo youth ranks, before joining Cartagin&amp;#233;s. In August of 2007, after showing a remarkable season in Costa Rica, Marcos joined Dacia Mioveni, where he had a poor spell, then he arrived to Bolivia, playing for Guair&amp;#225; and Real Potos&amp;#237;. Pol signed for Chilean club Cobreloa in 2012.&lt;/p&gt;
&lt;p&gt;&amp;#160;&lt;/p&gt;&lt;div class=&quot;item_footer&quot;&gt;&lt;p&gt;&lt;small&gt;&lt;a href=&quot;http://www.chileno.co.uk/sport/top-5-soccer-players-in-chile&quot;&gt;Original post&lt;/a&gt; blogged on &lt;a href=&quot;http://www.chileno.co.uk/&quot;&gt;Chileno&lt;/a&gt;.&lt;/small&gt;&lt;/p&gt;&lt;/div&gt;</description>
			<content:encoded><![CDATA[<p><strong>By&#160;<a href="http://www.chileno.co.uk/contributors/eric-radakovic" target="_self">Eric Radakovic</a></strong></p>
<p><strong></strong>Football was brought to <a href="http://en.wikipedia.org/wiki/Football_in_Chile">Chile</a> by the British in the 19th Century who played the sport during tours to commercial ports such as Valpara&#237;so where locals were introduced to how the game was played. Indeed Chile's oldest football club, the Anglo-Saxon sounding <a href="http://www.santiagowanderers.cl/page/26/nuestra-historia.html" target="_blank">Santiago Wanderers</a>, was founded in 1892 and is based in Valpara&#237;so. Today, football is incredibly popular in Chile and the country has one of the most competitive <a href="http://int.soccerway.com/national/chile/primera-division/2013/apertura/" target="_blank">leagues </a>in South America which continually produces homegrown talent through the youth systems as well as attracting the best players from abroad. Chile has produced a throng&#160; of football stars over the years, many playing in top leagues across the world, such as <a href="http://www.ticketbis.net/premier-league-tickets/ca667">the Premier League</a>, Serie A, La Liga, to name&#160; just a few.&#160; The presence of Chilean players has been particularly strong in <a href="http://www.chileno.co.uk/sport/chilean-football-players-in-europe-top-10#.UR9A5PK9aSo" target="_self">Europe</a>, with potential stars emerging every year. For example, the exciting 17-year-old Cristian Cuevas has recently <a href="http://www.mirror.co.uk/sport/football/transfer-news/new-chelsea-signing-cristian-cimbi-1711695" target="_blank">signed for Chelsea</a>.</p>
<p><iframe style="display: block; margin-left: auto; margin-right: auto;" src="http://www.youtube.com/embed/YH6feb8bbE8" frameborder="0" width="560" height="315"></iframe>&#160;</p>
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<p>&#160;Here is a list of top 5 best footballers who are showing superb form in the Chilean league.</p>
<p>&#160;<strong>1. Carlos Labr&#237;n</strong></p>
<p><strong><img class="rg_i" style="width: 155px; height: 218px; float: left;" src="http://www.chileno.co.uk/media/blogs/a/carlos_labrin.jpg" alt="" name="2IGXN4i9sH52dM:" width="189" height="266" data-sz="f" /></strong></p>
<p>&#160;<strong><em></em></strong></p>
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<p><strong><em>Carlos Alfredo Labrin</em></strong> was born in 2nd December, 1990 in Mulch&#233;n, Chile. The 23 year old Chilean international currently plays for Huachipato. He has the ability to break or make the squad with his vision, skills and performance. The player began his career in youth ranks of Huachipato being promoted to the first 11 in 2008. Despite his lack of experience, he soon won the support of Manager Fernando Vergara, who frequently featured him in his starting team.</p>
<p>&#160;</p>
<p><strong>2. Francisco Ib&#225;&#241;ez Campos</strong></p>
<p>&#160;<img src="http://www.chileno.co.uk/media/blogs/a/francisco_ibanez.jpg" alt="" width="240" height="240" /></p>
<p><strong><em>Francisco Javier Ib</em></strong><strong><em>&#225;&#241;</em></strong><strong><em>ez Campos</em></strong> was born on the 13th January 1986 in Chile. He currently plays as a forward for San Marcos de Arica. The player is a natural striker, with stamina, pace and aptitude in any position on the pitch. He started his career in the Universidad de Chile youth system prior to making his debut in 2006 with Palestino.</p>
<p>&#160;</p>
<p><strong>3. Lorenzo Reyes</strong></p>
<p>&#160;<img style="float: left;" src="http://www.chileno.co.uk/media/blogs/a/lorenzo_reyes.jpg" alt="" width="264" height="191" /></p>
<p>&#160;</p>
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<p><strong><em>Lorenzo Enrique Reyes</em></strong> was born on the 13th of June 1991. The 21 year-old Chilean is a midfielder for Primera Divisi&#243;n club Huachipato. The player moves, passes, and dribbles the ball with grace. Reyes plays a smart and simple style of football. The young star knows what he has to do with the ball even before he gets hold of it. He is fearless and makes the game look simple, as many of the greats in football do. You hardly ever see this player lose possession of the ball.</p>
<p>&#160;</p>
<p><strong>4. Francisco Pizarro</strong></p>
<p>&#160;<img style="float: left;" src="http://www.chileno.co.uk/media/blogs/a/francisco_pizarro.jpg" alt="" /></p>
<p>&#160;</p>
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<p><strong><em>Francisco Pizarro</em></strong> is a 23 year old Chilean player who plays as a forward for Cobreloa in the Chilean league. Of all the primera division stars, one would beyond doubt be hard-pressed to find a single most exceptional star than Pizarro. Anyone who has watched the Chilean can attest to his influence in the team. And without a doubt Pizarro will carry on with his skills in any of the premier league club.</p>
<p>&#160;</p>
<center><span style="font-size: medium;">
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<p><strong>5. Marcos Sebastian Pol Guti&#233;rrez</strong></p>
<p>&#160;<img style="float: left;" src="http://www.chileno.co.uk/media/blogs/a/sebastian_pol.png" alt="" width="249" height="342" /></p>
<p>&#160;</p>
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<p>&#160;</p>
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<p>&#160;</p>
<p>&#160;</p>
<p>&#160;</p>
<p><strong><em>Marcos Sebastian Pol</em></strong> is an Argentine player currently on the books at Primera Divisi&#243;n club Cobreloa as a striker. He started his career in the San Lorenzo youth ranks, before joining Cartagin&#233;s. In August of 2007, after showing a remarkable season in Costa Rica, Marcos joined Dacia Mioveni, where he had a poor spell, then he arrived to Bolivia, playing for Guair&#225; and Real Potos&#237;. Pol signed for Chilean club Cobreloa in 2012.</p>
<p>&#160;</p><div class="item_footer"><p><small><a href="http://www.chileno.co.uk/sport/top-5-soccer-players-in-chile">Original post</a> blogged on <a href="http://www.chileno.co.uk/">Chileno</a>.</small></p></div>]]></content:encoded>
								<comments>http://www.chileno.co.uk/sport/top-5-soccer-players-in-chile#comments</comments>
			<wfw:commentRss>http://www.chileno.co.uk/?tempskin=_rss2&#38;disp=comments&#38;p=197</wfw:commentRss>
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			<title>Concurso Fotogr&#225;fico 2013</title>
			<link>http://www.chileno.co.uk/chile/concurso-fotografico-2013</link>
			<pubDate>Sun, 10 Feb 2013 15:46:00 +0000</pubDate>			<dc:creator>Chileno</dc:creator>
			<category domain="main">Chile</category>			<guid isPermaLink="false">195@http://www.chileno.co.uk/</guid>
						<description>&lt;div&gt;&lt;div&gt;&lt;a href=&quot;http://www.chileno.co.uk/media/blogs/a/camera.jpg?mtime=1360504045&quot; rel=&quot;lightbox[p195]&quot;&gt;&lt;img alt=&quot;&quot; src=&quot;http://www.chileno.co.uk/media/blogs/a/./_evocache/camera.jpg/fit-320x320.jpg?mtime=1360504045&quot; width=&quot;320&quot; height=&quot;212&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;p align=&quot;center&quot;&gt;&lt;strong&gt;CONCURSO FOTOGR&amp;#193;FICO &amp;#160;2013&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&amp;#160;&lt;/p&gt;
&lt;p&gt;Pais: CHILE.&lt;/p&gt;
&lt;p&gt;Participantes:&amp;#160; Chilenos o extranjeros. Para extranjeros las fotograf&amp;#237;as deben ser de Chile.&lt;/p&gt;
&lt;p&gt;Tema: Abierto.&lt;/p&gt;
&lt;p&gt;Reglas del Concurso:&lt;/p&gt;
&lt;p&gt;Las fotograf&amp;#237;as deben ser originales y propias.&lt;/p&gt;
&lt;p&gt;El formato de las im&amp;#225;genes debe ser en JPEG, RAW o TIFF, &amp;#160;300 dpi o superior, y el tama&amp;#241;o del archivo debe ser hasta un m&amp;#225;ximo de 5 MB.&lt;/p&gt;
&lt;p&gt;Todas las fotograf&amp;#237;as deben enviarse como archivos adjuntos al correo electr&amp;#243;nico:&amp;#160; office[nospam]ATchileno.co.uk, con indicaci&amp;#243;n de todos sus datos personales. Por favor, incluya su nombre, lugar de nacimiento y pa&amp;#237;s de residencia en el email.&lt;/p&gt;
&lt;p&gt;Pueden enviarse un m&amp;#225;ximo de 5 fotograf&amp;#237;as diferentes, una por correo electr&amp;#243;nico.&lt;/p&gt;
&lt;p&gt;La fecha de cierre del concurso es la medianoche,&lt;strong&gt; domingo &lt;strong&gt;31 de agosto 2013.&lt;/strong&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;Los derechos de autor de cada foto se queda con el autor, pero&lt;em&gt; nosotros&lt;/em&gt; tenemos el derecho de publicar todas las fotos en la p&amp;#225;gina web: &lt;a&gt;&lt;a href=&quot;http://www.chileno.co.uk&quot;&gt;www.chileno.co.uk&lt;/a&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;br /&gt; Hay tres premios:&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Primero :&amp;#160; TBC&lt;br /&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Segundo:&amp;#160; TBC&lt;br /&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Tercero :&amp;#160; TBC&lt;br /&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;Los 3 primeros lugares seleccionados, ser&amp;#225;n publicados &amp;#160;en la p&amp;#225;gina web chileno.co.uk como 1 &amp;#186;, 2 &amp;#186; y 3 &amp;#186; lugar.&amp;#160; &amp;#160;Los ganadores ser&amp;#225;n notificados la ultima semana de mayo &amp;#160;2013.&lt;/p&gt;
&lt;p&gt;Por favor, no env&amp;#237;e retratos de ni&amp;#241;os a menos que tengan el permiso del padre o tutor. &amp;#160;Al enviar su correo electr&amp;#243;nico, usted acepta los t&amp;#233;rminos de esta competencia.&lt;/p&gt;
&lt;p&gt;Buena suerte!&lt;/p&gt;&lt;div class=&quot;item_footer&quot;&gt;&lt;p&gt;&lt;small&gt;&lt;a href=&quot;http://www.chileno.co.uk/chile/concurso-fotografico-2013&quot;&gt;Original post&lt;/a&gt; blogged on &lt;a href=&quot;http://www.chileno.co.uk/&quot;&gt;Chileno&lt;/a&gt;.&lt;/small&gt;&lt;/p&gt;&lt;/div&gt;</description>
			<content:encoded><![CDATA[<div><div><a href="http://www.chileno.co.uk/media/blogs/a/camera.jpg?mtime=1360504045" rel="lightbox[p195]"><img alt="" src="http://www.chileno.co.uk/media/blogs/a/./_evocache/camera.jpg/fit-320x320.jpg?mtime=1360504045" width="320" height="212" /></a></div></div><p align="center"><strong>CONCURSO FOTOGR&#193;FICO &#160;2013</strong></p>
<p>&#160;</p>
<p>Pais: CHILE.</p>
<p>Participantes:&#160; Chilenos o extranjeros. Para extranjeros las fotograf&#237;as deben ser de Chile.</p>
<p>Tema: Abierto.</p>
<p>Reglas del Concurso:</p>
<p>Las fotograf&#237;as deben ser originales y propias.</p>
<p>El formato de las im&#225;genes debe ser en JPEG, RAW o TIFF, &#160;300 dpi o superior, y el tama&#241;o del archivo debe ser hasta un m&#225;ximo de 5 MB.</p>
<p>Todas las fotograf&#237;as deben enviarse como archivos adjuntos al correo electr&#243;nico:&#160; office[nospam]ATchileno.co.uk, con indicaci&#243;n de todos sus datos personales. Por favor, incluya su nombre, lugar de nacimiento y pa&#237;s de residencia en el email.</p>
<p>Pueden enviarse un m&#225;ximo de 5 fotograf&#237;as diferentes, una por correo electr&#243;nico.</p>
<p>La fecha de cierre del concurso es la medianoche,<strong> domingo <strong>31 de agosto 2013.</strong></strong></p>
<p>Los derechos de autor de cada foto se queda con el autor, pero<em> nosotros</em> tenemos el derecho de publicar todas las fotos en la p&#225;gina web: <a><a href="http://www.chileno.co.uk">www.chileno.co.uk</a></a></p>
<p><br /> Hay tres premios:</p>
<p><strong>Primero :&#160; TBC<br /></strong></p>
<p><strong>Segundo:&#160; TBC<br /></strong></p>
<p><strong>Tercero :&#160; TBC<br /></strong></p>
<p>Los 3 primeros lugares seleccionados, ser&#225;n publicados &#160;en la p&#225;gina web chileno.co.uk como 1 &#186;, 2 &#186; y 3 &#186; lugar.&#160; &#160;Los ganadores ser&#225;n notificados la ultima semana de mayo &#160;2013.</p>
<p>Por favor, no env&#237;e retratos de ni&#241;os a menos que tengan el permiso del padre o tutor. &#160;Al enviar su correo electr&#243;nico, usted acepta los t&#233;rminos de esta competencia.</p>
<p>Buena suerte!</p><div class="item_footer"><p><small><a href="http://www.chileno.co.uk/chile/concurso-fotografico-2013">Original post</a> blogged on <a href="http://www.chileno.co.uk/">Chileno</a>.</small></p></div>]]></content:encoded>
								<comments>http://www.chileno.co.uk/chile/concurso-fotografico-2013#comments</comments>
			<wfw:commentRss>http://www.chileno.co.uk/?tempskin=_rss2&#38;disp=comments&#38;p=195</wfw:commentRss>
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			<title>Chilean Photography Competition 2013</title>
			<link>http://www.chileno.co.uk/chile/chilean-photography-competition-2013</link>
			<pubDate>Fri, 08 Feb 2013 16:05:00 +0000</pubDate>			<dc:creator>Chileno</dc:creator>
			<category domain="main">Chile</category>			<guid isPermaLink="false">194@http://www.chileno.co.uk/</guid>
						<description>&lt;div&gt;&lt;div&gt;&lt;a href=&quot;http://www.chileno.co.uk/media/blogs/a/chileno_logo_small_blue.png?mtime=1359402788&quot; rel=&quot;lightbox[p194]&quot;&gt;&lt;img alt=&quot;&quot; src=&quot;http://www.chileno.co.uk/media/blogs/a/./_evocache/chileno_logo_small_blue.png/fit-320x320.png?mtime=1359402788&quot; width=&quot;200&quot; height=&quot;110&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;p&gt;&amp;#160;&lt;/p&gt;
&lt;p align=&quot;center&quot;&gt;CONCURSO FOTOGR&amp;#193;FICO &amp;#160;2013&lt;/p&gt;
&lt;p&gt;&amp;#160;&lt;/p&gt;
&lt;p&gt;Pais: CHILE.&lt;/p&gt;
&lt;p&gt;&amp;#160;&lt;/p&gt;
&lt;p&gt;Participantes:&amp;#160; Chilenos o extranjeros. Para extranjeros las fotograf&amp;#237;as deben ser de Chile.&lt;/p&gt;
&lt;p&gt;&amp;#160;&lt;/p&gt;
&lt;p&gt;Tema: Abierto.&lt;/p&gt;
&lt;p&gt;&amp;#160;&lt;/p&gt;
&lt;p&gt;Reglas del Concurso:&lt;/p&gt;
&lt;p&gt;&amp;#160;&lt;/p&gt;
&lt;p&gt;Las fotograf&amp;#237;as deben ser originales y propias.&lt;/p&gt;
&lt;p&gt;&amp;#160;&lt;/p&gt;
&lt;p&gt;El formato de las im&amp;#225;genes debe ser en JPEG, RAW o TIFF, &amp;#160;300 dpi o&lt;/p&gt;
&lt;p&gt;&amp;#160;&lt;/p&gt;
&lt;p&gt;superior, y el tama&amp;#241;o del archivo debe ser hasta un m&amp;#225;ximo de 5 MB.&lt;/p&gt;
&lt;p&gt;&amp;#160;&lt;/p&gt;
&lt;p&gt;Todas las fotograf&amp;#237;as deben enviarse como archivos adjuntos al correo electr&amp;#243;nico:&amp;#160; office[nospam]ATchileno.co.uk, con indicaci&amp;#243;n de todos sus datos personales. Por favor, incluya su nombre, lugar de nacimiento y pa&amp;#237;s de residencia en el email.&lt;/p&gt;
&lt;p&gt;&amp;#160;&lt;/p&gt;
&lt;p&gt;Pueden enviarse un m&amp;#225;ximo de 5 fotograf&amp;#237;as diferentes, una por correo electr&amp;#243;nico.&lt;/p&gt;
&lt;p&gt;&amp;#160;&lt;/p&gt;
&lt;p&gt;La fecha de cierre del concurso es la medianoche,&lt;strong&gt; domingo &lt;strong&gt;31 de agosto 2013.&lt;/strong&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&amp;#160;&lt;/p&gt;
&lt;p&gt;Los derechos de autor de cada foto se queda con el autor, pero&lt;em&gt; nosotros&lt;/em&gt; tenemos el derecho de publicar todas las fotos en la p&amp;#225;gina web: &lt;a&gt;&lt;a href=&quot;http://www.chileno.co.uk&quot;&gt;www.chileno.co.uk&lt;/a&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&amp;#160;&lt;/p&gt;
&lt;p&gt;&lt;br /&gt; Hay tres premios:&lt;/p&gt;
&lt;p&gt;&amp;#160;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Primero :&amp;#160; TBC&lt;br /&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&amp;#160;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Segundo:&amp;#160; TBC&lt;br /&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&amp;#160;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Tercero :&amp;#160; TBC&lt;br /&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&amp;#160;&lt;/p&gt;
&lt;p&gt;Los 3 primeros lugares seleccionados, ser&amp;#225;n publicados &amp;#160;en la p&amp;#225;gina web chileno.co.uk como 1 &amp;#186;, 2 &amp;#186; y 3 &amp;#186; lugar.&amp;#160; &amp;#160;Los ganadores ser&amp;#225;n notificados la ultima semana de mayo &amp;#160;2013.&lt;/p&gt;
&lt;p&gt;&amp;#160;&lt;/p&gt;
&lt;p&gt;Por favor, no env&amp;#237;e retratos de ni&amp;#241;os a menos que tengan el permiso del padre o tutor. &amp;#160;Al enviar su correo electr&amp;#243;nico, usted acepta los t&amp;#233;rminos de esta competencia.&lt;/p&gt;
&lt;p&gt;&amp;#160;&lt;/p&gt;
&lt;p&gt;&amp;#160;&lt;/p&gt;
&lt;p&gt;&amp;#160;&lt;/p&gt;
&lt;p&gt;Buena suerte!&lt;/p&gt;
&lt;p&gt;&amp;#160;&lt;/p&gt;
&lt;p&gt;&amp;#160;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;&lt;a&gt;Chileno&lt;/a&gt; Photography Competition 2013&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;Theme: Open&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;Competition rules:&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;Photographs must be taken either in Chile or by a Chilean national. The photograph must be original and taken by you. &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;Photographs must be in JPEG, RAW or TIFF format. dpi must be 300 or better and file size must be up to a maximum of 5MB.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;All photographs must be sent as attachments to the email.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;You may enter a maximum of 5 different photographs, one per email&lt;/span&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt; The closing date for the competition is &lt;strong&gt;midnight GMT on Sunday the 31st of August 2013.&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;Emails should be addressed to office[nospam]ATchileno.co.uk and include the photographer&#039;s name in the subject.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;The body of each email must contain your name, town/city and country of residence.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;All copyright to the photographs remains with the photographers. However, &lt;a&gt;&lt;a href=&quot;http://www.chileno.co.uk&quot;&gt;www.chileno.co.uk&lt;/a&gt;&lt;/a&gt; has the right to publish the photographs on this website. All entrants may have their images displayed on Chileno.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;There are three prizes:&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;strong&gt;&lt;span style=&quot;font-family: cambria;&quot;&gt;1st - TBC&lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;strong&gt;&lt;span style=&quot;font-family: cambria;&quot;&gt;2nd - TBC&lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;&lt;strong&gt;3rd - TBC&lt;/strong&gt;&lt;/span&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;Winners will be notified by the end of May 2013 and their work featured on Chileno. &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;Please do not submit portraits of children unless you have the permission of the parent or guardian.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;By submitting your email you are agreeing to the terms of this competition.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;Good luck!&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class=&quot;item_footer&quot;&gt;&lt;p&gt;&lt;small&gt;&lt;a href=&quot;http://www.chileno.co.uk/chile/chilean-photography-competition-2013&quot;&gt;Original post&lt;/a&gt; blogged on &lt;a href=&quot;http://www.chileno.co.uk/&quot;&gt;Chileno&lt;/a&gt;.&lt;/small&gt;&lt;/p&gt;&lt;/div&gt;</description>
			<content:encoded><![CDATA[<div><div><a href="http://www.chileno.co.uk/media/blogs/a/chileno_logo_small_blue.png?mtime=1359402788" rel="lightbox[p194]"><img alt="" src="http://www.chileno.co.uk/media/blogs/a/./_evocache/chileno_logo_small_blue.png/fit-320x320.png?mtime=1359402788" width="200" height="110" /></a></div></div><p>&#160;</p>
<p align="center">CONCURSO FOTOGR&#193;FICO &#160;2013</p>
<p>&#160;</p>
<p>Pais: CHILE.</p>
<p>&#160;</p>
<p>Participantes:&#160; Chilenos o extranjeros. Para extranjeros las fotograf&#237;as deben ser de Chile.</p>
<p>&#160;</p>
<p>Tema: Abierto.</p>
<p>&#160;</p>
<p>Reglas del Concurso:</p>
<p>&#160;</p>
<p>Las fotograf&#237;as deben ser originales y propias.</p>
<p>&#160;</p>
<p>El formato de las im&#225;genes debe ser en JPEG, RAW o TIFF, &#160;300 dpi o</p>
<p>&#160;</p>
<p>superior, y el tama&#241;o del archivo debe ser hasta un m&#225;ximo de 5 MB.</p>
<p>&#160;</p>
<p>Todas las fotograf&#237;as deben enviarse como archivos adjuntos al correo electr&#243;nico:&#160; office[nospam]ATchileno.co.uk, con indicaci&#243;n de todos sus datos personales. Por favor, incluya su nombre, lugar de nacimiento y pa&#237;s de residencia en el email.</p>
<p>&#160;</p>
<p>Pueden enviarse un m&#225;ximo de 5 fotograf&#237;as diferentes, una por correo electr&#243;nico.</p>
<p>&#160;</p>
<p>La fecha de cierre del concurso es la medianoche,<strong> domingo <strong>31 de agosto 2013.</strong></strong></p>
<p>&#160;</p>
<p>Los derechos de autor de cada foto se queda con el autor, pero<em> nosotros</em> tenemos el derecho de publicar todas las fotos en la p&#225;gina web: <a><a href="http://www.chileno.co.uk">www.chileno.co.uk</a></a></p>
<p>&#160;</p>
<p><br /> Hay tres premios:</p>
<p>&#160;</p>
<p><strong>Primero :&#160; TBC<br /></strong></p>
<p>&#160;</p>
<p><strong>Segundo:&#160; TBC<br /></strong></p>
<p>&#160;</p>
<p><strong>Tercero :&#160; TBC<br /></strong></p>
<p>&#160;</p>
<p>Los 3 primeros lugares seleccionados, ser&#225;n publicados &#160;en la p&#225;gina web chileno.co.uk como 1 &#186;, 2 &#186; y 3 &#186; lugar.&#160; &#160;Los ganadores ser&#225;n notificados la ultima semana de mayo &#160;2013.</p>
<p>&#160;</p>
<p>Por favor, no env&#237;e retratos de ni&#241;os a menos que tengan el permiso del padre o tutor. &#160;Al enviar su correo electr&#243;nico, usted acepta los t&#233;rminos de esta competencia.</p>
<p>&#160;</p>
<p>&#160;</p>
<p>&#160;</p>
<p>Buena suerte!</p>
<p>&#160;</p>
<p>&#160;</p>
<p><span style="font-family: cambria; font-size: medium;"><a>Chileno</a> Photography Competition 2013<br /></span></p>
<p><span style="font-family: cambria; font-size: medium;">Theme: Open<br /></span></p>
<p><span style="font-family: cambria; font-size: medium;">Competition rules:</span></p>
<p><span style="font-family: cambria; font-size: medium;">Photographs must be taken either in Chile or by a Chilean national. The photograph must be original and taken by you. </span></p>
<p><span style="font-family: cambria; font-size: medium;"><span style="font-family: cambria; font-size: medium;">Photographs must be in JPEG, RAW or TIFF format. dpi must be 300 or better and file size must be up to a maximum of 5MB.</span></span></p>
<p><span style="font-family: cambria; font-size: medium;">All photographs must be sent as attachments to the email.</span></p>
<p><span style="font-family: cambria; font-size: medium;">You may enter a maximum of 5 different photographs, one per email</span><span style="font-family: cambria; font-size: medium;">.</span></p>
<p><span style="font-family: cambria; font-size: medium;"> The closing date for the competition is <strong>midnight GMT on Sunday the 31st of August 2013.</strong></span></p>
<p><span style="font-family: cambria; font-size: medium;">Emails should be addressed to office[nospam]ATchileno.co.uk and include the photographer's name in the subject.</span></p>
<p><span style="font-family: cambria; font-size: medium;">The body of each email must contain your name, town/city and country of residence.</span></p>
<p><span style="font-family: cambria; font-size: medium;">All copyright to the photographs remains with the photographers. However, <a><a href="http://www.chileno.co.uk">www.chileno.co.uk</a></a> has the right to publish the photographs on this website. All entrants may have their images displayed on Chileno.<br /></span></p>
<p><span style="font-family: cambria; font-size: medium;">There are three prizes:</span></p>
<p><span style="font-size: medium;"><strong><span style="font-family: cambria;">1st - TBC<br /></span></strong></span></p>
<p><span style="font-size: medium;"><strong><span style="font-family: cambria;">2nd - TBC<br /></span></strong></span></p>
<p><span style="font-family: cambria; font-size: medium;"><strong>3rd - TBC</strong></span><span style="font-family: cambria; font-size: medium;"><br /></span></p>
<p><span style="font-family: cambria; font-size: medium;">Winners will be notified by the end of May 2013 and their work featured on Chileno. </span></p>
<p><span style="font-family: cambria; font-size: medium;"><span style="font-family: cambria; font-size: medium;">Please do not submit portraits of children unless you have the permission of the parent or guardian.</span></span></p>
<p><span style="font-family: cambria; font-size: medium;"><span style="font-family: cambria; font-size: medium;">By submitting your email you are agreeing to the terms of this competition.</span></span></p>
<p><span style="font-family: cambria; font-size: medium;"><span style="font-family: cambria; font-size: medium;"><br /></span></span></p>
<p><span style="font-family: cambria; font-size: medium;"><span style="font-family: cambria; font-size: medium;">Good luck!<br /></span></span></p>
<p><span style="font-family: cambria; font-size: medium;"><span style="font-family: cambria; font-size: medium;"><br /></span></span></p><div class="item_footer"><p><small><a href="http://www.chileno.co.uk/chile/chilean-photography-competition-2013">Original post</a> blogged on <a href="http://www.chileno.co.uk/">Chileno</a>.</small></p></div>]]></content:encoded>
								<comments>http://www.chileno.co.uk/chile/chilean-photography-competition-2013#comments</comments>
			<wfw:commentRss>http://www.chileno.co.uk/?tempskin=_rss2&#38;disp=comments&#38;p=194</wfw:commentRss>
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			<title>Tourism in Chile</title>
			<link>http://www.chileno.co.uk/factorium/tourism-in-chile-1</link>
			<pubDate>Wed, 06 Feb 2013 15:47:00 +0000</pubDate>			<dc:creator>Chileno</dc:creator>
			<category domain="alt">Chile</category>
<category domain="main">Factorium</category>			<guid isPermaLink="false">191@http://www.chileno.co.uk/</guid>
						<description>&lt;p style=&quot;color: #000000; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 10px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: #ffffff;&quot;&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt;We asked the Chilean Government what they see as key long term priorities for the development of the Chilean economy in the coming years. Tourism was the answer they gave us. They view this sector as playing a a key role in the future development of the country. Tourism currently accounts for approximately 3% of the Chilean economy and the current government are proposing to double this to 6% in this decade. Through the newly created&lt;span class=&quot;Apple-converted-space&quot;&gt;&amp;#160;&lt;/span&gt;&lt;a href=&quot;http://www.gob.cl/especiales/subsecretaria-de-turismo/&quot; target=&quot;_blank&quot;&gt;Subsecretar&amp;#237;a de Tourismo&lt;/a&gt;&lt;span class=&quot;Apple-converted-space&quot;&gt;&amp;#160;&lt;/span&gt;the aim is to create 45,000 new direct jobs and some 160,000 indirect jobs. Investment will be made in infrastructure, both physical and digital and support (credit) and training given to small and medium businesses in the tourism industry. As a result of this investment it is hoped to increase the number of tourists visiting from abroad by up to 45%. Although tourism in Chile has traditionally been a small part of overall GDP, you can see from the graph below that tourist numbers from abraod have been steadily increasing over recent years as more and more people are discovering Chile from America, Europe and the rest of the world. You can read the letter from the government department below.&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;color: #000000; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 10px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: #ffffff;&quot;&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt;&lt;object style=&quot;display: block; margin-left: auto; margin-right: auto;&quot; width=&quot;500&quot; height=&quot;375&quot; data=&quot;/open-flash-chart.swf?width=500&amp;amp;height=500&amp;amp;data=/chart-data_tourism1.php&quot; type=&quot;application/x-shockwave-flash&quot;&gt;&lt;param name=&quot;src&quot; value=&quot;/open-flash-chart.swf?width=500&amp;amp;height=500&amp;amp;data=/chart-data_tourism1.php&quot; /&gt;&lt;/object&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;color: #000000; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 10px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: #ffffff;&quot;&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt;&amp;#160;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;color: #000000; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 10px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: #ffffff;&quot;&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt;Source: Chilean Tourist Board (&lt;a href=&quot;http://www.sernatur.cl/&quot; target=&quot;_blank&quot;&gt;www.sernatur.cl&lt;/a&gt;)&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;color: #000000; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 10px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: #ffffff;&quot;&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt;&amp;#160;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;color: #000000; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 10px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: #ffffff;&quot;&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt;&amp;#160;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;color: #000000; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 10px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: #ffffff;&quot;&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt;&lt;img style=&quot;border: 0px;&quot; src=&quot;http://www.chileno.co.uk/images/Gobierno_letter.png&quot; alt=&quot;letter head&quot; width=&quot;171&quot; height=&quot;171&quot; /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;color: #000000; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 10px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: #ffffff;&quot;&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt;&amp;#160;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;color: #000000; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 10px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: #ffffff;&quot;&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt;Junto con saludarla atentamente, el&lt;span class=&quot;Apple-converted-space&quot;&gt;&amp;#160;&lt;/span&gt;&lt;strong&gt;Gabinete Presidencial&lt;span class=&quot;Apple-converted-space&quot;&gt;&amp;#160;&lt;/span&gt;&lt;/strong&gt;acusa recibo de su correo electr&amp;#243;nico.&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;color: #000000; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 10px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: #ffffff;&quot;&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt;Al respecto, nuestro Gobierno conciente de que el turismo es una actividad capaz de generar nuevas oportunidades laborales y de desarrollo territorial, se ha propuesto gestionar de manera eficiente esta industria.&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;color: #000000; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 10px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: #ffffff;&quot;&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt;Para ello, se ha propuesto durante esta d&amp;#233;cada duplicar la importancia del turismo en la econom&amp;#237;a nacional, pasando del 3% al 6%, crear 45.000 nuevos empleos directos y 160.000 indirectos y aumentar en un 45% el n&amp;#250;mero de turistas extranjeros que nos visitan cada a&amp;#241;o.&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;color: #000000; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 10px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: #ffffff;&quot;&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt;Para lograr tal objetivo, las l&amp;#237;neas de trabajo del Gobierno se basan en la&lt;span class=&quot;Apple-converted-space&quot;&gt;&amp;#160;&lt;/span&gt;&lt;strong&gt;creaci&amp;#243;n de la Subsecretar&amp;#237;a de Turismo,&lt;/strong&gt;&lt;span class=&quot;Apple-converted-space&quot;&gt;&amp;#160;&lt;/span&gt;el&amp;#160; promover la imagen de Chile en el exterior, en la generaci&amp;#243;n de inversiones en nueva infraestructura f&amp;#237;sica y digital, y apoyar con cr&amp;#233;ditos y capacitaci&amp;#243;n a miles de peque&amp;#241;os y medianos empresarios y trabajadores del rubro tur&amp;#237;stico.&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;color: #000000; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 10px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: #ffffff;&quot;&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt;Para mayor informaci&amp;#243;n le sugerimos visitar el sitio web del Servicio Nacional de Turismo&lt;span class=&quot;Apple-converted-space&quot;&gt;&amp;#160;&lt;/span&gt;&lt;a href=&quot;http://www.sernatur.cl/&quot;&gt;www.sernatur.cl&lt;/a&gt;.&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;color: #000000; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 10px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: #ffffff;&quot;&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt;Cordialmente,&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;color: #000000; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 10px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: #ffffff;&quot;&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt;&amp;#160;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;color: #000000; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 10px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-align: center;&quot;&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt;&lt;strong&gt;FELIPE ALESSANDRI V.&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;color: #000000; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 10px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-align: center;&quot;&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt;Director&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;color: #000000; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 10px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-align: center;&quot;&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt;Direcci&amp;#243;n de Gesti&amp;#243;n Ciudadana&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: cambria;&quot;&gt;&amp;#160;&lt;/span&gt;&lt;/p&gt;&lt;div class=&quot;item_footer&quot;&gt;&lt;p&gt;&lt;small&gt;&lt;a href=&quot;http://www.chileno.co.uk/factorium/tourism-in-chile-1&quot;&gt;Original post&lt;/a&gt; blogged on &lt;a href=&quot;http://www.chileno.co.uk/&quot;&gt;Chileno&lt;/a&gt;.&lt;/small&gt;&lt;/p&gt;&lt;/div&gt;</description>
			<content:encoded><![CDATA[<p style="color: #000000; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 10px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: #ffffff;"><span style="font-size: medium; font-family: cambria;">We asked the Chilean Government what they see as key long term priorities for the development of the Chilean economy in the coming years. Tourism was the answer they gave us. They view this sector as playing a a key role in the future development of the country. Tourism currently accounts for approximately 3% of the Chilean economy and the current government are proposing to double this to 6% in this decade. Through the newly created<span class="Apple-converted-space">&#160;</span><a href="http://www.gob.cl/especiales/subsecretaria-de-turismo/" target="_blank">Subsecretar&#237;a de Tourismo</a><span class="Apple-converted-space">&#160;</span>the aim is to create 45,000 new direct jobs and some 160,000 indirect jobs. Investment will be made in infrastructure, both physical and digital and support (credit) and training given to small and medium businesses in the tourism industry. As a result of this investment it is hoped to increase the number of tourists visiting from abroad by up to 45%. Although tourism in Chile has traditionally been a small part of overall GDP, you can see from the graph below that tourist numbers from abraod have been steadily increasing over recent years as more and more people are discovering Chile from America, Europe and the rest of the world. You can read the letter from the government department below.</span></p>
<p style="color: #000000; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 10px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: #ffffff;"><span style="font-size: medium; font-family: cambria;"><object style="display: block; margin-left: auto; margin-right: auto;" width="500" height="375" data="/open-flash-chart.swf?width=500&amp;height=500&amp;data=/chart-data_tourism1.php" type="application/x-shockwave-flash"><param name="src" value="/open-flash-chart.swf?width=500&amp;height=500&amp;data=/chart-data_tourism1.php" /></object><br /></span></p>
<p style="color: #000000; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 10px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: #ffffff;"><span style="font-size: medium; font-family: cambria;">&#160;</span></p>
<p style="color: #000000; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 10px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: #ffffff;"><span style="font-size: medium; font-family: cambria;">Source: Chilean Tourist Board (<a href="http://www.sernatur.cl/" target="_blank">www.sernatur.cl</a>)</span></p>
<p style="color: #000000; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 10px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: #ffffff;"><span style="font-size: medium; font-family: cambria;">&#160;</span></p>
<p style="color: #000000; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 10px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: #ffffff;"><span style="font-size: medium; font-family: cambria;">&#160;</span></p>
<p style="color: #000000; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 10px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: #ffffff;"><span style="font-size: medium; font-family: cambria;"><img style="border: 0px;" src="http://www.chileno.co.uk/images/Gobierno_letter.png" alt="letter head" width="171" height="171" /></span></p>
<p style="color: #000000; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 10px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: #ffffff;"><span style="font-size: medium; font-family: cambria;">&#160;</span></p>
<p style="color: #000000; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 10px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: #ffffff;"><span style="font-size: medium; font-family: cambria;">Junto con saludarla atentamente, el<span class="Apple-converted-space">&#160;</span><strong>Gabinete Presidencial<span class="Apple-converted-space">&#160;</span></strong>acusa recibo de su correo electr&#243;nico.</span></p>
<p style="color: #000000; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 10px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: #ffffff;"><span style="font-size: medium; font-family: cambria;">Al respecto, nuestro Gobierno conciente de que el turismo es una actividad capaz de generar nuevas oportunidades laborales y de desarrollo territorial, se ha propuesto gestionar de manera eficiente esta industria.</span></p>
<p style="color: #000000; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 10px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: #ffffff;"><span style="font-size: medium; font-family: cambria;">Para ello, se ha propuesto durante esta d&#233;cada duplicar la importancia del turismo en la econom&#237;a nacional, pasando del 3% al 6%, crear 45.000 nuevos empleos directos y 160.000 indirectos y aumentar en un 45% el n&#250;mero de turistas extranjeros que nos visitan cada a&#241;o.</span></p>
<p style="color: #000000; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 10px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: #ffffff;"><span style="font-size: medium; font-family: cambria;">Para lograr tal objetivo, las l&#237;neas de trabajo del Gobierno se basan en la<span class="Apple-converted-space">&#160;</span><strong>creaci&#243;n de la Subsecretar&#237;a de Turismo,</strong><span class="Apple-converted-space">&#160;</span>el&#160; promover la imagen de Chile en el exterior, en la generaci&#243;n de inversiones en nueva infraestructura f&#237;sica y digital, y apoyar con cr&#233;ditos y capacitaci&#243;n a miles de peque&#241;os y medianos empresarios y trabajadores del rubro tur&#237;stico.</span></p>
<p style="color: #000000; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 10px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: #ffffff;"><span style="font-size: medium; font-family: cambria;">Para mayor informaci&#243;n le sugerimos visitar el sitio web del Servicio Nacional de Turismo<span class="Apple-converted-space">&#160;</span><a href="http://www.sernatur.cl/">www.sernatur.cl</a>.</span></p>
<p style="color: #000000; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 10px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: #ffffff;"><span style="font-size: medium; font-family: cambria;">Cordialmente,</span></p>
<p style="color: #000000; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 10px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: #ffffff;"><span style="font-size: medium; font-family: cambria;">&#160;</span></p>
<p style="color: #000000; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 10px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-align: center;"><span style="font-size: medium; font-family: cambria;"><strong>FELIPE ALESSANDRI V.</strong></span></p>
<p style="color: #000000; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 10px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-align: center;"><span style="font-size: medium; font-family: cambria;">Director</span></p>
<p style="color: #000000; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 10px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-align: center;"><span style="font-size: medium; font-family: cambria;">Direcci&#243;n de Gesti&#243;n Ciudadana</span></p>
<p><span style="font-family: cambria;">&#160;</span></p><div class="item_footer"><p><small><a href="http://www.chileno.co.uk/factorium/tourism-in-chile-1">Original post</a> blogged on <a href="http://www.chileno.co.uk/">Chileno</a>.</small></p></div>]]></content:encoded>
								<comments>http://www.chileno.co.uk/factorium/tourism-in-chile-1#comments</comments>
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			<title>The Mapuche in Modern Chile: Dr Joanna Crow</title>
			<link>http://www.chileno.co.uk/chile/the-mapuche-in-modern-chile-dr-joanna-crow</link>
			<pubDate>Sun, 03 Feb 2013 19:39:00 +0000</pubDate>			<dc:creator>Chileno</dc:creator>
			<category domain="main">Chile</category>			<guid isPermaLink="false">192@http://www.chileno.co.uk/</guid>
						<description>&lt;p&gt;&lt;span style=&quot;font-family: cambria;&quot;&gt;&lt;a title=&quot;The Mapuche in Modern Chile&quot; href=&quot;http://www.chileno.co.uk/media/blogs/a/Mapuche_in_Modern_Chile_small.jpg&quot; rel=&quot;lightbox&quot;&gt;&lt;img style=&quot;display: block; float: left; margin: 5px;&quot; src=&quot;http://www.chileno.co.uk/media/blogs/a/Mapuche_in_Modern_Chile_small.jpg&quot; alt=&quot;&quot; width=&quot;137&quot; height=&quot;208&quot; /&gt;&lt;/a&gt;&lt;/span&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;A new treatise on the largest and most internationally visible indigenous people in Chile, &lt;a href=&quot;http://www.chileno.co.uk/chile/the-mapuche-people#.UQ6kqPK0OSo&quot; target=&quot;_self&quot;&gt;the Mapuche,&lt;/a&gt; has recently been published by Dr Joanna Crow and University Press of Florida. The book, entitled &lt;em&gt;The Mapuche in Modern Chile&lt;/em&gt; provides a revisionist perspective on the complex relationship between the Mapuche and the Chilean state through history up to the present day. In the work, Dr Crow uses a range of sources including Mapuche testimony, academic texts, government documents, music and art, newspapers and parliamentary debate to describe the variety of lived experience of the Mapuche and aims to take the reader beyond a simple narrative of repression and resistance. Dr Crow is currently a lecturer at the &lt;a href=&quot;http://www.bris.ac.uk/hispanic&quot; target=&quot;_blank&quot;&gt;Department of Hispanic, Portuguese and Latin American Studies&lt;/a&gt;, in the School of Languages at the University of Bristol. She joined Bristol University in 2006 after completing her PhD at University College London. She has expertise in Latin American literature and history and a particular interest in Chile, publishing several articles in academic journals including: &#039;Negotiating Inclusion in the Nation: Mapuche Intellectuals and the Chilean State&#039;, Latin American and Caribbean Ethnic Studies 5: 2 (July 2010). We asked Dr Crow some key questions about the new book.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;&lt;strong&gt;Chileno:&lt;/strong&gt; How long has the process been in researching and writing the book? What has the experience been like and how much did you travel to Chile? &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;&lt;strong&gt;Dr Crow:&lt;/strong&gt; From start to finish, about 10 years &amp;#8211; a long time! It started as a PhD thesis (2002-2006, Univeristy College London), and then, after securing a contract for publication, I spent a couple of years revising the structure and incorporating some new material. It was a lot of hard work but it was certainly worth it to see the book finally in print! I also met some fantastic people and got to spend a lot of time in Chile (4 or 5 trips, overall about three and a half years). I have some great memories of my time in Chile, especially of meeting and getting to know writers such as Leonel Lienlaf and Cesar Millahueique &amp;#8211; I feel very privileged to have been able to talk to them about their work &amp;#8211; and of trips to Temuco, where I was able to participate in conferences that really helped connect the past, and the ways in which we think about the past, to the heated political debates of the present.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;&lt;strong&gt;Chileno:&lt;/strong&gt; In the introduction to the book, through the &#039;postcard Mapuche&#039;, you allude to a &#039;noble savage&#039; narrative in Chile that appears to respect the Mapuche as a warrior nation that helped to defeat the Conquistadors.&amp;#160; The paradox is that at the same time the Mapuche seem to have been either assigned to the rubbish heap of history or marginalised. How do we reconcile these positions? Does this just make it just easier, psychologically, for Chileans to avoid the &#039;mapuche question&#039; ?&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;&lt;strong&gt;Dr Crow:&lt;/strong&gt; There are multiple narratives of Mapuche history &amp;#8211; depending on who is narrating it and when. One exalts them as heroic freedom-fighters who successfully defended their lands against Spanish invaders in the 16&lt;sup&gt;th&lt;/sup&gt; century , namely post-independence era leaders justifying and glorifying their own fight against Spanish colonial rule in the 19&lt;sup&gt;th&lt;/sup&gt; century, but this narrative continues through to today as a key foundational fiction of Chilean nationhood, i.e. the Chilean nation was born from the coming together of two great warrior &amp;#8216;races&amp;#8217; (the Spanish and the Araucanian). We see it in official Independence Day speeches, presidents&amp;#8217; inaugural lectures etc&amp;#8230; The Mapuche that are usually marginalised are the present-day Mapuche &amp;#8211; narrated, by the mainstream Chilean press, as having lost their bravery, honour, military prowess and strength of old, on the verge of disappearing etc&amp;#8230; The historical Mapuche is acceptable, indeed crucial for Chilean nationalism (he is a national hero). The contemporary Mapuche who fights for his/her territorial, or political rights is often seen as a threat (in many cases deemed a terrorist threat). This is similar to the position of indigenous peoples in nationalistic discourses elsewhere in Latin America.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;&lt;strong&gt;Chileno:&lt;/strong&gt; Your thesis, though, is more complex than that isn&#039;t it? Are you suggesting a dynamic relationship between state/nation and people.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;&lt;strong&gt;Dr Crow:&lt;/strong&gt; Yes, the relationship is most definitely a constantly shifting and highly complex one. State policies are always changing and the state apparatus is made up of hundreds if not thousands of departments, ministries, institutions, administrative bodies etc&amp;#8230; which each have hundreds if not thousands of people working for them. It is impossible to talk of the state as one uniform whole. Not all state authorities have responded to Mapuche actions and demands in the same way. They have not always or at least they have not consistently repressed Mapuche activism. Indeed, even the same state department or government in power has often elaborated multiple discourses towards and policies regarding the Mapuche; these are not always consistent with one another.&amp;#160; So, for example, one part of (or person/institution working for) the education system, under one particular government, might prohibit the use of indigenous language while another promotes it.&amp;#160; This happened even under the military dictatorship of Augusto Pinochet. More importantly, many Mapuche people have worked within the state apparatus &amp;#8211; as policemen, soldiers, teachers, congressmen, local councillors, mayors, Agarian Reform officials etc&amp;#8230; etc&amp;#8230; and/ or have dialogued with the state apparatus in some way. They have made demands of the state, and articulated those demands in a way that the state can understand (to a certain extent, on the state&amp;#8217;s own terms). But this is not in any way to suggest they are &amp;#8220;selling out&amp;#8221;. Rather, Mapuche people &amp;#8211; a great diversity of people who have different political ideologies, different ways of doing things, different perceptions about the Chilean government and Chilean society and so forth &amp;#8211; have developed numerous different strategies for survival since their territory was incorporated into the Chilean state in the late 19&lt;sup&gt;th&lt;/sup&gt; century. Sometimes they have chosen to negotiate with the state, or they have sought to change the state from within, or they have agreed with some state policies (or even benefitted from some)&amp;#8230; the list goes on. They have also, of course, rebelled against the state and rejected state policies. Whilst the reality of power relations means that there have been few Mapuche government ministers or few wealthy Mapuche landowners, and that the Mapuche who do have a voice on the national or local political stage are not necessarily being listened to, this is not the same as to say that they have been passive victims of state actions, or indeed that they are always anti-state.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;&lt;strong&gt;Chileno:&lt;/strong&gt; The official version of the 19th century campaigns in La Araucan&amp;#237;a avoided terms like &#039;invasion&#039; etc. and one narrative was of an easy peace. The reality was much different wasn&#039;t it? &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;&lt;strong&gt;Dr Crow:&lt;/strong&gt; This is the focus of chapter 1 in the book. One narrative underscored the possibility of peaceful incorporation of indigenous Mapuche people and their territory into the Chilean state; this was the narrative promoted by the president at the time of the conclusion of the military campaigns in 1883, Domingo Santa Maria. There is much evidence to support this narrative &amp;#8211; letters from Mapuche chiefs, for example, pledging loyalty to the Chilean state authorities and promising to inform of any uprisings of rebellions they hear about. Chilean military leaders also wrote proudly of being able to &amp;#8216;pacify&amp;#8217; indigenous Mapuche territory with very little recourse to violence. However, many other sources (again, letters, government documents, newspapers) detail the violence of the campaigns &amp;#8211; the violence of Mapuche rebellions, but more notably the violence of the Chilean military against the Mapuche, and of those people encouraged to settle the &amp;#8216;new&amp;#8217; territory after the military campaigns. The violence of the campaigns has now been recognised by the official teaching curriculum, a number of state museums and the recent Commission of Historical Truth and New Treatment of Indigenous Peoples (2001-2003).&amp;#160;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;&lt;strong&gt;Chileno:&lt;/strong&gt; If we look at history certain groups have been successful in using &#039;freedom fighting&#039; or &#039;terrorism&#039; to negotiate (e.g. the Irish). Is the willingness to fight over land and all that it brings an explanatory factor in the survival of the Mapuche people?&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;&lt;strong&gt;Dr Crow:&lt;/strong&gt; Yes, I think so. Successive governments have rejected Mapuche land invasions, say, or violent street protests as a legitimate or &amp;#8216;rational&amp;#8217; way of trying to get people to listen to their demands, but it does force the issue, it does get press coverage, it does mean the politicians in congress debate the issue. It is sometimes claimed &amp;#8211; by newspapers denouncing previous government attempts to restitute some Mapuche lands &amp;#8211; that those rural communities who have been involved with the more radical Mapuche organisations (with members in jail on charges of&amp;#8217; terrorism&amp;#8217;) are also those that have received lands from the state. This storyline is presented as a criticism of Concertacion policy, but it also points to a connection between political activism and concrete achievements.&amp;#160;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;&lt;strong&gt;Chileno:&lt;/strong&gt; The penultimate chapter in the book takes us up to contemporary times. Can you talk us through this a bit?&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;&lt;strong&gt;Dr Crow:&lt;/strong&gt; Chapter 6 is about memory and competing claims to historical &amp;#8216;truth&amp;#8217; in the context of official policies of neoliberal multiculturalism during the Concertacion governments (1990-2010). It outlines the tensions inherent in neoliberal multiculturalism (for instance, neoliberal economic policies &amp;#8211; such as hydroelectric dam projects, expansion of the logging industry - impacting negatively on Mapuche rural communities in the south, at the same time as the laws of the state, e.g. the Indigenous Law of 1993, promise to protect indigenous lands; also, the relationship between the &amp;#8216;permitted Indian&amp;#8217; who works with the state and the &amp;#8216;dysfunctional, conflict-prone Indian&amp;#8217; who protests against the state and is sometimes jailed as a terrorist for doing so) as a backdrop to the &amp;#8216;new&amp;#8217; histories being produced by the Commission of Historical Truth and New Treatment of Indigenous Peoples (which has been highly criticised by many Mapuche but which also included many Mapuche people in its various working groups), the Mapuche newspaper &lt;a href=&quot;http://www.azkintuwe.org/&quot; target=&quot;_blank&quot;&gt;Azkintuwe&lt;/a&gt;, a recent controversial book by Mapuche academics, and two well-known Mapuche poets. It seeks to show how contested the process of history-telling is, and also to demonstrate that the divide between the permitted and conflict-prone Indian is a blurred one, and that some Mapuche intellectuals are able to enact both roles at the same time.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;&lt;strong&gt;Chileno:&lt;/strong&gt; Very interesting. And so what are the future directions for you and your academic work?&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;&lt;strong&gt;Dr Crow:&lt;/strong&gt; I am just beginning a new research project on Chilean-Peruvian intellectual encounters, still with a focus debates about the &amp;#8220;indigenous question.&amp;#8221; One of the aims is to look at the links between the two countries when many previous studies highlight the conflicts and disconnections, not least because of the two major wars of the nineteenth century between Chile and Peru. I am also very interested in exploring the cultural and institutional history behind certain intellectual relationships &amp;#8211; the congresses, the joint journal endeavours, book fairs &amp;#8211; and in investigating Peruvian experiences of life (and intellectual debates) in Chile, and vice versa. At the moment I am thinking of focusing on 4 or 5 particular relationships, for example the friendship between Gabriela Mistral and Victor Raul Haya de la Torre, but I am very much at the beginning of this project and just thinking through some possible paths of enquiry.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;&lt;strong&gt;Chileno:&lt;/strong&gt; These sound like fruitful lines of research. Given that Mapuche issues have been in the media a lot lately, I wondered what your views are on the recent tensions in Southern Chile? What are your views, for example, on the use of anti-terror laws in the region and violence down there?&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;&lt;strong&gt;Dr Crow:&lt;/strong&gt; The tensions seem to be growing, and I don&amp;#8217;t see a possible solution in sight, particularly under the government of Sebasti&amp;#225;n Pi&lt;span dir=&quot;auto&quot;&gt;&amp;#241;&lt;/span&gt;era. The anti-terrorism legislation has been revised slightly, I think, but still remains in effect (I need to double check the exact state of affairs now). It seeks to delegitimise and indeed criminalise Mapuche political activism, but will not stop such activism. Instead, the refusal to engage seriously with the demands of the more &amp;#8216;radical&amp;#8217; sectors of Mapuche society causes such frustration that the confrontational aspects of Mapuche political activism are likely to increase. In short, the use of anti-terrorism laws to deal with the &amp;#8216;Mapuche problem&amp;#8217; (as newspapers label it) seems only to exacerbate the problem rather than try to resolve it. We also see a disjuncture between Mapuche violence as presented by the government (unlawful, irrational, encouraged by foreign &amp;#8216;extremist&amp;#8217; groups etc&amp;#8230; ) and the violence used against Mapuche activists and communities by state actors, mainly the military police, which is presented as necessary to defend law and order, the only rational policy worth pursuing etc&amp;#8230; In other words, the use of anti-terrorism laws, and the enforcement of those laws, seems to reflect the hypocrisy of much government policy with regard to indigenous peoples. &amp;#160;&amp;#160;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;&lt;strong&gt;Chileno:&lt;/strong&gt; Right, so what does the future hold for the Mapuche? Would you say there is going to be enough pressure for increased equality?&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;&lt;strong&gt;Dr Crow:&lt;/strong&gt; An impossible question for a historian to answer! I think there is growing pressure &amp;#8211; from some sectors of Chilean society and from the international community (particularly human rights groups), as well as from Mapuche organisations themselves &amp;#8211; to recognise Mapuche rights and to stop state violence against Mapuche communities (in the form of police raids, militarisation of Araucan&amp;#237;a etc&amp;#8230;) but whether this will lead to any concrete changes I am not sure. At least there seems to be more debate about the situation of Mapuche people in Chile, but often those dominating the debate are the landowners and the mainstream press in the south, and business interests, which are often antagonistic to Mapuche demands for land and increased cultural and political autonomy.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;&lt;strong&gt;Chileno:&lt;/strong&gt; I know some Mapuche people don&#039;t recognise states such as Chile and Argentina at all, it seems difficult to me to imagine how some of the demands could ever be agreed to. Is full &#039;integration&#039; whatever that means, inevitable?&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;&lt;strong&gt;Dr Crow:&lt;/strong&gt; No, I don&amp;#8217;t think so; I&amp;#8217;m not sure anything is inevitable. There are many different possibilities for the future. For example, the granting of more cultural and political autonomy for the region of Araucania &amp;#8211; where the Mapuche constitute a significant proportion of the population &amp;#8211; could help to empower more Mapuche people at a local level, and they could reject &amp;#8216;integrationist&amp;#8217; policies whilst still officially being part of the Chilean state (if that doesn&amp;#8217;t sound contradictory???). I.e. They can continue to engage with the Chilean state while not necessarily seeing themselves as Chilean. At a national level, things could change &amp;#8211; the Chilean state could be recognised as multinational (as has happened in Bolivia) and this would have major repercussions for Mapuche land rights, but I don&amp;#8217;t see this happening in the near future. Even if Mapuche autonomist claims are not recognised though &amp;#8211; and like you say, it&amp;#8217;s difficult to imagine some of the demands could ever be agreed to &amp;#8211; this doesn&amp;#8217;t mean that such claims will be dropped. Official sources might talk of integration (with differing meanings in terms what happens to difference in the process of integration) but that doesn&amp;#8217;t mean it will be achieved, particularly when a growing number of Mapuche seem to reject it.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;&lt;strong&gt;Chileno:&lt;/strong&gt; Thanks for your time in explaining your fascinating work.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;The book, &lt;a href=&quot;http://upf.com/book.asp?id=CROWX001&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;The Mapuche in Modern Chile&lt;/em&gt;&lt;/a&gt; is published by University Press of Florida and is out now (29/1/2013).&lt;em&gt; &lt;/em&gt;The book is available from better bookstores, or direct, through the publisher.&lt;/span&gt;&lt;/p&gt;&lt;div class=&quot;item_footer&quot;&gt;&lt;p&gt;&lt;small&gt;&lt;a href=&quot;http://www.chileno.co.uk/chile/the-mapuche-in-modern-chile-dr-joanna-crow&quot;&gt;Original post&lt;/a&gt; blogged on &lt;a href=&quot;http://www.chileno.co.uk/&quot;&gt;Chileno&lt;/a&gt;.&lt;/small&gt;&lt;/p&gt;&lt;/div&gt;</description>
			<content:encoded><![CDATA[<p><span style="font-family: cambria;"><a title="The Mapuche in Modern Chile" href="http://www.chileno.co.uk/media/blogs/a/Mapuche_in_Modern_Chile_small.jpg" rel="lightbox"><img style="display: block; float: left; margin: 5px;" src="http://www.chileno.co.uk/media/blogs/a/Mapuche_in_Modern_Chile_small.jpg" alt="" width="137" height="208" /></a></span><span style="font-family: cambria; font-size: medium;">A new treatise on the largest and most internationally visible indigenous people in Chile, <a href="http://www.chileno.co.uk/chile/the-mapuche-people#.UQ6kqPK0OSo" target="_self">the Mapuche,</a> has recently been published by Dr Joanna Crow and University Press of Florida. The book, entitled <em>The Mapuche in Modern Chile</em> provides a revisionist perspective on the complex relationship between the Mapuche and the Chilean state through history up to the present day. In the work, Dr Crow uses a range of sources including Mapuche testimony, academic texts, government documents, music and art, newspapers and parliamentary debate to describe the variety of lived experience of the Mapuche and aims to take the reader beyond a simple narrative of repression and resistance. Dr Crow is currently a lecturer at the <a href="http://www.bris.ac.uk/hispanic" target="_blank">Department of Hispanic, Portuguese and Latin American Studies</a>, in the School of Languages at the University of Bristol. She joined Bristol University in 2006 after completing her PhD at University College London. She has expertise in Latin American literature and history and a particular interest in Chile, publishing several articles in academic journals including: 'Negotiating Inclusion in the Nation: Mapuche Intellectuals and the Chilean State', Latin American and Caribbean Ethnic Studies 5: 2 (July 2010). We asked Dr Crow some key questions about the new book.</span></p>
<p><span style="font-family: cambria; font-size: medium;"><strong>Chileno:</strong> How long has the process been in researching and writing the book? What has the experience been like and how much did you travel to Chile? <br /></span></p>
<p><span style="font-family: cambria; font-size: medium;"><strong>Dr Crow:</strong> From start to finish, about 10 years &#8211; a long time! It started as a PhD thesis (2002-2006, Univeristy College London), and then, after securing a contract for publication, I spent a couple of years revising the structure and incorporating some new material. It was a lot of hard work but it was certainly worth it to see the book finally in print! I also met some fantastic people and got to spend a lot of time in Chile (4 or 5 trips, overall about three and a half years). I have some great memories of my time in Chile, especially of meeting and getting to know writers such as Leonel Lienlaf and Cesar Millahueique &#8211; I feel very privileged to have been able to talk to them about their work &#8211; and of trips to Temuco, where I was able to participate in conferences that really helped connect the past, and the ways in which we think about the past, to the heated political debates of the present.</span></p>
<p><span style="font-family: cambria; font-size: medium;"><strong>Chileno:</strong> In the introduction to the book, through the 'postcard Mapuche', you allude to a 'noble savage' narrative in Chile that appears to respect the Mapuche as a warrior nation that helped to defeat the Conquistadors.&#160; The paradox is that at the same time the Mapuche seem to have been either assigned to the rubbish heap of history or marginalised. How do we reconcile these positions? Does this just make it just easier, psychologically, for Chileans to avoid the 'mapuche question' ?</span></p>
<p><span style="font-family: cambria; font-size: medium;"><strong>Dr Crow:</strong> There are multiple narratives of Mapuche history &#8211; depending on who is narrating it and when. One exalts them as heroic freedom-fighters who successfully defended their lands against Spanish invaders in the 16<sup>th</sup> century , namely post-independence era leaders justifying and glorifying their own fight against Spanish colonial rule in the 19<sup>th</sup> century, but this narrative continues through to today as a key foundational fiction of Chilean nationhood, i.e. the Chilean nation was born from the coming together of two great warrior &#8216;races&#8217; (the Spanish and the Araucanian). We see it in official Independence Day speeches, presidents&#8217; inaugural lectures etc&#8230; The Mapuche that are usually marginalised are the present-day Mapuche &#8211; narrated, by the mainstream Chilean press, as having lost their bravery, honour, military prowess and strength of old, on the verge of disappearing etc&#8230; The historical Mapuche is acceptable, indeed crucial for Chilean nationalism (he is a national hero). The contemporary Mapuche who fights for his/her territorial, or political rights is often seen as a threat (in many cases deemed a terrorist threat). This is similar to the position of indigenous peoples in nationalistic discourses elsewhere in Latin America.</span></p>
<p><span style="font-family: cambria; font-size: medium;"><strong>Chileno:</strong> Your thesis, though, is more complex than that isn't it? Are you suggesting a dynamic relationship between state/nation and people.</span></p>
<p><span style="font-family: cambria; font-size: medium;"><strong>Dr Crow:</strong> Yes, the relationship is most definitely a constantly shifting and highly complex one. State policies are always changing and the state apparatus is made up of hundreds if not thousands of departments, ministries, institutions, administrative bodies etc&#8230; which each have hundreds if not thousands of people working for them. It is impossible to talk of the state as one uniform whole. Not all state authorities have responded to Mapuche actions and demands in the same way. They have not always or at least they have not consistently repressed Mapuche activism. Indeed, even the same state department or government in power has often elaborated multiple discourses towards and policies regarding the Mapuche; these are not always consistent with one another.&#160; So, for example, one part of (or person/institution working for) the education system, under one particular government, might prohibit the use of indigenous language while another promotes it.&#160; This happened even under the military dictatorship of Augusto Pinochet. More importantly, many Mapuche people have worked within the state apparatus &#8211; as policemen, soldiers, teachers, congressmen, local councillors, mayors, Agarian Reform officials etc&#8230; etc&#8230; and/ or have dialogued with the state apparatus in some way. They have made demands of the state, and articulated those demands in a way that the state can understand (to a certain extent, on the state&#8217;s own terms). But this is not in any way to suggest they are &#8220;selling out&#8221;. Rather, Mapuche people &#8211; a great diversity of people who have different political ideologies, different ways of doing things, different perceptions about the Chilean government and Chilean society and so forth &#8211; have developed numerous different strategies for survival since their territory was incorporated into the Chilean state in the late 19<sup>th</sup> century. Sometimes they have chosen to negotiate with the state, or they have sought to change the state from within, or they have agreed with some state policies (or even benefitted from some)&#8230; the list goes on. They have also, of course, rebelled against the state and rejected state policies. Whilst the reality of power relations means that there have been few Mapuche government ministers or few wealthy Mapuche landowners, and that the Mapuche who do have a voice on the national or local political stage are not necessarily being listened to, this is not the same as to say that they have been passive victims of state actions, or indeed that they are always anti-state.</span></p>
<p><span style="font-family: cambria; font-size: medium;"><strong>Chileno:</strong> The official version of the 19th century campaigns in La Araucan&#237;a avoided terms like 'invasion' etc. and one narrative was of an easy peace. The reality was much different wasn't it? <br /></span></p>
<p><span style="font-family: cambria; font-size: medium;"><strong>Dr Crow:</strong> This is the focus of chapter 1 in the book. One narrative underscored the possibility of peaceful incorporation of indigenous Mapuche people and their territory into the Chilean state; this was the narrative promoted by the president at the time of the conclusion of the military campaigns in 1883, Domingo Santa Maria. There is much evidence to support this narrative &#8211; letters from Mapuche chiefs, for example, pledging loyalty to the Chilean state authorities and promising to inform of any uprisings of rebellions they hear about. Chilean military leaders also wrote proudly of being able to &#8216;pacify&#8217; indigenous Mapuche territory with very little recourse to violence. However, many other sources (again, letters, government documents, newspapers) detail the violence of the campaigns &#8211; the violence of Mapuche rebellions, but more notably the violence of the Chilean military against the Mapuche, and of those people encouraged to settle the &#8216;new&#8217; territory after the military campaigns. The violence of the campaigns has now been recognised by the official teaching curriculum, a number of state museums and the recent Commission of Historical Truth and New Treatment of Indigenous Peoples (2001-2003).&#160;</span></p>
<p><span style="font-family: cambria; font-size: medium;"><strong>Chileno:</strong> If we look at history certain groups have been successful in using 'freedom fighting' or 'terrorism' to negotiate (e.g. the Irish). Is the willingness to fight over land and all that it brings an explanatory factor in the survival of the Mapuche people?</span></p>
<p><span style="font-family: cambria; font-size: medium;"><strong>Dr Crow:</strong> Yes, I think so. Successive governments have rejected Mapuche land invasions, say, or violent street protests as a legitimate or &#8216;rational&#8217; way of trying to get people to listen to their demands, but it does force the issue, it does get press coverage, it does mean the politicians in congress debate the issue. It is sometimes claimed &#8211; by newspapers denouncing previous government attempts to restitute some Mapuche lands &#8211; that those rural communities who have been involved with the more radical Mapuche organisations (with members in jail on charges of&#8217; terrorism&#8217;) are also those that have received lands from the state. This storyline is presented as a criticism of Concertacion policy, but it also points to a connection between political activism and concrete achievements.&#160;</span></p>
<p><span style="font-family: cambria; font-size: medium;"><strong>Chileno:</strong> The penultimate chapter in the book takes us up to contemporary times. Can you talk us through this a bit?</span></p>
<p><span style="font-family: cambria; font-size: medium;"><strong>Dr Crow:</strong> Chapter 6 is about memory and competing claims to historical &#8216;truth&#8217; in the context of official policies of neoliberal multiculturalism during the Concertacion governments (1990-2010). It outlines the tensions inherent in neoliberal multiculturalism (for instance, neoliberal economic policies &#8211; such as hydroelectric dam projects, expansion of the logging industry - impacting negatively on Mapuche rural communities in the south, at the same time as the laws of the state, e.g. the Indigenous Law of 1993, promise to protect indigenous lands; also, the relationship between the &#8216;permitted Indian&#8217; who works with the state and the &#8216;dysfunctional, conflict-prone Indian&#8217; who protests against the state and is sometimes jailed as a terrorist for doing so) as a backdrop to the &#8216;new&#8217; histories being produced by the Commission of Historical Truth and New Treatment of Indigenous Peoples (which has been highly criticised by many Mapuche but which also included many Mapuche people in its various working groups), the Mapuche newspaper <a href="http://www.azkintuwe.org/" target="_blank">Azkintuwe</a>, a recent controversial book by Mapuche academics, and two well-known Mapuche poets. It seeks to show how contested the process of history-telling is, and also to demonstrate that the divide between the permitted and conflict-prone Indian is a blurred one, and that some Mapuche intellectuals are able to enact both roles at the same time.</span></p>
<p><span style="font-family: cambria; font-size: medium;"><strong>Chileno:</strong> Very interesting. And so what are the future directions for you and your academic work?</span></p>
<p><span style="font-family: cambria; font-size: medium;"><strong>Dr Crow:</strong> I am just beginning a new research project on Chilean-Peruvian intellectual encounters, still with a focus debates about the &#8220;indigenous question.&#8221; One of the aims is to look at the links between the two countries when many previous studies highlight the conflicts and disconnections, not least because of the two major wars of the nineteenth century between Chile and Peru. I am also very interested in exploring the cultural and institutional history behind certain intellectual relationships &#8211; the congresses, the joint journal endeavours, book fairs &#8211; and in investigating Peruvian experiences of life (and intellectual debates) in Chile, and vice versa. At the moment I am thinking of focusing on 4 or 5 particular relationships, for example the friendship between Gabriela Mistral and Victor Raul Haya de la Torre, but I am very much at the beginning of this project and just thinking through some possible paths of enquiry.</span></p>
<p><span style="font-family: cambria; font-size: medium;"><strong>Chileno:</strong> These sound like fruitful lines of research. Given that Mapuche issues have been in the media a lot lately, I wondered what your views are on the recent tensions in Southern Chile? What are your views, for example, on the use of anti-terror laws in the region and violence down there?</span></p>
<p><span style="font-family: cambria; font-size: medium;"><strong>Dr Crow:</strong> The tensions seem to be growing, and I don&#8217;t see a possible solution in sight, particularly under the government of Sebasti&#225;n Pi<span dir="auto">&#241;</span>era. The anti-terrorism legislation has been revised slightly, I think, but still remains in effect (I need to double check the exact state of affairs now). It seeks to delegitimise and indeed criminalise Mapuche political activism, but will not stop such activism. Instead, the refusal to engage seriously with the demands of the more &#8216;radical&#8217; sectors of Mapuche society causes such frustration that the confrontational aspects of Mapuche political activism are likely to increase. In short, the use of anti-terrorism laws to deal with the &#8216;Mapuche problem&#8217; (as newspapers label it) seems only to exacerbate the problem rather than try to resolve it. We also see a disjuncture between Mapuche violence as presented by the government (unlawful, irrational, encouraged by foreign &#8216;extremist&#8217; groups etc&#8230; ) and the violence used against Mapuche activists and communities by state actors, mainly the military police, which is presented as necessary to defend law and order, the only rational policy worth pursuing etc&#8230; In other words, the use of anti-terrorism laws, and the enforcement of those laws, seems to reflect the hypocrisy of much government policy with regard to indigenous peoples. &#160;&#160;</span></p>
<p><span style="font-family: cambria; font-size: medium;"><strong>Chileno:</strong> Right, so what does the future hold for the Mapuche? Would you say there is going to be enough pressure for increased equality?</span></p>
<p><span style="font-family: cambria; font-size: medium;"><strong>Dr Crow:</strong> An impossible question for a historian to answer! I think there is growing pressure &#8211; from some sectors of Chilean society and from the international community (particularly human rights groups), as well as from Mapuche organisations themselves &#8211; to recognise Mapuche rights and to stop state violence against Mapuche communities (in the form of police raids, militarisation of Araucan&#237;a etc&#8230;) but whether this will lead to any concrete changes I am not sure. At least there seems to be more debate about the situation of Mapuche people in Chile, but often those dominating the debate are the landowners and the mainstream press in the south, and business interests, which are often antagonistic to Mapuche demands for land and increased cultural and political autonomy.</span></p>
<p><span style="font-family: cambria; font-size: medium;"><strong>Chileno:</strong> I know some Mapuche people don't recognise states such as Chile and Argentina at all, it seems difficult to me to imagine how some of the demands could ever be agreed to. Is full 'integration' whatever that means, inevitable?</span></p>
<p><span style="font-family: cambria; font-size: medium;"><strong>Dr Crow:</strong> No, I don&#8217;t think so; I&#8217;m not sure anything is inevitable. There are many different possibilities for the future. For example, the granting of more cultural and political autonomy for the region of Araucania &#8211; where the Mapuche constitute a significant proportion of the population &#8211; could help to empower more Mapuche people at a local level, and they could reject &#8216;integrationist&#8217; policies whilst still officially being part of the Chilean state (if that doesn&#8217;t sound contradictory???). I.e. They can continue to engage with the Chilean state while not necessarily seeing themselves as Chilean. At a national level, things could change &#8211; the Chilean state could be recognised as multinational (as has happened in Bolivia) and this would have major repercussions for Mapuche land rights, but I don&#8217;t see this happening in the near future. Even if Mapuche autonomist claims are not recognised though &#8211; and like you say, it&#8217;s difficult to imagine some of the demands could ever be agreed to &#8211; this doesn&#8217;t mean that such claims will be dropped. Official sources might talk of integration (with differing meanings in terms what happens to difference in the process of integration) but that doesn&#8217;t mean it will be achieved, particularly when a growing number of Mapuche seem to reject it.</span></p>
<p><span style="font-family: cambria; font-size: medium;"><strong>Chileno:</strong> Thanks for your time in explaining your fascinating work.<br /></span></p>
<p><span style="font-family: cambria; font-size: medium;">The book, <a href="http://upf.com/book.asp?id=CROWX001" target="_blank"><em>The Mapuche in Modern Chile</em></a> is published by University Press of Florida and is out now (29/1/2013).<em> </em>The book is available from better bookstores, or direct, through the publisher.</span></p><div class="item_footer"><p><small><a href="http://www.chileno.co.uk/chile/the-mapuche-in-modern-chile-dr-joanna-crow">Original post</a> blogged on <a href="http://www.chileno.co.uk/">Chileno</a>.</small></p></div>]]></content:encoded>
								<comments>http://www.chileno.co.uk/chile/the-mapuche-in-modern-chile-dr-joanna-crow#comments</comments>
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			<title>Chilean Chess: Joao Avalos</title>
			<link>http://www.chileno.co.uk/chile/chilean-chess-joao-avalos</link>
			<pubDate>Sat, 02 Feb 2013 15:24:00 +0000</pubDate>			<dc:creator>Chileno</dc:creator>
			<category domain="main">Chile</category>
<category domain="alt">Sport</category>			<guid isPermaLink="false">189@http://www.chileno.co.uk/</guid>
						<description>&lt;p&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt;&lt;img style=&quot;display: block; margin-left: auto; margin-right: auto;&quot; src=&quot;http://www.chileno.co.uk/images/chess1.jpg&quot; alt=&quot;chess board&quot; width=&quot;424&quot; height=&quot;283&quot; /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;div class=&quot;textdiv&quot;&gt;
&lt;p style=&quot;text-align: left;&quot;&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt;Chileno interviewed several ranked Chilean chess players. They took some time out from their busy practice schedule and gave us their thoughts on some key questions on chess and what direction the game in Chile should take in the future. First up was FIDE master Joao Avalos currently ranked 56 in Chile. &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;
&lt;table id=&quot;box-table-a&quot; style=&quot;margin-left: auto; margin-right: auto;&quot; summary=&quot;Stats Avalos&quot;&gt;
&lt;thead&gt;
&lt;tr&gt;&lt;th style=&quot;text-align: left;&quot; scope=&quot;col&quot;&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt;Name:&lt;/span&gt;&lt;/th&gt;&lt;th style=&quot;text-align: left;&quot; scope=&quot;col&quot;&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt;Avalos Parra, Joao&lt;/span&gt;&lt;/th&gt;&lt;/tr&gt;
&lt;/thead&gt;
&lt;tbody&gt;
&lt;tr&gt;
&lt;td style=&quot;text-align: left;&quot;&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt;Federation:&lt;/span&gt;&lt;/td&gt;
&lt;td style=&quot;text-align: left;&quot;&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt;Chile&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td style=&quot;text-align: left;&quot;&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt;FIDE title:&lt;/span&gt;&lt;/td&gt;
&lt;td style=&quot;text-align: left;&quot;&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt;FIDE Master&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td style=&quot;text-align: left;&quot;&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt;Highest rating:&lt;/span&gt;&lt;/td&gt;
&lt;td style=&quot;text-align: left;&quot;&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt;2323&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td style=&quot;text-align: left;&quot;&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt;Born:&lt;/span&gt;&lt;/td&gt;
&lt;td style=&quot;text-align: left;&quot;&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt;1981&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td style=&quot;text-align: left;&quot;&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt;Sex:&lt;/span&gt;&lt;/td&gt;
&lt;td style=&quot;text-align: left;&quot;&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt;Male&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;/tbody&gt;
&lt;/table&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&amp;#160;&lt;/span&gt;&lt;/p&gt;
&lt;div&gt;
&lt;table style=&quot;width: 100%;&quot; border=&quot;0&quot; cellspacing=&quot;2&quot; cellpadding=&quot;2&quot; align=&quot;left&quot;&gt;
&lt;tbody&gt;
&lt;tr&gt;
&lt;td valign=&quot;top&quot; width=&quot;500&quot;&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt;&lt;strong&gt;Avalos Parra, Joao (CHI)&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;&lt;a href=&quot;http://ratings.fide.com/card.phtml?event=3402541&quot;&gt;&lt;img style=&quot;vertical-align: middle; margin: 0px 2px; border: 0pt none;&quot; src=&quot;http://ratings.fide.com/imga/card.gif&quot; alt=&quot;profile at FIDE&quot; width=&quot;26&quot; height=&quot;24&quot; /&gt;&lt;/a&gt;&amp;#160;&lt;a href=&quot;http://ratings.fide.com/card.phtml?event=3402541&quot;&gt;Profile&lt;/a&gt; | &lt;a href=&quot;http://ratings.fide.com/card.phtml?event=3402541&quot;&gt;&lt;img style=&quot;vertical-align: middle; margin: 0px 2px; border: 0pt none;&quot; src=&quot;http://ratings.fide.com/imga/chart.gif&quot; alt=&quot;rating progress at FIDE&quot; width=&quot;25&quot; height=&quot;23&quot; /&gt;&lt;/a&gt;&amp;#160;&lt;a href=&quot;http://ratings.fide.com/id.phtml?event=3402541&quot;&gt;Rating Progress&lt;/a&gt; | &lt;a href=&quot;http://ratings.fide.com/chess_statistics.phtml?event=3402541&quot;&gt;&lt;img style=&quot;vertical-align: middle; margin: 0px 2px; border: 0pt none;&quot; src=&quot;http://ratings.fide.com/imga/chart_pie.gif&quot; alt=&quot;game stats at FIDE&quot; width=&quot;26&quot; height=&quot;26&quot; /&gt;&lt;/a&gt;&amp;#160;&lt;a href=&quot;http://ratings.fide.com/chess_statistics.phtml?event=3402541&quot;&gt;Game Statistics&lt;/a&gt; &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt; &lt;object id=&quot;ie_chart&quot; style=&quot;display: block; margin-left: auto; margin-right: auto; width: 540px; height: 400px;&quot; width=&quot;540&quot; height=&quot;400&quot; data=&quot;http://ratings.fide.com/open-flash-chart.swf?width=540&amp;amp;height=400&amp;amp;data=http%3A%2F%2Fratings.fide.com%2Fchart_data.php%3Fevent%3D3402541&quot; type=&quot;application/x-shockwave-flash&quot;&gt;&lt;param name=&quot;data&quot; value=&quot;http://ratings.fide.com/open-flash-chart.swf?width=540&amp;amp;height=400&amp;amp;data=http%3A%2F%2Fratings.fide.com%2Fchart_data.php%3Fevent%3D3402541&quot; /&gt;&lt;param name=&quot;quality&quot; value=&quot;high&quot; /&gt;&lt;param name=&quot;src&quot; value=&quot;http://ratings.fide.com/open-flash-chart.swf?width=540&amp;amp;height=400&amp;amp;data=http%3A%2F%2Fratings.fide.com%2Fchart_data.php%3Fevent%3D3402541&quot; /&gt;&lt;/object&gt; &lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;/tbody&gt;
&lt;/table&gt;
&lt;/div&gt;
&lt;p&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;&lt;strong&gt;Chileno - When did you start to play chess and how much time do you devote to practice and development?&amp;#160;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;&lt;strong&gt;Joao - &lt;/strong&gt;&lt;em&gt;Comence a los 14 a&amp;#241;os de edad, y dedico unas 4 horas al ajedrez diariamente.&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;&lt;strong&gt;Joao - &lt;/strong&gt;I started when I was14 years old and I devote around 4 hours daily to play chess.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;&lt;strong&gt;Chileno &amp;#8211; What are your ambitions in chess?&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;&lt;strong&gt;Joao - &lt;/strong&gt;&lt;em&gt;Hoy en dia mis ambiciones son conseguir el titulo de maestro internacional de ajedrez y competir en el circuito mundial de este deporte.&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;&lt;strong&gt;Joao - &lt;/strong&gt;Today my ambitions are to achieve the international master title and to compete on the world chess circuit.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;&lt;strong&gt;Chileno - How important is studying chess theory to your game?&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;&lt;strong&gt;Joao - &lt;/strong&gt;&lt;em&gt;La teor&amp;#237;a del ajedrez es muy importante para practicar este deporte a un nivel profesional ,debido a que es un lado importante del desarrollo de cualquier ajedrecista para poder alcanzar objetivos importantes en este deporte.&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;&lt;strong&gt;Joao - &lt;/strong&gt;Chess theory is very important to play at a professional level.This is an important part of every chess player&amp;#8217;s game in order to accomplish important achievements in the sport.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;&lt;strong&gt;Chileno - Do you use computers as part of your studies?&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;&lt;strong&gt;Joao - &lt;/strong&gt;&lt;em&gt;Jugar con computadoras no realmente , si con las computadoras analizo mis partidas y estudioa de entrenamiento para comprobar pensamientos e ideas que se me pueden presentar en el entrenamiento mismo.&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;&lt;strong&gt;Joao - &lt;/strong&gt;I don&amp;#8217;t really play with computers, but I do analyse my chess matches using computers and learn by training and from my thoughts and ideas that may present themselves whilst training.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;&lt;strong&gt;Chileno - The English grandmaster Nigel Short has complained that computers may destroy chess and that &amp;#8220;cheating with computers is the gravest threat to chess today&amp;#8221;, do you agree with that statement?&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;&lt;strong&gt;Joao - &lt;/strong&gt;&lt;em&gt;Bueno en cierta medida las computadoras pueden destruir la mistica imaginativa y creativa del juego, pero&amp;#160; sigo creyendo en que la inventiva e imaginaci&amp;#243;n del ser humano es mas grande que el mero calculo y evaluaci&amp;#243;n fr&amp;#237;a de una computadora. Por lo mismo creo que la trampa en ajedrez influye miuy poco e el juego verdadero del ajedrez en si. Es decir, dudo que el juego tramposo le gane a la inventiva humana.&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;&lt;strong&gt;Joao - &lt;/strong&gt;I think that in a certain way, computers might destroy the imagination and creativeness of the game; however I still believe that the invention and imagination of the human being is much bigger than the cold and basic calculations of a computer. For that reason I think that cheating in chess has little influence in the real game.Therefore, I doubt that cheating will win over human creativeness.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;&lt;strong&gt;Chileno &amp;#8211; How vital is it to have a very powerful memory in chess - How many moves ahead can you calculate on the chess board?&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;&lt;strong&gt;Joao - &lt;/strong&gt;&lt;em&gt;La memoria es una virtud fundamental para desarrollar un buen juego de ajedrez , es algo que marca diferencia entre un jugador fuerte de uno d&amp;#233;bil, creo que &amp;#160;puedo calcular alrededor de 6 u 10 movimientos,aunque me encantar&amp;#237;a que fueran mas , por el bien de mi futuro en este deporte.&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;&lt;strong&gt;Joao - &lt;/strong&gt;Memory is a vital part to be able to develop a good chess game, it is something that marks the difference between a strong or a weak player, I think I can calculate around 6 to 10 moves ahead, although I would love to be able to do better in the future.&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;&lt;strong&gt;Chileno &amp;#8211; Would you say that chess is about combat perhaps fuelled by testosterone, or is it a strategic exercise?&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;&lt;strong&gt;Joao - &lt;/strong&gt;&lt;em&gt;Claramente el ajedrez es un juego de estrategia aunque como en todo deporte puede influir en situaciones determinadas&amp;#160; la testosterona para ganar.&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;&lt;strong&gt;Joao - &lt;/strong&gt;Clearly, chess is a strategy game although like in every sport and in certain situations, but testosterone could help you to win.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;&lt;strong&gt;Chileno &amp;#8211; Fischer, and others in Chess have sometimes been associated with insanity. Do you think there is a danger of becoming obsessed with chess and it damaging your health?&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;&lt;strong&gt;Joao - &lt;/strong&gt;&lt;em&gt;Creo que el ajedrez pude causar anomal&amp;#237;as mentales asi como cualquier deporte f&amp;#237;sico causa da&amp;#241;os f&amp;#237;sicos como lesiones,etc. Asociar al ajedrecista con un potencial enfermo mental &amp;#160;es otra cosa que creo fuera de lugar &amp;#8230; el ajedrecista peca de usar mucho su mente si eso es enfermedad bienvenida sea aquella..entonces a varias personas les favorecia este juego.. si Fischer fue considerado enfermo por ocupar su cerebro jugando ajedrez&amp;#160; mas que cualquier persona en este mundoen cualquier &amp;#225;mbito del pensamiento humano&amp;#160; entonces DIGANME LOCO que se los agradecer&amp;#233;.&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;&lt;strong&gt;Joao - &lt;/strong&gt;I think that chess may cause mental anomalies like any other physical sport can cause physical damage like injuries etc. to associate a chess player with a potential mental illness is another thing that I think it is going too far &amp;#8230; A chess player makes a mistake by using his mind too much and if that can be called insanity, then I welcome it! &amp;#160;A lot of people can take advantage of this game if that is the case then.&amp;#160; If Fischer was considered to be ill for using his brain to play chess more than any other person in the world or any sphere of human thought, then CALL ME&amp;#160; CRAZY and I would thank you for this.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;&lt;strong&gt;Chileno - What is the chess scene like in Chile today? How does it compare to other countries and do you think it has changed over time?&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;&lt;strong&gt;Joao - &lt;/strong&gt;&lt;em&gt;Creo que Chile es un pa&amp;#237;s totalmente b&amp;#225;sico en el desarrollo del ajedrez , hacen falta muchos cambios y mejoras para aspirar a obtener un nivel medianamente mundial. Comparado con otros pa&amp;#237;ses de america y el mundo estamos a a&amp;#241;os luz , pero tengo la esperanza de que mejore la situaci&amp;#243;n de este deporte.&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;&lt;strong&gt;Joao - &lt;/strong&gt;I think that Chile is at a very basic level in the development of chess, we need a lot of changes and better opportunities to achieve a medium world level. If we compare ourselves to other countries in the Americas and the rest of the world I think we are light years behind but I hope this situation will improve soon.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;&lt;strong&gt;Chileno - As with the rest of the world, there are many more men than women playing at top levels in Chile. Why do you think this is? &lt;br /&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;&lt;strong&gt;Joao - &lt;/strong&gt;&lt;em&gt;Sin querer quedar como machista , creo que el ajedrez es un 80% paciencia por eso las mujeres lo descartan de plano, que mujer aguanta 5 horas sentadas sin moverse ni poder hablar?? &amp;#160;&lt;/em&gt;&lt;em&gt;Solo pensando &amp;#8230;pocas.&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;&lt;strong&gt;Joao - &lt;/strong&gt;Without being called a chauvinist, I think chess is 80% &amp;#160;patience and for that reason women are not interested, what woman will be able to stay still for 5 hours without being able to move and talk, just thinking&amp;#8230; only a few.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;&lt;strong&gt;Chileno &amp;#8211; What do you think the future holds for chess in Chile? What are the three most important developments that need to happen to make improvements?&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;&lt;strong&gt;Joao - &lt;/strong&gt;&lt;em&gt;Creo que en Chile el ajedrez no mejorara sin una pol&amp;#237;tica clara y decidida hacia este deporte, sabemos que el ajedrez es poco comercial y masivo. Ninguna empresa privada apuesta por un deporte que le retribuya poca publicidad, creo que puntos neur&amp;#225;lgicos para mejorar esta situaci&amp;#243;n son INFORMACION a la gente sobre las bondades de este deporte, APOYO de la empresa privada y COMPROMISO con esta actividad. Con estos 3 puntos tomados en serio el ajedrez chileno puede mejorar hostenciblemente.&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;&lt;strong&gt;Joao - &lt;/strong&gt;I think that chess in Chile won&amp;#8217;t get better until there is a clear and dedicated policy towards this sport; we all know that chess is not very commercial and wide reaching.&amp;#160; A private company won&amp;#8217;t invest in a sport that will bring hardly any publicity if any at all, I think that the major things to improve this situation are COMMUNICATION to the people about the benefits of this sport, SUPPORT from private companies and LOYALTY in this activity.&amp;#160; With these 3 points taken into consideration seriously Chilean chess can improve&amp;#160; dramatically.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: cambria; font-size: medium;&quot;&gt;&lt;strong&gt;Chileno &amp;#8211; Thank you Joao for taking the time out for Chileno and we wish you good luck in your future endeavours.&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium; font-family: cambria;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
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&lt;p&gt;&lt;a href=&quot;http://www.chileno.co.uk/?tempskin=_rss2&quot;&gt;http://www.chileno.co.uk/?tempskin=_rss2&lt;/a&gt;&lt;/p&gt;&lt;div class=&quot;item_footer&quot;&gt;&lt;p&gt;&lt;small&gt;&lt;a href=&quot;http://www.chileno.co.uk/chile/chilean-chess-joao-avalos&quot;&gt;Original post&lt;/a&gt; blogged on &lt;a href=&quot;http://www.chileno.co.uk/&quot;&gt;Chileno&lt;/a&gt;.&lt;/small&gt;&lt;/p&gt;&lt;/div&gt;</description>
			<content:encoded><![CDATA[<p><span style="font-size: medium; font-family: cambria;"><img style="display: block; margin-left: auto; margin-right: auto;" src="http://www.chileno.co.uk/images/chess1.jpg" alt="chess board" width="424" height="283" /></span></p>
<div class="textdiv">
<p style="text-align: left;"><span style="font-size: medium; font-family: cambria;">Chileno interviewed several ranked Chilean chess players. They took some time out from their busy practice schedule and gave us their thoughts on some key questions on chess and what direction the game in Chile should take in the future. First up was FIDE master Joao Avalos currently ranked 56 in Chile. </span><br /><br /></p>
<table id="box-table-a" style="margin-left: auto; margin-right: auto;" summary="Stats Avalos">
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<tr><th style="text-align: left;" scope="col"><span style="font-size: medium; font-family: cambria;">Name:</span></th><th style="text-align: left;" scope="col"><span style="font-size: medium; font-family: cambria;">Avalos Parra, Joao</span></th></tr>
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<td style="text-align: left;"><span style="font-size: medium; font-family: cambria;">Federation:</span></td>
<td style="text-align: left;"><span style="font-size: medium; font-family: cambria;">Chile</span></td>
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<td style="text-align: left;"><span style="font-size: medium; font-family: cambria;">FIDE title:</span></td>
<td style="text-align: left;"><span style="font-size: medium; font-family: cambria;">FIDE Master</span></td>
</tr>
<tr>
<td style="text-align: left;"><span style="font-size: medium; font-family: cambria;">Highest rating:</span></td>
<td style="text-align: left;"><span style="font-size: medium; font-family: cambria;">2323</span></td>
</tr>
<tr>
<td style="text-align: left;"><span style="font-size: medium; font-family: cambria;">Born:</span></td>
<td style="text-align: left;"><span style="font-size: medium; font-family: cambria;">1981</span></td>
</tr>
<tr>
<td style="text-align: left;"><span style="font-size: medium; font-family: cambria;">Sex:</span></td>
<td style="text-align: left;"><span style="font-size: medium; font-family: cambria;">Male</span></td>
</tr>
</tbody>
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<p><span style="font-size: medium;">&#160;</span></p>
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<td valign="top" width="500"><span style="font-size: medium; font-family: cambria;"><strong>Avalos Parra, Joao (CHI)</strong></span><br /><br /><span style="font-family: cambria; font-size: medium;"><a href="http://ratings.fide.com/card.phtml?event=3402541"><img style="vertical-align: middle; margin: 0px 2px; border: 0pt none;" src="http://ratings.fide.com/imga/card.gif" alt="profile at FIDE" width="26" height="24" /></a>&#160;<a href="http://ratings.fide.com/card.phtml?event=3402541">Profile</a> | <a href="http://ratings.fide.com/card.phtml?event=3402541"><img style="vertical-align: middle; margin: 0px 2px; border: 0pt none;" src="http://ratings.fide.com/imga/chart.gif" alt="rating progress at FIDE" width="25" height="23" /></a>&#160;<a href="http://ratings.fide.com/id.phtml?event=3402541">Rating Progress</a> | <a href="http://ratings.fide.com/chess_statistics.phtml?event=3402541"><img style="vertical-align: middle; margin: 0px 2px; border: 0pt none;" src="http://ratings.fide.com/imga/chart_pie.gif" alt="game stats at FIDE" width="26" height="26" /></a>&#160;<a href="http://ratings.fide.com/chess_statistics.phtml?event=3402541">Game Statistics</a> </span><br /><br /><span style="font-family: cambria; font-size: medium;"> <object id="ie_chart" style="display: block; margin-left: auto; margin-right: auto; width: 540px; height: 400px;" width="540" height="400" data="http://ratings.fide.com/open-flash-chart.swf?width=540&amp;height=400&amp;data=http%3A%2F%2Fratings.fide.com%2Fchart_data.php%3Fevent%3D3402541" type="application/x-shockwave-flash"><param name="data" value="http://ratings.fide.com/open-flash-chart.swf?width=540&amp;height=400&amp;data=http%3A%2F%2Fratings.fide.com%2Fchart_data.php%3Fevent%3D3402541" /><param name="quality" value="high" /><param name="src" value="http://ratings.fide.com/open-flash-chart.swf?width=540&amp;height=400&amp;data=http%3A%2F%2Fratings.fide.com%2Fchart_data.php%3Fevent%3D3402541" /></object> </span></td>
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<p><span style="font-family: cambria; font-size: medium;"><strong>Chileno - When did you start to play chess and how much time do you devote to practice and development?&#160;</strong></span></p>
<p><span style="font-family: cambria; font-size: medium;"><strong>Joao - </strong><em>Comence a los 14 a&#241;os de edad, y dedico unas 4 horas al ajedrez diariamente.</em></span></p>
<p><span style="font-family: cambria; font-size: medium;"><strong>Joao - </strong>I started when I was14 years old and I devote around 4 hours daily to play chess.</span></p>
<p><span style="font-family: cambria; font-size: medium;"><strong>Chileno &#8211; What are your ambitions in chess?</strong></span></p>
<p><span style="font-family: cambria; font-size: medium;"><strong>Joao - </strong><em>Hoy en dia mis ambiciones son conseguir el titulo de maestro internacional de ajedrez y competir en el circuito mundial de este deporte.</em></span></p>
<p><span style="font-family: cambria; font-size: medium;"><strong>Joao - </strong>Today my ambitions are to achieve the international master title and to compete on the world chess circuit.</span></p>
<p><span style="font-family: cambria; font-size: medium;"><strong>Chileno - How important is studying chess theory to your game?</strong></span></p>
<p><span style="font-family: cambria; font-size: medium;"><strong>Joao - </strong><em>La teor&#237;a del ajedrez es muy importante para practicar este deporte a un nivel profesional ,debido a que es un lado importante del desarrollo de cualquier ajedrecista para poder alcanzar objetivos importantes en este deporte.</em></span></p>
<p><span style="font-family: cambria; font-size: medium;"><strong>Joao - </strong>Chess theory is very important to play at a professional level.This is an important part of every chess player&#8217;s game in order to accomplish important achievements in the sport.</span></p>
<p><span style="font-family: cambria; font-size: medium;"><strong>Chileno - Do you use computers as part of your studies?</strong></span></p>
<p><span style="font-family: cambria; font-size: medium;"><strong>Joao - </strong><em>Jugar con computadoras no realmente , si con las computadoras analizo mis partidas y estudioa de entrenamiento para comprobar pensamientos e ideas que se me pueden presentar en el entrenamiento mismo.</em></span></p>
<p><span style="font-family: cambria; font-size: medium;"><strong>Joao - </strong>I don&#8217;t really play with computers, but I do analyse my chess matches using computers and learn by training and from my thoughts and ideas that may present themselves whilst training.</span></p>
<p><span style="font-family: cambria; font-size: medium;"><strong>Chileno - The English grandmaster Nigel Short has complained that computers may destroy chess and that &#8220;cheating with computers is the gravest threat to chess today&#8221;, do you agree with that statement?</strong></span></p>
<p><span style="font-family: cambria; font-size: medium;"><strong>Joao - </strong><em>Bueno en cierta medida las computadoras pueden destruir la mistica imaginativa y creativa del juego, pero&#160; sigo creyendo en que la inventiva e imaginaci&#243;n del ser humano es mas grande que el mero calculo y evaluaci&#243;n fr&#237;a de una computadora. Por lo mismo creo que la trampa en ajedrez influye miuy poco e el juego verdadero del ajedrez en si. Es decir, dudo que el juego tramposo le gane a la inventiva humana.</em></span></p>
<p><span style="font-family: cambria; font-size: medium;"><strong>Joao - </strong>I think that in a certain way, computers might destroy the imagination and creativeness of the game; however I still believe that the invention and imagination of the human being is much bigger than the cold and basic calculations of a computer. For that reason I think that cheating in chess has little influence in the real game.Therefore, I doubt that cheating will win over human creativeness.</span></p>
<p><span style="font-family: cambria; font-size: medium;"><strong>Chileno &#8211; How vital is it to have a very powerful memory in chess - How many moves ahead can you calculate on the chess board?</strong></span></p>
<p><span style="font-family: cambria; font-size: medium;"><strong>Joao - </strong><em>La memoria es una virtud fundamental para desarrollar un buen juego de ajedrez , es algo que marca diferencia entre un jugador fuerte de uno d&#233;bil, creo que &#160;puedo calcular alrededor de 6 u 10 movimientos,aunque me encantar&#237;a que fueran mas , por el bien de mi futuro en este deporte.</em></span></p>
<p><span style="font-family: cambria; font-size: medium;"><strong>Joao - </strong>Memory is a vital part to be able to develop a good chess game, it is something that marks the difference between a strong or a weak player, I think I can calculate around 6 to 10 moves ahead, although I would love to be able to do better in the future.&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;</span></p>
<p><span style="font-family: cambria; font-size: medium;"><strong>Chileno &#8211; Would you say that chess is about combat perhaps fuelled by testosterone, or is it a strategic exercise?</strong></span></p>
<p><span style="font-family: cambria; font-size: medium;"><strong>Joao - </strong><em>Claramente el ajedrez es un juego de estrategia aunque como en todo deporte puede influir en situaciones determinadas&#160; la testosterona para ganar.</em></span></p>
<p><span style="font-family: cambria; font-size: medium;"><strong>Joao - </strong>Clearly, chess is a strategy game although like in every sport and in certain situations, but testosterone could help you to win.</span></p>
<p><span style="font-family: cambria; font-size: medium;"><strong>Chileno &#8211; Fischer, and others in Chess have sometimes been associated with insanity. Do you think there is a danger of becoming obsessed with chess and it damaging your health?</strong></span></p>
<p><span style="font-family: cambria; font-size: medium;"><strong>Joao - </strong><em>Creo que el ajedrez pude causar anomal&#237;as mentales asi como cualquier deporte f&#237;sico causa da&#241;os f&#237;sicos como lesiones,etc. Asociar al ajedrecista con un potencial enfermo mental &#160;es otra cosa que creo fuera de lugar &#8230; el ajedrecista peca de usar mucho su mente si eso es enfermedad bienvenida sea aquella..entonces a varias personas les favorecia este juego.. si Fischer fue considerado enfermo por ocupar su cerebro jugando ajedrez&#160; mas que cualquier persona en este mundoen cualquier &#225;mbito del pensamiento humano&#160; entonces DIGANME LOCO que se los agradecer&#233;.</em></span></p>
<p><span style="font-family: cambria; font-size: medium;"><strong>Joao - </strong>I think that chess may cause mental anomalies like any other physical sport can cause physical damage like injuries etc. to associate a chess player with a potential mental illness is another thing that I think it is going too far &#8230; A chess player makes a mistake by using his mind too much and if that can be called insanity, then I welcome it! &#160;A lot of people can take advantage of this game if that is the case then.&#160; If Fischer was considered to be ill for using his brain to play chess more than any other person in the world or any sphere of human thought, then CALL ME&#160; CRAZY and I would thank you for this.</span></p>
<p><span style="font-family: cambria; font-size: medium;"><strong>Chileno - What is the chess scene like in Chile today? How does it compare to other countries and do you think it has changed over time?</strong></span></p>
<p><span style="font-family: cambria; font-size: medium;"><strong>Joao - </strong><em>Creo que Chile es un pa&#237;s totalmente b&#225;sico en el desarrollo del ajedrez , hacen falta muchos cambios y mejoras para aspirar a obtener un nivel medianamente mundial. Comparado con otros pa&#237;ses de america y el mundo estamos a a&#241;os luz , pero tengo la esperanza de que mejore la situaci&#243;n de este deporte.</em></span></p>
<p><span style="font-family: cambria; font-size: medium;"><strong>Joao - </strong>I think that Chile is at a very basic level in the development of chess, we need a lot of changes and better opportunities to achieve a medium world level. If we compare ourselves to other countries in the Americas and the rest of the world I think we are light years behind but I hope this situation will improve soon.</span></p>
<p><span style="font-family: cambria; font-size: medium;"><strong>Chileno - As with the rest of the world, there are many more men than women playing at top levels in Chile. Why do you think this is? <br /></strong></span></p>
<p><span style="font-family: cambria; font-size: medium;"><strong>Joao - </strong><em>Sin querer quedar como machista , creo que el ajedrez es un 80% paciencia por eso las mujeres lo descartan de plano, que mujer aguanta 5 horas sentadas sin moverse ni poder hablar?? &#160;</em><em>Solo pensando &#8230;pocas.</em></span></p>
<p><span style="font-family: cambria; font-size: medium;"><strong>Joao - </strong>Without being called a chauvinist, I think chess is 80% &#160;patience and for that reason women are not interested, what woman will be able to stay still for 5 hours without being able to move and talk, just thinking&#8230; only a few.</span></p>
<p><span style="font-family: cambria; font-size: medium;"><strong>Chileno &#8211; What do you think the future holds for chess in Chile? What are the three most important developments that need to happen to make improvements?</strong></span></p>
<p><span style="font-family: cambria; font-size: medium;"><strong>Joao - </strong><em>Creo que en Chile el ajedrez no mejorara sin una pol&#237;tica clara y decidida hacia este deporte, sabemos que el ajedrez es poco comercial y masivo. Ninguna empresa privada apuesta por un deporte que le retribuya poca publicidad, creo que puntos neur&#225;lgicos para mejorar esta situaci&#243;n son INFORMACION a la gente sobre las bondades de este deporte, APOYO de la empresa privada y COMPROMISO con esta actividad. Con estos 3 puntos tomados en serio el ajedrez chileno puede mejorar hostenciblemente.</em></span></p>
<p><span style="font-family: cambria; font-size: medium;"><strong>Joao - </strong>I think that chess in Chile won&#8217;t get better until there is a clear and dedicated policy towards this sport; we all know that chess is not very commercial and wide reaching.&#160; A private company won&#8217;t invest in a sport that will bring hardly any publicity if any at all, I think that the major things to improve this situation are COMMUNICATION to the people about the benefits of this sport, SUPPORT from private companies and LOYALTY in this activity.&#160; With these 3 points taken into consideration seriously Chilean chess can improve&#160; dramatically.</span></p>
<p><span style="font-family: cambria; font-size: medium;"><strong>Chileno &#8211; Thank you Joao for taking the time out for Chileno and we wish you good luck in your future endeavours.</strong></span></p>
<p><span style="font-size: medium; font-family: cambria;"><br /></span></p>
</div>
<p><a href="http://www.chileno.co.uk/?tempskin=_rss2">http://www.chileno.co.uk/?tempskin=_rss2</a></p><div class="item_footer"><p><small><a href="http://www.chileno.co.uk/chile/chilean-chess-joao-avalos">Original post</a> blogged on <a href="http://www.chileno.co.uk/">Chileno</a>.</small></p></div>]]></content:encoded>
								<comments>http://www.chileno.co.uk/chile/chilean-chess-joao-avalos#comments</comments>
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			<title>Chile's #1 Chess player</title>
			<link>http://www.chileno.co.uk/chile/chile-s-1-chess-player</link>
			<pubDate>Fri, 01 Feb 2013 23:43:00 +0000</pubDate>			<dc:creator>Chileno</dc:creator>
			<category domain="main">Chile</category>
<category domain="alt">Sport</category>			<guid isPermaLink="false">41@http://www.chileno.co.uk/</guid>
						<description>&lt;table style=&quot;margin-left: auto; margin-right: auto;&quot; border=&quot;0&quot;&gt;
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&lt;td&gt;&lt;img style=&quot;float: left;&quot; src=&quot;http://www.chileno.co.uk/images/ivan_morovic.jpg&quot; alt=&quot;Ivan Morovic&quot; width=&quot;241&quot; height=&quot;320&quot; /&gt;&lt;/td&gt;
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&lt;tr&gt;
&lt;td&gt;Ivan Morovic Chile&#039;s no 1 chess player&lt;/td&gt;
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&lt;/table&gt;
&lt;div class=&quot;textdiv&quot;&gt;
&lt;div&gt;
&lt;table id=&quot;box-table-a&quot; style=&quot;margin-left: auto; margin-right: auto; width: 450px;&quot; summary=&quot;Stats Morovic&quot;&gt;
&lt;thead&gt;
&lt;tr&gt;&lt;th style=&quot;text-align: justify;&quot; scope=&quot;col&quot;&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;Name:&lt;/span&gt;&lt;/th&gt;&lt;th style=&quot;text-align: justify;&quot; scope=&quot;col&quot;&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;Morovic Fernandez, Ivan&lt;/span&gt;&lt;/th&gt;&lt;/tr&gt;
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&lt;td style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;Federation:&lt;/span&gt;&lt;/td&gt;
&lt;td style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;Chile&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;Highest rating:&lt;/span&gt;&lt;/td&gt;
&lt;td style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;2613&lt;/span&gt;&lt;/td&gt;
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&lt;tr&gt;
&lt;td style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;Born:&lt;/span&gt;&lt;/td&gt;
&lt;td style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;1963&lt;/span&gt;&lt;/td&gt;
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&lt;tr&gt;
&lt;td style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;Sex:&lt;/span&gt;&lt;/td&gt;
&lt;td style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;Male&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;/tbody&gt;
&lt;/table&gt;
&lt;div&gt;Ivan Morovic, born in Vi&amp;#241;a del Mar, Chile in 1963 is the highest ranking Chilean chess player. He was the first to be awarded the title Grandmaster (1984) in Chile and remains one of only very few Chilean Grandmasters today. He was Panamerican Champion by the age of 16 and went on to enjoy a glittering &lt;a href=&quot;http://ivanmorovic.wordpress.com/2010/07/05/biografia-ivan-morovic/&quot;&gt;career&lt;/a&gt;. Ivan is also supporting the development of chess for children in Chile with his &lt;a href=&quot;http://ivanmorovic.wordpress.com/2010/07/05/academia-de-ajedrez/&quot;&gt;chess academy&lt;/a&gt; in Vina del Mar that was founded by him and it is aimed for children aged 9 to 16. Children can benefit from free support and it is founded on the belief that help creativity, logic, memory and decision making amongst other skills. Ivan also hosts a TV programme called &quot;Jaque al Rey&quot; (Check) every Wednesday nights at 23.00 Chilean time on &lt;a href=&quot;http://www.ucvtv.cl/&quot;&gt;UCTV&lt;/a&gt;. Ivan has stated that chess strategy can be applied to any human activity and so this is the philosophy behind the show. He invites a guest to play a chess match whilst conducting an interview and debate on contemporary issues. Guests are usually politicians, for example he has interviewed the now President of Chile Sebasti&amp;#225;n Pi&amp;#241;era. Check out &lt;a href=&quot;http://www.ivanmorovic.com/&quot; target=&quot;_blank&quot;&gt;Ivan&#039;s website&lt;/a&gt;.&lt;/div&gt;
&lt;table style=&quot;width: 538px; height: 265px;&quot; border=&quot;0&quot;&gt;
&lt;tbody&gt;
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&lt;td colspan=&quot;3&quot;&gt;&lt;a href=&quot;http://ratings.fide.com/card.phtml?event=3405400&quot;&gt;&lt;img style=&quot;vertical-align: middle; margin: 0px 2px; border: 0pt none;&quot; src=&quot;http://ratings.fide.com/imga/card.gif&quot; alt=&quot;folder&quot; width=&quot;26&quot; height=&quot;24&quot; /&gt;&lt;/a&gt; &lt;a href=&quot;http://ratings.fide.com/chess_statistics.phtml?event=3405400&quot;&gt;Profile&lt;/a&gt; | &lt;a href=&quot;http://www.chileno.co.uk/zc_admin/card.phtml?event=3405400&quot;&gt;&lt;img style=&quot;vertical-align: middle; margin: 0px 2px; border: 0pt none;&quot; src=&quot;http://ratings.fide.com/imga/chart.gif&quot; alt=&quot;chart&quot; width=&quot;25&quot; height=&quot;23&quot; /&gt;&lt;/a&gt; &lt;a href=&quot;http://ratings.fide.com/chess_statistics.phtml?event=3405400&quot;&gt;Rating Progress&lt;/a&gt; | &lt;a href=&quot;http://ratings.fide.com/chess_statistics.phtml?event=3405400&quot;&gt;&lt;img style=&quot;vertical-align: middle; margin: 0px 2px; border: 0pt none;&quot; src=&quot;http://ratings.fide.com/imga/chart_pie.gif&quot; alt=&quot;pie chart&quot; width=&quot;26&quot; height=&quot;26&quot; /&gt;&lt;/a&gt; &lt;a href=&quot;http://ratings.fide.com/chess_statistics.phtml?event=3405400&quot;&gt;Game Statistics&lt;/a&gt; | &lt;a href=&quot;http://ratings.fide.com/chess_statistics.phtml?event=3405400&amp;amp;details=1&quot;&gt;Full Opponents List&lt;/a&gt;&lt;/td&gt;
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&lt;td&gt;&lt;img src=&quot;http://ratings.fide.com/imga/white_knight.gif&quot; alt=&quot;white knight&quot; width=&quot;25&quot; height=&quot;25&quot; /&gt;Games With White&lt;/td&gt;
&lt;td&gt;&lt;img src=&quot;http://ratings.fide.com/imga/black_knight.gif&quot; alt=&quot;black knight&quot; width=&quot;25&quot; height=&quot;25&quot; /&gt;Games With Black&lt;/td&gt;
&lt;td&gt;&lt;img style=&quot;vertical-align: bottom;&quot; src=&quot;http://ratings.fide.com/imga/black_knight.gif&quot; alt=&quot;black knight&quot; width=&quot;25&quot; height=&quot;25&quot; /&gt;&lt;img style=&quot;vertical-align: bottom;&quot; src=&quot;http://ratings.fide.com/imga/white_knight.gif&quot; alt=&quot;white knight&quot; width=&quot;25&quot; height=&quot;25&quot; /&gt;Games Total&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;&lt;img src=&quot;http://ratings.fide.com/imga/white_knight.gif&quot; alt=&quot;white knight&quot; width=&quot;25&quot; height=&quot;25&quot; /&gt;White Win: 10&lt;/td&gt;
&lt;td&gt;&lt;img src=&quot;http://ratings.fide.com/imga/black_knight.gif&quot; alt=&quot;black knight&quot; width=&quot;25&quot; height=&quot;25&quot; /&gt;Black Win: 8&lt;/td&gt;
&lt;td&gt;&lt;img style=&quot;vertical-align: bottom;&quot; src=&quot;http://ratings.fide.com/imga/black_knight.gif&quot; alt=&quot;black knight&quot; width=&quot;25&quot; height=&quot;25&quot; /&gt;&lt;img style=&quot;vertical-align: bottom;&quot; src=&quot;http://ratings.fide.com/imga/white_knight.gif&quot; alt=&quot;white knight&quot; width=&quot;25&quot; height=&quot;25&quot; /&gt;Total Win: 18&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;&lt;img src=&quot;http://ratings.fide.com/imga/white_knight.gif&quot; alt=&quot;white knight&quot; width=&quot;25&quot; height=&quot;25&quot; /&gt;White Draw: 13&lt;/td&gt;
&lt;td&gt;&lt;img src=&quot;http://ratings.fide.com/imga/black_knight.gif&quot; alt=&quot;black knight&quot; width=&quot;25&quot; height=&quot;25&quot; /&gt;Black Draw: 15&lt;/td&gt;
&lt;td&gt;&lt;img style=&quot;vertical-align: bottom;&quot; src=&quot;http://ratings.fide.com/imga/black_knight.gif&quot; alt=&quot;black knight&quot; width=&quot;25&quot; height=&quot;25&quot; /&gt;&lt;img style=&quot;vertical-align: bottom;&quot; src=&quot;http://ratings.fide.com/imga/white_knight.gif&quot; alt=&quot;white knight&quot; width=&quot;25&quot; height=&quot;25&quot; /&gt;Total Draw: 28&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;&lt;img src=&quot;http://ratings.fide.com/imga/white_knight.gif&quot; alt=&quot;white knight&quot; width=&quot;25&quot; height=&quot;25&quot; /&gt;White Lost: 4&lt;/td&gt;
&lt;td&gt;&lt;img src=&quot;http://ratings.fide.com/imga/black_knight.gif&quot; alt=&quot;black knight&quot; width=&quot;25&quot; height=&quot;25&quot; /&gt;Black Lost: 4&lt;/td&gt;
&lt;td&gt;&lt;img style=&quot;vertical-align: bottom;&quot; src=&quot;http://ratings.fide.com/imga/black_knight.gif&quot; alt=&quot;black knight&quot; width=&quot;25&quot; height=&quot;25&quot; /&gt;&lt;img style=&quot;vertical-align: bottom;&quot; src=&quot;http://ratings.fide.com/imga/white_knight.gif&quot; alt=&quot;white knight&quot; width=&quot;25&quot; height=&quot;25&quot; /&gt;Total Lost: 8&lt;/td&gt;
&lt;/tr&gt;
&lt;/tbody&gt;
&lt;/table&gt;
&lt;p&gt;&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Chileno - When did you start to play chess and how much time do you devote to practice and development? &lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ivan - &lt;/strong&gt;Comenc&amp;#233; alrededor de los 9 a&amp;#241;os, y se podr&amp;#237;a decir que hasta los 17 era bastante fan&amp;#225;tico, incluso pod&amp;#237;a estudiar hasta 10 horas diarias!&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ivan - &lt;/strong&gt;I started at around 9 years old, and one could say that by the time I was 17 I was quite a fanatic, I could even study for up to 10 hours a day!&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Chileno - You have accomplished much in your life. What would you say are your greatest achievements and do you have any further ambitions in chess? &lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ivan - &lt;/strong&gt;Bueno, mis logros m&amp;#225;s importantes han sido por ejemplo derrotar al subcampe&amp;#243;n del mundo Victor Korchnoi 3,5 - 2,5 en un match jugado en Chile 1991, haber empatado 3-3 ante Boris Spassky (1988) y el triunfo del torneo m&amp;#225;s importante del a&amp;#241;o 1993 en Las Palmas cat.16 (primero, sobre Anand, Topalov, Jusupow, Adams, Khalifman entre otros). Ambiciones...,s&amp;#237;! De otra forma es imposible seguir aprendiendo. Hay que tener ganas! Sin tener alguna meta en concreto, pienso que todo es posible!&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ivan - &lt;/strong&gt;Well, my most important achievements have been for example defeating the world championship runner-up Victor Korchnoi (3.5 - 2.5) in a match played in Chile 1991, having drawn 3-3 against Boris Spassky (1988) and the most important tournament victory in 1993 in Las Palmas category 16 [average player rating between 2626 and 2650] (first place, against Anand, Topalov, Jusupow, Adams, Khalifman and others). Ambitions ... yes! Otherwise it is impossible to continue learning. One has to have ambition! Without having any specific goal, I think that anything is possible!&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Chileno - How important is studying chess theory to your game? &lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ivan - &lt;/strong&gt;Teoria y pr&amp;#225;ctica! Pienso que ese es uno de los &quot;secretos&quot;, tal vez 50 y 50%. Adem&amp;#225;s cuando se habla de &quot;teor&amp;#237;a&quot;; la teor&amp;#237;a es la pr&amp;#225;ctica de los grandes maestros, y por supuesto de los cl&amp;#225;sicos (Morphy, Steinitz, Capablanca etc etc).&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ivan - &lt;/strong&gt;Theory and practice! I think that&#039;s one of the &quot;secrets&quot;, maybe 50/50%. Also when we speak of &quot;theory&quot; theory is the practice of the great masters, and of course the classics (Morphy, Steinitz, Capablanca etc etc).&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Chileno - Do you use computers as part of your studies? &lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ivan - &lt;/strong&gt;Como muchos GMS, uso las bases de datos y la computadora como una forma de entrenamiento (ayuda en posiciones de c&amp;#225;lculo b&amp;#225;sicamente), jugar propiamente tal no ..., digamos que para entrenar ciertas posiciones si.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ivan - &lt;/strong&gt;Like many Grandmasters, I use databases and the computer as a form of training (essentially help for calculated positions), actual playing, no &amp;#8230;, let&amp;#8217;s say it&amp;#8217;s for training of certain positions.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Chileno - The English grandmaster Nigel Short has complained that computers may destroy chess and that &amp;#8220;cheating with computers is the gravest threat to chess today&amp;#8221;, do you agree with that statement? &lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ivan - &lt;/strong&gt;En parte s&amp;#237;, ya que han habido algunos casos. Sin embargo, la mayor&amp;#237;a de los jugadores, no pensamos en algo as&amp;#237;. M&amp;#225;s bien creo que se han dado casos en niveles de jugadores bastante bajos.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ivan - &lt;/strong&gt;In part yes, because there have been some cases. However, most players do not think so. I rather believe that there have been such cases in very low levels of players.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Chileno - How vital is it to have a very powerful memory in chess - How many moves ahead can you calculate on the chess board? &lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ivan - &lt;/strong&gt;Tener buena memoria es importante, pero no lo m&amp;#225;s importante, igualmente calcular jugadas es necesario pero tampoco es lo fundamental. M&amp;#225;s importante que eso es la comprension del juego, el c&amp;#225;lculo es secundario e importante en ciertos momentos de la partida (para rematar ..... encontrar la jugada defensiva o ganadora....etc etc).&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ivan - &lt;/strong&gt;Having a good memory is important, but not the most important, equally to calculate moves is necessary but again is not essential. More important is the understanding of the game, the calculation is secondary and important at certain times of the game (to finish ..... or find a defensive or winning game .... etc etc).&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Chileno - Would you say that chess is about combat perhaps fuelled by testosterone, or is it a strategic exercise? &lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ivan - &lt;/strong&gt;Es dif&amp;#237;cil dar una sola respuesta! Podr&amp;#237;an ser varias. Si bien es un juego de estrategia y t&amp;#225;ctica pura, tambi&amp;#233;n es un juego de decisiones!&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ivan - &lt;/strong&gt;It is difficult to give a single answer! Could be several. While it is a game of pure strategy and tactics, it is also a game of decisions!&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Chileno - Fischer, and others in Chess have sometimes been associated with insanity. Do you think there is a danger of becoming obsessed with chess and it damaging your health? &lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ivan - &lt;/strong&gt;S&amp;#237;, pero como podr&amp;#237;a ocurrir al obsesionarse con cualquier otra cosa o actividad profesional! En general pienso que la pr&amp;#225;ctica del ajedrez mejora capacidades intelectuales hasta avanzada edad.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ivan - &lt;/strong&gt;Yes, but this could happen with something else or any other professional activity! In general I think the practice of chess improves intellectual skills into advanced age.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Chileno - What is the chess scene like in Chile today? How does it compare to other countries and do you think it has changed over time? &lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ivan - &lt;/strong&gt;Con muy poco apoyo del Estado. Existe cierta ignorancia en los actores pol&amp;#237;ticos en relaci&amp;#243;n a los beneficios que otorga la practica del deporte ciencia, sobretodo en los ni&amp;#241;os (mejora hasta en un 27 % la inteligencia).&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ivan - &lt;/strong&gt;With little government support. There is some ignorance in political actors in relation to the benefits provided by the practice of sports science, especially among children (improvement of intelligence by up to 27%).&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Chileno - As with the rest of the world, there are many more men than women playing at top levels in Chile. &lt;/strong&gt;&lt;strong&gt;Why do you think this is? &lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ivan - &lt;/strong&gt;Existen varias razones, tal vez a cierta edad (adolescencia) los hombres somos m&amp;#225;s independientes (viajamos solos por ejemplo), por otro lado existe una exigencia no s&amp;#243;lo mental del ajedrez sino tambi&amp;#233;n f&amp;#237;sica, y en ese sentido las mujeres est&amp;#225;n en desventaja, el ajedrez de alta competencia requiere energ&amp;#237;a f&amp;#237;sica!&lt;strong&gt; &lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ivan - &lt;/strong&gt;There are several reasons, perhaps at a certain age (adolescence) men are more independent (they travel alone for example), on the other hand there is a demand not only mental but also physical in chess, and in that sense, women are disadvantaged, the highly competitive chess requires physical energy!&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Chileno - What are the virtues of playing chess? &lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ivan - &lt;/strong&gt;Varias, mejora la concentraci&amp;#243;n, memoria, aprendes a conocer a tu rival&amp;#8230; y a t&amp;#237; mismo! Entre varias otras! (ayuda a evaluar situaciones y a formular planes!)&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ivan - &lt;/strong&gt;Several, it improves concentration, memory, you learn to know your opponent ... and yourself! Among many others! (helps to assess situations and formulate plans!)&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Chileno - There is feeling amongst some Chilean chess players that there isn&amp;#8217;t enough financial support compared to other countries, what do you think? &lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ivan - &lt;/strong&gt;Como te dec&amp;#237;a anteriormente, el apoyo es casi nulo! Y pasa por las autoridades no solo deportivas (lamentablemente deportes como el futbol son los que &quot;venden&amp;#8221; al menos en Chile....y posiblemente en sud&amp;#225;m&amp;#233;rica).&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ivan - &lt;/strong&gt;As I said earlier, the support is virtually nothing! And it doesn&#039;t just need support from sporting autorities (unfortunately sports like football are those that &quot;sell&quot; at least in Chile .... and possibly in South America).&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Chileno - What do you think the future holds for chess in Chile? What are the three most important developments that need to happen to make improvements?&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Ivan &amp;#8211;&lt;/strong&gt;&lt;/p&gt;
&lt;pre&gt;1.  Introducir el ajedrez en los colegios y escuelas.&lt;/pre&gt;
&lt;pre&gt;2.  Apoyo a los talentos y figuras del ajedrez Chileno.   &lt;/pre&gt;
&lt;pre&gt;3.  M&amp;#225;s apoyo para torneos en diversas categor&amp;#237;as.&lt;/pre&gt;
&lt;p&gt;&lt;strong&gt;Ivan &amp;#8211;&lt;/strong&gt;&lt;/p&gt;
&lt;pre&gt;1. Introduce chess in schools and colleges.
&lt;/pre&gt;
&lt;pre&gt;2. Support for talented Chilean chess players and figures.
&lt;/pre&gt;
&lt;pre&gt;3. More support for tournaments in various categories.&lt;/pre&gt;
&lt;p&gt;&lt;strong&gt;Chileno - Thank you very much for your time Ivan!&lt;/strong&gt;&lt;/p&gt;
Check out further thoughts on chess in Chile from two other ranked players &lt;a href=&quot;http://www.chileno.co.uk/sport/chess-in-chile-erwin-schneider&quot; target=&quot;_self&quot;&gt;Erwin Schneider&lt;/a&gt; and &lt;a href=&quot;http://www.chileno.co.uk/chile/chilean-chess-joao-avalos&quot; target=&quot;_self&quot;&gt;Joao Avalos&lt;/a&gt;.
&lt;p&gt;Follow Ivan on &lt;a href=&quot;http://twitter.com/ivanmorovicgmi&quot; target=&quot;_blank&quot;&gt;twitter&lt;/a&gt; and join him on &lt;a href=&quot;http://www.facebook.com/people/Ivan-Morovic-Fernandez/100000175517365&quot; target=&quot;_blank&quot;&gt;facebook&lt;/a&gt;.&lt;/p&gt;
&lt;/div&gt;
&lt;/div&gt;&lt;div class=&quot;item_footer&quot;&gt;&lt;p&gt;&lt;small&gt;&lt;a href=&quot;http://www.chileno.co.uk/chile/chile-s-1-chess-player&quot;&gt;Original post&lt;/a&gt; blogged on &lt;a href=&quot;http://www.chileno.co.uk/&quot;&gt;Chileno&lt;/a&gt;.&lt;/small&gt;&lt;/p&gt;&lt;/div&gt;</description>
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<td><img style="float: left;" src="http://www.chileno.co.uk/images/ivan_morovic.jpg" alt="Ivan Morovic" width="241" height="320" /></td>
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<td>Ivan Morovic Chile's no 1 chess player</td>
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<tr><th style="text-align: justify;" scope="col"><span style="font-size: medium;">Name:</span></th><th style="text-align: justify;" scope="col"><span style="font-size: medium;">Morovic Fernandez, Ivan</span></th></tr>
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<td style="text-align: justify;"><span style="font-size: medium;">Federation:</span></td>
<td style="text-align: justify;"><span style="font-size: medium;">Chile</span></td>
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<td style="text-align: justify;"><span style="font-size: medium;">Highest rating:</span></td>
<td style="text-align: justify;"><span style="font-size: medium;">2613</span></td>
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<td style="text-align: justify;"><span style="font-size: medium;">Born:</span></td>
<td style="text-align: justify;"><span style="font-size: medium;">1963</span></td>
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<td style="text-align: justify;"><span style="font-size: medium;">Sex:</span></td>
<td style="text-align: justify;"><span style="font-size: medium;">Male</span></td>
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<div>Ivan Morovic, born in Vi&#241;a del Mar, Chile in 1963 is the highest ranking Chilean chess player. He was the first to be awarded the title Grandmaster (1984) in Chile and remains one of only very few Chilean Grandmasters today. He was Panamerican Champion by the age of 16 and went on to enjoy a glittering <a href="http://ivanmorovic.wordpress.com/2010/07/05/biografia-ivan-morovic/">career</a>. Ivan is also supporting the development of chess for children in Chile with his <a href="http://ivanmorovic.wordpress.com/2010/07/05/academia-de-ajedrez/">chess academy</a> in Vina del Mar that was founded by him and it is aimed for children aged 9 to 16. Children can benefit from free support and it is founded on the belief that help creativity, logic, memory and decision making amongst other skills. Ivan also hosts a TV programme called "Jaque al Rey" (Check) every Wednesday nights at 23.00 Chilean time on <a href="http://www.ucvtv.cl/">UCTV</a>. Ivan has stated that chess strategy can be applied to any human activity and so this is the philosophy behind the show. He invites a guest to play a chess match whilst conducting an interview and debate on contemporary issues. Guests are usually politicians, for example he has interviewed the now President of Chile Sebasti&#225;n Pi&#241;era. Check out <a href="http://www.ivanmorovic.com/" target="_blank">Ivan's website</a>.</div>
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<td colspan="3"><a href="http://ratings.fide.com/card.phtml?event=3405400"><img style="vertical-align: middle; margin: 0px 2px; border: 0pt none;" src="http://ratings.fide.com/imga/card.gif" alt="folder" width="26" height="24" /></a> <a href="http://ratings.fide.com/chess_statistics.phtml?event=3405400">Profile</a> | <a href="http://www.chileno.co.uk/zc_admin/card.phtml?event=3405400"><img style="vertical-align: middle; margin: 0px 2px; border: 0pt none;" src="http://ratings.fide.com/imga/chart.gif" alt="chart" width="25" height="23" /></a> <a href="http://ratings.fide.com/chess_statistics.phtml?event=3405400">Rating Progress</a> | <a href="http://ratings.fide.com/chess_statistics.phtml?event=3405400"><img style="vertical-align: middle; margin: 0px 2px; border: 0pt none;" src="http://ratings.fide.com/imga/chart_pie.gif" alt="pie chart" width="26" height="26" /></a> <a href="http://ratings.fide.com/chess_statistics.phtml?event=3405400">Game Statistics</a> | <a href="http://ratings.fide.com/chess_statistics.phtml?event=3405400&amp;details=1">Full Opponents List</a></td>
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<td><img src="http://ratings.fide.com/imga/white_knight.gif" alt="white knight" width="25" height="25" />Games With White</td>
<td><img src="http://ratings.fide.com/imga/black_knight.gif" alt="black knight" width="25" height="25" />Games With Black</td>
<td><img style="vertical-align: bottom;" src="http://ratings.fide.com/imga/black_knight.gif" alt="black knight" width="25" height="25" /><img style="vertical-align: bottom;" src="http://ratings.fide.com/imga/white_knight.gif" alt="white knight" width="25" height="25" />Games Total</td>
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<td><img src="http://ratings.fide.com/imga/white_knight.gif" alt="white knight" width="25" height="25" />White Win: 10</td>
<td><img src="http://ratings.fide.com/imga/black_knight.gif" alt="black knight" width="25" height="25" />Black Win: 8</td>
<td><img style="vertical-align: bottom;" src="http://ratings.fide.com/imga/black_knight.gif" alt="black knight" width="25" height="25" /><img style="vertical-align: bottom;" src="http://ratings.fide.com/imga/white_knight.gif" alt="white knight" width="25" height="25" />Total Win: 18</td>
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<td><img src="http://ratings.fide.com/imga/white_knight.gif" alt="white knight" width="25" height="25" />White Draw: 13</td>
<td><img src="http://ratings.fide.com/imga/black_knight.gif" alt="black knight" width="25" height="25" />Black Draw: 15</td>
<td><img style="vertical-align: bottom;" src="http://ratings.fide.com/imga/black_knight.gif" alt="black knight" width="25" height="25" /><img style="vertical-align: bottom;" src="http://ratings.fide.com/imga/white_knight.gif" alt="white knight" width="25" height="25" />Total Draw: 28</td>
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<td><img src="http://ratings.fide.com/imga/white_knight.gif" alt="white knight" width="25" height="25" />White Lost: 4</td>
<td><img src="http://ratings.fide.com/imga/black_knight.gif" alt="black knight" width="25" height="25" />Black Lost: 4</td>
<td><img style="vertical-align: bottom;" src="http://ratings.fide.com/imga/black_knight.gif" alt="black knight" width="25" height="25" /><img style="vertical-align: bottom;" src="http://ratings.fide.com/imga/white_knight.gif" alt="white knight" width="25" height="25" />Total Lost: 8</td>
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<p><strong><br /></strong></p>
<p><strong>Chileno - When did you start to play chess and how much time do you devote to practice and development? </strong></p>
<p><strong>Ivan - </strong>Comenc&#233; alrededor de los 9 a&#241;os, y se podr&#237;a decir que hasta los 17 era bastante fan&#225;tico, incluso pod&#237;a estudiar hasta 10 horas diarias!</p>
<p><strong>Ivan - </strong>I started at around 9 years old, and one could say that by the time I was 17 I was quite a fanatic, I could even study for up to 10 hours a day!</p>
<p><strong>Chileno - You have accomplished much in your life. What would you say are your greatest achievements and do you have any further ambitions in chess? </strong></p>
<p><strong>Ivan - </strong>Bueno, mis logros m&#225;s importantes han sido por ejemplo derrotar al subcampe&#243;n del mundo Victor Korchnoi 3,5 - 2,5 en un match jugado en Chile 1991, haber empatado 3-3 ante Boris Spassky (1988) y el triunfo del torneo m&#225;s importante del a&#241;o 1993 en Las Palmas cat.16 (primero, sobre Anand, Topalov, Jusupow, Adams, Khalifman entre otros). Ambiciones...,s&#237;! De otra forma es imposible seguir aprendiendo. Hay que tener ganas! Sin tener alguna meta en concreto, pienso que todo es posible!</p>
<p><strong>Ivan - </strong>Well, my most important achievements have been for example defeating the world championship runner-up Victor Korchnoi (3.5 - 2.5) in a match played in Chile 1991, having drawn 3-3 against Boris Spassky (1988) and the most important tournament victory in 1993 in Las Palmas category 16 [average player rating between 2626 and 2650] (first place, against Anand, Topalov, Jusupow, Adams, Khalifman and others). Ambitions ... yes! Otherwise it is impossible to continue learning. One has to have ambition! Without having any specific goal, I think that anything is possible!</p>
<p><strong>Chileno - How important is studying chess theory to your game? </strong></p>
<p><strong>Ivan - </strong>Teoria y pr&#225;ctica! Pienso que ese es uno de los "secretos", tal vez 50 y 50%. Adem&#225;s cuando se habla de "teor&#237;a"; la teor&#237;a es la pr&#225;ctica de los grandes maestros, y por supuesto de los cl&#225;sicos (Morphy, Steinitz, Capablanca etc etc).</p>
<p><strong>Ivan - </strong>Theory and practice! I think that's one of the "secrets", maybe 50/50%. Also when we speak of "theory" theory is the practice of the great masters, and of course the classics (Morphy, Steinitz, Capablanca etc etc).</p>
<p><strong>Chileno - Do you use computers as part of your studies? </strong></p>
<p><strong>Ivan - </strong>Como muchos GMS, uso las bases de datos y la computadora como una forma de entrenamiento (ayuda en posiciones de c&#225;lculo b&#225;sicamente), jugar propiamente tal no ..., digamos que para entrenar ciertas posiciones si.</p>
<p><strong>Ivan - </strong>Like many Grandmasters, I use databases and the computer as a form of training (essentially help for calculated positions), actual playing, no &#8230;, let&#8217;s say it&#8217;s for training of certain positions.</p>
<p><strong>Chileno - The English grandmaster Nigel Short has complained that computers may destroy chess and that &#8220;cheating with computers is the gravest threat to chess today&#8221;, do you agree with that statement? </strong></p>
<p><strong>Ivan - </strong>En parte s&#237;, ya que han habido algunos casos. Sin embargo, la mayor&#237;a de los jugadores, no pensamos en algo as&#237;. M&#225;s bien creo que se han dado casos en niveles de jugadores bastante bajos.</p>
<p><strong>Ivan - </strong>In part yes, because there have been some cases. However, most players do not think so. I rather believe that there have been such cases in very low levels of players.</p>
<p><strong>Chileno - How vital is it to have a very powerful memory in chess - How many moves ahead can you calculate on the chess board? </strong></p>
<p><strong>Ivan - </strong>Tener buena memoria es importante, pero no lo m&#225;s importante, igualmente calcular jugadas es necesario pero tampoco es lo fundamental. M&#225;s importante que eso es la comprension del juego, el c&#225;lculo es secundario e importante en ciertos momentos de la partida (para rematar ..... encontrar la jugada defensiva o ganadora....etc etc).</p>
<p><strong>Ivan - </strong>Having a good memory is important, but not the most important, equally to calculate moves is necessary but again is not essential. More important is the understanding of the game, the calculation is secondary and important at certain times of the game (to finish ..... or find a defensive or winning game .... etc etc).</p>
<p><strong>Chileno - Would you say that chess is about combat perhaps fuelled by testosterone, or is it a strategic exercise? </strong></p>
<p><strong>Ivan - </strong>Es dif&#237;cil dar una sola respuesta! Podr&#237;an ser varias. Si bien es un juego de estrategia y t&#225;ctica pura, tambi&#233;n es un juego de decisiones!</p>
<p><strong>Ivan - </strong>It is difficult to give a single answer! Could be several. While it is a game of pure strategy and tactics, it is also a game of decisions!</p>
<p><strong>Chileno - Fischer, and others in Chess have sometimes been associated with insanity. Do you think there is a danger of becoming obsessed with chess and it damaging your health? </strong></p>
<p><strong>Ivan - </strong>S&#237;, pero como podr&#237;a ocurrir al obsesionarse con cualquier otra cosa o actividad profesional! En general pienso que la pr&#225;ctica del ajedrez mejora capacidades intelectuales hasta avanzada edad.</p>
<p><strong>Ivan - </strong>Yes, but this could happen with something else or any other professional activity! In general I think the practice of chess improves intellectual skills into advanced age.</p>
<p><strong>Chileno - What is the chess scene like in Chile today? How does it compare to other countries and do you think it has changed over time? </strong></p>
<p><strong>Ivan - </strong>Con muy poco apoyo del Estado. Existe cierta ignorancia en los actores pol&#237;ticos en relaci&#243;n a los beneficios que otorga la practica del deporte ciencia, sobretodo en los ni&#241;os (mejora hasta en un 27 % la inteligencia).</p>
<p><strong>Ivan - </strong>With little government support. There is some ignorance in political actors in relation to the benefits provided by the practice of sports science, especially among children (improvement of intelligence by up to 27%).</p>
<p><strong>Chileno - As with the rest of the world, there are many more men than women playing at top levels in Chile. </strong><strong>Why do you think this is? </strong></p>
<p><strong>Ivan - </strong>Existen varias razones, tal vez a cierta edad (adolescencia) los hombres somos m&#225;s independientes (viajamos solos por ejemplo), por otro lado existe una exigencia no s&#243;lo mental del ajedrez sino tambi&#233;n f&#237;sica, y en ese sentido las mujeres est&#225;n en desventaja, el ajedrez de alta competencia requiere energ&#237;a f&#237;sica!<strong> </strong></p>
<p><strong>Ivan - </strong>There are several reasons, perhaps at a certain age (adolescence) men are more independent (they travel alone for example), on the other hand there is a demand not only mental but also physical in chess, and in that sense, women are disadvantaged, the highly competitive chess requires physical energy!</p>
<p><strong>Chileno - What are the virtues of playing chess? </strong></p>
<p><strong>Ivan - </strong>Varias, mejora la concentraci&#243;n, memoria, aprendes a conocer a tu rival&#8230; y a t&#237; mismo! Entre varias otras! (ayuda a evaluar situaciones y a formular planes!)</p>
<p><strong>Ivan - </strong>Several, it improves concentration, memory, you learn to know your opponent ... and yourself! Among many others! (helps to assess situations and formulate plans!)</p>
<p><strong>Chileno - There is feeling amongst some Chilean chess players that there isn&#8217;t enough financial support compared to other countries, what do you think? </strong></p>
<p><strong>Ivan - </strong>Como te dec&#237;a anteriormente, el apoyo es casi nulo! Y pasa por las autoridades no solo deportivas (lamentablemente deportes como el futbol son los que "venden&#8221; al menos en Chile....y posiblemente en sud&#225;m&#233;rica).</p>
<p><strong>Ivan - </strong>As I said earlier, the support is virtually nothing! And it doesn't just need support from sporting autorities (unfortunately sports like football are those that "sell" at least in Chile .... and possibly in South America).</p>
<p><strong>Chileno - What do you think the future holds for chess in Chile? What are the three most important developments that need to happen to make improvements?</strong></p>
<p><strong>Ivan &#8211;</strong></p>
<pre>1.  Introducir el ajedrez en los colegios y escuelas.</pre>
<pre>2.  Apoyo a los talentos y figuras del ajedrez Chileno.   </pre>
<pre>3.  M&#225;s apoyo para torneos en diversas categor&#237;as.</pre>
<p><strong>Ivan &#8211;</strong></p>
<pre>1. Introduce chess in schools and colleges.
</pre>
<pre>2. Support for talented Chilean chess players and figures.
</pre>
<pre>3. More support for tournaments in various categories.</pre>
<p><strong>Chileno - Thank you very much for your time Ivan!</strong></p>
Check out further thoughts on chess in Chile from two other ranked players <a href="http://www.chileno.co.uk/sport/chess-in-chile-erwin-schneider" target="_self">Erwin Schneider</a> and <a href="http://www.chileno.co.uk/chile/chilean-chess-joao-avalos" target="_self">Joao Avalos</a>.
<p>Follow Ivan on <a href="http://twitter.com/ivanmorovicgmi" target="_blank">twitter</a> and join him on <a href="http://www.facebook.com/people/Ivan-Morovic-Fernandez/100000175517365" target="_blank">facebook</a>.</p>
</div>
</div><div class="item_footer"><p><small><a href="http://www.chileno.co.uk/chile/chile-s-1-chess-player">Original post</a> blogged on <a href="http://www.chileno.co.uk/">Chileno</a>.</small></p></div>]]></content:encoded>
								<comments>http://www.chileno.co.uk/chile/chile-s-1-chess-player#comments</comments>
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			<title>Academic salary in 29 countries</title>
			<link>http://www.chileno.co.uk/chile/academic-salary-in-29-countries</link>
			<pubDate>Thu, 31 Jan 2013 09:25:00 +0000</pubDate>			<dc:creator>Chileno</dc:creator>
			<category domain="main">Chile</category>
<category domain="alt">Economy</category>			<guid isPermaLink="false">184@http://www.chileno.co.uk/</guid>
						<description>&lt;p style=&quot;text-align: justify;&quot;&gt;A report penned by Eduardo Cabrera in Chilean newspaper La Tercera (28/1/2013, p.7) shows that academics in the country receive some of the highest salaries in Latin America. Chilean academics working in state universities earned an average monthly salary of&amp;#160; $3,700 USD (around &amp;#163;28,000 per annum); a rate higher than most in the region including Brazil, Mexico and Colombia. only surpassed by Argentina. Nevertheless the average academic salary for Chile was found to be a full 6% below the international average.&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;The analysis was based on a joint study, carried out by the Boston College Center for International Higher Education (CIHE) and the Laboratory for Institutional Analysis (LIA) at the Higher School of Economics in Moscow, in which 28 countries were surveyed. The study included all lecturers, both full and part-time and considered academic remuneration in terms of basic gross salaries in 2008 but incentives or bonuses were excluded from the analysis.&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;The figures are standardised using purchasing powerparity (PPP).&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;Top paying Chilean universities included&amp;#160; Talca, Tecnol&amp;#243;gica Metropolitana and Tarapac&amp;#225;, awarding average monthly salaries of $5,725 USD, $4,564 USD and $4,283 USD, respectively. Surprisingly, the average salary at the highly regarded Universidad de Chile in Santiago was only slightly higher than the average for the country at $3,796 USD. The worst payers were Valpara&amp;#237;so and Playa Ancha, dolling out a mere average of $2,600 USD (les than an annual salary of &amp;#163;20,000). &lt;br /&gt;&lt;br /&gt;The full international comparison data can be seen in the table below&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&amp;#160;&lt;/p&gt;
&lt;table style=&quot;margin-left: auto; margin-right: auto; width: 541px; height: 811px;&quot; border=&quot;0&quot;&gt;
&lt;tbody&gt;
&lt;tr&gt;
&lt;td style=&quot;width: 100px;&quot;&gt;&lt;strong&gt;Country&lt;/strong&gt;&lt;/td&gt;
&lt;td style=&quot;text-align: center;&quot;&gt;&lt;strong&gt;Average monthly gross salary (PPP) USD&lt;br /&gt;&lt;/strong&gt;&lt;/td&gt;
&lt;td style=&quot;text-align: center;&quot;&gt;&lt;strong&gt;Estimated annual gross salary in sterling GBP&lt;/strong&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td style=&quot;width: 100px;&quot;&gt;&amp;#160;Canada&lt;/td&gt;
&lt;td style=&quot;text-align: left;&quot;&gt;&amp;#160;$7,196&lt;/td&gt;
&lt;td&gt;&amp;#160;&lt;span id=&quot;cwos&quot; class=&quot;cwcot&quot; dir=&quot;ltr&quot;&gt;&amp;#163;&lt;span id=&quot;cwot&quot; dir=&quot;ltr&quot;&gt;54,570&lt;/span&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td style=&quot;width: 100px;&quot;&gt;&amp;#160;Italy&lt;/td&gt;
&lt;td style=&quot;text-align: left;&quot;&gt;&amp;#160;$6,955&lt;/td&gt;
&lt;td&gt;&amp;#160;&lt;span id=&quot;cwos&quot; class=&quot;cwcot&quot; dir=&quot;ltr&quot;&gt;&amp;#163;&lt;span id=&quot;cwos&quot; class=&quot;cwcot&quot; dir=&quot;ltr&quot;&gt;52,812&lt;/span&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td style=&quot;width: 100px;&quot;&gt;&amp;#160;South Africa&lt;/td&gt;
&lt;td style=&quot;text-align: left;&quot;&gt;&amp;#160;$6,531&lt;/td&gt;
&lt;td&gt;&amp;#160;&lt;span id=&quot;cwos&quot; class=&quot;cwcot&quot; dir=&quot;ltr&quot;&gt;&amp;#163;&lt;span id=&quot;cwos&quot; class=&quot;cwcot&quot; dir=&quot;ltr&quot;&gt;49,590&lt;/span&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td style=&quot;width: 100px;&quot;&gt;&amp;#160;India&lt;/td&gt;
&lt;td style=&quot;text-align: left;&quot;&gt;&amp;#160;$6,070&lt;/td&gt;
&lt;td&gt;&amp;#160;&lt;span id=&quot;cwos&quot; class=&quot;cwcot&quot; dir=&quot;ltr&quot;&gt;&amp;#163;&lt;span style=&quot;word-break: break-all;&quot;&gt;38,410&lt;/span&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td style=&quot;width: 100px;&quot;&gt;&amp;#160;USA&lt;/td&gt;
&lt;td style=&quot;text-align: left;&quot;&gt;&amp;#160;$6,054&lt;/td&gt;
&lt;td&gt;&amp;#160;&lt;span id=&quot;cwos&quot; class=&quot;cwcot&quot; dir=&quot;ltr&quot;&gt;&amp;#163;&lt;span id=&quot;cwos&quot; class=&quot;cwcot&quot; dir=&quot;ltr&quot;&gt;45,968&lt;/span&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td style=&quot;width: 100px;&quot;&gt;&amp;#160;Saudi Arabia&lt;/td&gt;
&lt;td style=&quot;text-align: left;&quot;&gt;&amp;#160;$6,002&lt;/td&gt;
&lt;td&gt;&amp;#160;&lt;span id=&quot;cwos&quot; class=&quot;cwcot&quot; dir=&quot;ltr&quot;&gt;&amp;#163;&lt;span id=&quot;cwos&quot; class=&quot;cwcot&quot; dir=&quot;ltr&quot;&gt;45,576&lt;/span&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td style=&quot;width: 100px;&quot;&gt;
&lt;p&gt;&amp;#160;UK&lt;/p&gt;
&lt;/td&gt;
&lt;td style=&quot;text-align: left;&quot;&gt;&amp;#160;$5,943&lt;/td&gt;
&lt;td&gt;&amp;#160;&lt;span id=&quot;cwos&quot; class=&quot;cwcot&quot; dir=&quot;ltr&quot;&gt;&amp;#163;&lt;span id=&quot;cwos&quot; class=&quot;cwcot&quot; dir=&quot;ltr&quot;&gt;45,128&lt;/span&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td style=&quot;width: 100px;&quot;&gt;&amp;#160;Australia&lt;/td&gt;
&lt;td style=&quot;text-align: left;&quot;&gt;&amp;#160;$5,713&lt;/td&gt;
&lt;td&gt;&lt;span id=&quot;cwos&quot; class=&quot;cwcot&quot; dir=&quot;ltr&quot;&gt;&amp;#160;&lt;span id=&quot;cwos&quot; class=&quot;cwcot&quot; dir=&quot;ltr&quot;&gt;&amp;#163;&lt;span id=&quot;cwos&quot; class=&quot;cwcot&quot; dir=&quot;ltr&quot;&gt;43,378&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td style=&quot;width: 100px;&quot;&gt;&amp;#160;Holland&lt;/td&gt;
&lt;td style=&quot;text-align: left;&quot;&gt;&amp;#160;$5,313&lt;/td&gt;
&lt;td&gt;&amp;#160;&lt;span id=&quot;cwos&quot; class=&quot;cwcot&quot; dir=&quot;ltr&quot;&gt;&amp;#163;&lt;span id=&quot;cwos&quot; class=&quot;cwcot&quot; dir=&quot;ltr&quot;&gt;40,341&lt;/span&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td style=&quot;width: 100px;&quot;&gt;&amp;#160;Germany&lt;/td&gt;
&lt;td style=&quot;text-align: left;&quot;&gt;&amp;#160;$5,141&lt;/td&gt;
&lt;td&gt;&amp;#160;&lt;span id=&quot;cwos&quot; class=&quot;cwcot&quot; dir=&quot;ltr&quot;&gt;&amp;#163;&lt;span style=&quot;word-break: break-all;&quot;&gt;32,520&lt;/span&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td style=&quot;width: 100px;&quot;&gt;&amp;#160;Norway&lt;/td&gt;
&lt;td style=&quot;text-align: left;&quot;&gt;&amp;#160;$4,940&lt;/td&gt;
&lt;td&gt;&amp;#160;&lt;span id=&quot;cwos&quot; class=&quot;cwcot&quot; dir=&quot;ltr&quot;&gt;&amp;#163;&lt;span id=&quot;cwos&quot; class=&quot;cwcot&quot; dir=&quot;ltr&quot;&gt;37,509&lt;/span&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td style=&quot;width: 100px;&quot;&gt;&amp;#160;Israel&lt;/td&gt;
&lt;td style=&quot;text-align: left;&quot;&gt;&amp;#160;$4,747&lt;/td&gt;
&lt;td&gt;&amp;#160;&lt;span id=&quot;cwos&quot; class=&quot;cwcot&quot; dir=&quot;ltr&quot;&gt;&amp;#163;&lt;span id=&quot;cwos&quot; class=&quot;cwcot&quot; dir=&quot;ltr&quot;&gt;36,046&lt;/span&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td style=&quot;width: 100px;&quot;&gt;&amp;#160;Nigeria&lt;/td&gt;
&lt;td style=&quot;text-align: left;&quot;&gt;&amp;#160;$4,629&lt;/td&gt;
&lt;td&gt;&amp;#160;&lt;span id=&quot;cwos&quot; class=&quot;cwcot&quot; dir=&quot;ltr&quot;&gt;&amp;#163;&lt;span style=&quot;word-break: break-all;&quot;&gt;29,290&lt;/span&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td style=&quot;width: 100px;&quot;&gt;&amp;#160;Malaysia&lt;/td&gt;
&lt;td style=&quot;text-align: left;&quot;&gt;&amp;#160;$4,628&lt;/td&gt;
&lt;td&gt;&amp;#160;&lt;span id=&quot;cwos&quot; class=&quot;cwcot&quot; dir=&quot;ltr&quot;&gt;&amp;#163;&lt;span id=&quot;cwos&quot; class=&quot;cwcot&quot; dir=&quot;ltr&quot;&gt;35,140&lt;/span&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td style=&quot;width: 100px;&quot;&gt;&amp;#160;Argentina&lt;/td&gt;
&lt;td style=&quot;text-align: left;&quot;&gt;&amp;#160;$3,755&lt;/td&gt;
&lt;td&gt;&amp;#160;&lt;span id=&quot;cwos&quot; class=&quot;cwcot&quot; dir=&quot;ltr&quot;&gt;&amp;#163;&lt;span id=&quot;cwos&quot; class=&quot;cwcot&quot; dir=&quot;ltr&quot;&gt;28,513&lt;/span&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td style=&quot;width: 100px;&quot;&gt;&lt;strong&gt;&amp;#160;Chile&lt;/strong&gt;&lt;/td&gt;
&lt;td style=&quot;text-align: left;&quot;&gt;&lt;strong&gt;&amp;#160;$3,718&lt;/strong&gt;&lt;/td&gt;
&lt;td&gt;&lt;strong&gt;&amp;#160;&lt;span id=&quot;cwos&quot; class=&quot;cwcot&quot; dir=&quot;ltr&quot;&gt;&amp;#163;&lt;span id=&quot;cwos&quot; class=&quot;cwcot&quot; dir=&quot;ltr&quot;&gt;28,232&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td style=&quot;width: 100px;&quot;&gt;&amp;#160;France&lt;/td&gt;
&lt;td style=&quot;text-align: left;&quot;&gt;&amp;#160;$3,484&lt;/td&gt;
&lt;td&gt;&amp;#160;&lt;span id=&quot;cwos&quot; class=&quot;cwcot&quot; dir=&quot;ltr&quot;&gt;&amp;#163;&lt;span id=&quot;cwos&quot; class=&quot;cwcot&quot; dir=&quot;ltr&quot;&gt;26,420&lt;/span&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td style=&quot;width: 100px;&quot;&gt;&amp;#160;Japan&lt;/td&gt;
&lt;td style=&quot;text-align: left;&quot;&gt;&amp;#160;$3,743&lt;/td&gt;
&lt;td&gt;&amp;#160;&lt;span id=&quot;cwos&quot; class=&quot;cwcot&quot; dir=&quot;ltr&quot;&gt;&amp;#163;&lt;span id=&quot;cwos&quot; class=&quot;cwcot&quot; dir=&quot;ltr&quot;&gt;28,422&lt;/span&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td style=&quot;width: 100px;&quot;&gt;&amp;#160;Brazil&lt;/td&gt;
&lt;td style=&quot;text-align: left;&quot;&gt;&amp;#160;$3,179&lt;/td&gt;
&lt;td&gt;&amp;#160;&lt;span id=&quot;cwos&quot; class=&quot;cwcot&quot; dir=&quot;ltr&quot;&gt;&amp;#163;&lt;span id=&quot;cwos&quot; class=&quot;cwcot&quot; dir=&quot;ltr&quot;&gt;24,104&lt;/span&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td style=&quot;width: 100px;&quot;&gt;&amp;#160;Colombia&lt;/td&gt;
&lt;td style=&quot;text-align: left;&quot;&gt;&amp;#160;$2,702&lt;/td&gt;
&lt;td&gt;&amp;#160;&lt;span id=&quot;cwos&quot; class=&quot;cwcot&quot; dir=&quot;ltr&quot;&gt;&amp;#163;&lt;span id=&quot;cwos&quot; class=&quot;cwcot&quot; dir=&quot;ltr&quot;&gt;20,517&lt;/span&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td style=&quot;width: 100px;&quot;&gt;&amp;#160;Turkey&lt;/td&gt;
&lt;td style=&quot;text-align: left;&quot;&gt;&amp;#160;$2,597&lt;/td&gt;
&lt;td&gt;&amp;#160;&lt;span id=&quot;cwos&quot; class=&quot;cwcot&quot; dir=&quot;ltr&quot;&gt;&amp;#163;&lt;span id=&quot;cwos&quot; class=&quot;cwcot&quot; dir=&quot;ltr&quot;&gt;19,720&lt;/span&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td style=&quot;width: 100px;&quot;&gt;&amp;#160;Czech Republic&lt;/td&gt;
&lt;td style=&quot;text-align: left;&quot;&gt;&amp;#160;$2,495&lt;/td&gt;
&lt;td&gt;&amp;#160;&lt;span id=&quot;cwos&quot; class=&quot;cwcot&quot; dir=&quot;ltr&quot;&gt;&amp;#163;&lt;span id=&quot;cwos&quot; class=&quot;cwcot&quot; dir=&quot;ltr&quot;&gt;18,920&lt;/span&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td style=&quot;width: 100px;&quot;&gt;&amp;#160;Mexico&lt;/td&gt;
&lt;td style=&quot;text-align: left;&quot;&gt;&amp;#160;$1,941&lt;/td&gt;
&lt;td&gt;&amp;#160;&lt;span id=&quot;cwos&quot; class=&quot;cwcot&quot; dir=&quot;ltr&quot;&gt;&amp;#163;&lt;span id=&quot;cwos&quot; class=&quot;cwcot&quot; dir=&quot;ltr&quot;&gt;14,739&lt;/span&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td style=&quot;width: 100px;&quot;&gt;&amp;#160;Latvia&lt;/td&gt;
&lt;td style=&quot;text-align: left;&quot;&gt;&amp;#160;$1,785&lt;/td&gt;
&lt;td&gt;&amp;#160;&lt;span id=&quot;cwos&quot; class=&quot;cwcot&quot; dir=&quot;ltr&quot;&gt;&amp;#163;&lt;span id=&quot;cwos&quot; class=&quot;cwcot&quot; dir=&quot;ltr&quot;&gt;13,554&lt;/span&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td style=&quot;width: 100px;&quot;&gt;&amp;#160;Kazakhstan&lt;/td&gt;
&lt;td style=&quot;text-align: left;&quot;&gt;&amp;#160;$1,553&lt;/td&gt;
&lt;td&gt;&amp;#160;&lt;span id=&quot;cwos&quot; class=&quot;cwcot&quot; dir=&quot;ltr&quot;&gt;&amp;#163;&lt;span id=&quot;cwos&quot; class=&quot;cwcot&quot; dir=&quot;ltr&quot;&gt;11,792&lt;/span&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td style=&quot;width: 100px;&quot;&gt;&amp;#160;Ethiopia&lt;/td&gt;
&lt;td style=&quot;text-align: left;&quot;&gt;&amp;#160;$1,207&lt;/td&gt;
&lt;td&gt;&amp;#160;&lt;span id=&quot;cwos&quot; class=&quot;cwcot&quot; dir=&quot;ltr&quot;&gt;&amp;#163;&lt;span id=&quot;cwos&quot; class=&quot;cwcot&quot; dir=&quot;ltr&quot;&gt;9,152&lt;/span&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td style=&quot;width: 100px;&quot;&gt;&amp;#160;China&lt;/td&gt;
&lt;td style=&quot;text-align: left;&quot;&gt;&amp;#160;$720&lt;/td&gt;
&lt;td&gt;&amp;#160;&lt;span id=&quot;cwos&quot; class=&quot;cwcot&quot; dir=&quot;ltr&quot;&gt;&amp;#163;&lt;span id=&quot;cwos&quot; class=&quot;cwcot&quot; dir=&quot;ltr&quot;&gt;5,467&lt;/span&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td style=&quot;width: 100px;&quot;&gt;&amp;#160;Russia&lt;/td&gt;
&lt;td style=&quot;text-align: left;&quot;&gt;&amp;#160;$617&lt;/td&gt;
&lt;td&gt;&amp;#160;&lt;span id=&quot;cwos&quot; class=&quot;cwcot&quot; dir=&quot;ltr&quot;&gt;&amp;#163;&lt;span id=&quot;cwos&quot; class=&quot;cwcot&quot; dir=&quot;ltr&quot;&gt;4,685&lt;/span&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td style=&quot;width: 100px;&quot;&gt;&amp;#160;Armenia&lt;/td&gt;
&lt;td style=&quot;text-align: left;&quot;&gt;&amp;#160;$538&lt;/td&gt;
&lt;td&gt;&amp;#160;&lt;span id=&quot;cwos&quot; class=&quot;cwcot&quot; dir=&quot;ltr&quot;&gt;&amp;#163;&lt;span id=&quot;cwos&quot; class=&quot;cwcot&quot; dir=&quot;ltr&quot;&gt;4,085&lt;/span&gt;&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;/tbody&gt;
&lt;/table&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&amp;#160;Source: La Tercera.&lt;/p&gt;&lt;div class=&quot;item_footer&quot;&gt;&lt;p&gt;&lt;small&gt;&lt;a href=&quot;http://www.chileno.co.uk/chile/academic-salary-in-29-countries&quot;&gt;Original post&lt;/a&gt; blogged on &lt;a href=&quot;http://www.chileno.co.uk/&quot;&gt;Chileno&lt;/a&gt;.&lt;/small&gt;&lt;/p&gt;&lt;/div&gt;</description>
			<content:encoded><![CDATA[<p style="text-align: justify;">A report penned by Eduardo Cabrera in Chilean newspaper La Tercera (28/1/2013, p.7) shows that academics in the country receive some of the highest salaries in Latin America. Chilean academics working in state universities earned an average monthly salary of&#160; $3,700 USD (around &#163;28,000 per annum); a rate higher than most in the region including Brazil, Mexico and Colombia. only surpassed by Argentina. Nevertheless the average academic salary for Chile was found to be a full 6% below the international average.</p>
<p style="text-align: justify;">The analysis was based on a joint study, carried out by the Boston College Center for International Higher Education (CIHE) and the Laboratory for Institutional Analysis (LIA) at the Higher School of Economics in Moscow, in which 28 countries were surveyed. The study included all lecturers, both full and part-time and considered academic remuneration in terms of basic gross salaries in 2008 but incentives or bonuses were excluded from the analysis.</p>
<p style="text-align: justify;">The figures are standardised using purchasing powerparity (PPP).</p>
<p style="text-align: justify;">Top paying Chilean universities included&#160; Talca, Tecnol&#243;gica Metropolitana and Tarapac&#225;, awarding average monthly salaries of $5,725 USD, $4,564 USD and $4,283 USD, respectively. Surprisingly, the average salary at the highly regarded Universidad de Chile in Santiago was only slightly higher than the average for the country at $3,796 USD. The worst payers were Valpara&#237;so and Playa Ancha, dolling out a mere average of $2,600 USD (les than an annual salary of &#163;20,000). <br /><br />The full international comparison data can be seen in the table below</p>
<p style="text-align: justify;">&#160;</p>
<table style="margin-left: auto; margin-right: auto; width: 541px; height: 811px;" border="0">
<tbody>
<tr>
<td style="width: 100px;"><strong>Country</strong></td>
<td style="text-align: center;"><strong>Average monthly gross salary (PPP) USD<br /></strong></td>
<td style="text-align: center;"><strong>Estimated annual gross salary in sterling GBP</strong></td>
</tr>
<tr>
<td style="width: 100px;">&#160;Canada</td>
<td style="text-align: left;">&#160;$7,196</td>
<td>&#160;<span id="cwos" class="cwcot" dir="ltr">&#163;<span id="cwot" dir="ltr">54,570</span></span></td>
</tr>
<tr>
<td style="width: 100px;">&#160;Italy</td>
<td style="text-align: left;">&#160;$6,955</td>
<td>&#160;<span id="cwos" class="cwcot" dir="ltr">&#163;<span id="cwos" class="cwcot" dir="ltr">52,812</span></span></td>
</tr>
<tr>
<td style="width: 100px;">&#160;South Africa</td>
<td style="text-align: left;">&#160;$6,531</td>
<td>&#160;<span id="cwos" class="cwcot" dir="ltr">&#163;<span id="cwos" class="cwcot" dir="ltr">49,590</span></span></td>
</tr>
<tr>
<td style="width: 100px;">&#160;India</td>
<td style="text-align: left;">&#160;$6,070</td>
<td>&#160;<span id="cwos" class="cwcot" dir="ltr">&#163;<span style="word-break: break-all;">38,410</span></span></td>
</tr>
<tr>
<td style="width: 100px;">&#160;USA</td>
<td style="text-align: left;">&#160;$6,054</td>
<td>&#160;<span id="cwos" class="cwcot" dir="ltr">&#163;<span id="cwos" class="cwcot" dir="ltr">45,968</span></span></td>
</tr>
<tr>
<td style="width: 100px;">&#160;Saudi Arabia</td>
<td style="text-align: left;">&#160;$6,002</td>
<td>&#160;<span id="cwos" class="cwcot" dir="ltr">&#163;<span id="cwos" class="cwcot" dir="ltr">45,576</span></span></td>
</tr>
<tr>
<td style="width: 100px;">
<p>&#160;UK</p>
</td>
<td style="text-align: left;">&#160;$5,943</td>
<td>&#160;<span id="cwos" class="cwcot" dir="ltr">&#163;<span id="cwos" class="cwcot" dir="ltr">45,128</span></span></td>
</tr>
<tr>
<td style="width: 100px;">&#160;Australia</td>
<td style="text-align: left;">&#160;$5,713</td>
<td><span id="cwos" class="cwcot" dir="ltr">&#160;<span id="cwos" class="cwcot" dir="ltr">&#163;<span id="cwos" class="cwcot" dir="ltr">43,378</span></span></span></td>
</tr>
<tr>
<td style="width: 100px;">&#160;Holland</td>
<td style="text-align: left;">&#160;$5,313</td>
<td>&#160;<span id="cwos" class="cwcot" dir="ltr">&#163;<span id="cwos" class="cwcot" dir="ltr">40,341</span></span></td>
</tr>
<tr>
<td style="width: 100px;">&#160;Germany</td>
<td style="text-align: left;">&#160;$5,141</td>
<td>&#160;<span id="cwos" class="cwcot" dir="ltr">&#163;<span style="word-break: break-all;">32,520</span></span></td>
</tr>
<tr>
<td style="width: 100px;">&#160;Norway</td>
<td style="text-align: left;">&#160;$4,940</td>
<td>&#160;<span id="cwos" class="cwcot" dir="ltr">&#163;<span id="cwos" class="cwcot" dir="ltr">37,509</span></span></td>
</tr>
<tr>
<td style="width: 100px;">&#160;Israel</td>
<td style="text-align: left;">&#160;$4,747</td>
<td>&#160;<span id="cwos" class="cwcot" dir="ltr">&#163;<span id="cwos" class="cwcot" dir="ltr">36,046</span></span></td>
</tr>
<tr>
<td style="width: 100px;">&#160;Nigeria</td>
<td style="text-align: left;">&#160;$4,629</td>
<td>&#160;<span id="cwos" class="cwcot" dir="ltr">&#163;<span style="word-break: break-all;">29,290</span></span></td>
</tr>
<tr>
<td style="width: 100px;">&#160;Malaysia</td>
<td style="text-align: left;">&#160;$4,628</td>
<td>&#160;<span id="cwos" class="cwcot" dir="ltr">&#163;<span id="cwos" class="cwcot" dir="ltr">35,140</span></span></td>
</tr>
<tr>
<td style="width: 100px;">&#160;Argentina</td>
<td style="text-align: left;">&#160;$3,755</td>
<td>&#160;<span id="cwos" class="cwcot" dir="ltr">&#163;<span id="cwos" class="cwcot" dir="ltr">28,513</span></span></td>
</tr>
<tr>
<td style="width: 100px;"><strong>&#160;Chile</strong></td>
<td style="text-align: left;"><strong>&#160;$3,718</strong></td>
<td><strong>&#160;<span id="cwos" class="cwcot" dir="ltr">&#163;<span id="cwos" class="cwcot" dir="ltr">28,232</span></span></strong></td>
</tr>
<tr>
<td style="width: 100px;">&#160;France</td>
<td style="text-align: left;">&#160;$3,484</td>
<td>&#160;<span id="cwos" class="cwcot" dir="ltr">&#163;<span id="cwos" class="cwcot" dir="ltr">26,420</span></span></td>
</tr>
<tr>
<td style="width: 100px;">&#160;Japan</td>
<td style="text-align: left;">&#160;$3,743</td>
<td>&#160;<span id="cwos" class="cwcot" dir="ltr">&#163;<span id="cwos" class="cwcot" dir="ltr">28,422</span></span></td>
</tr>
<tr>
<td style="width: 100px;">&#160;Brazil</td>
<td style="text-align: left;">&#160;$3,179</td>
<td>&#160;<span id="cwos" class="cwcot" dir="ltr">&#163;<span id="cwos" class="cwcot" dir="ltr">24,104</span></span></td>
</tr>
<tr>
<td style="width: 100px;">&#160;Colombia</td>
<td style="text-align: left;">&#160;$2,702</td>
<td>&#160;<span id="cwos" class="cwcot" dir="ltr">&#163;<span id="cwos" class="cwcot" dir="ltr">20,517</span></span></td>
</tr>
<tr>
<td style="width: 100px;">&#160;Turkey</td>
<td style="text-align: left;">&#160;$2,597</td>
<td>&#160;<span id="cwos" class="cwcot" dir="ltr">&#163;<span id="cwos" class="cwcot" dir="ltr">19,720</span></span></td>
</tr>
<tr>
<td style="width: 100px;">&#160;Czech Republic</td>
<td style="text-align: left;">&#160;$2,495</td>
<td>&#160;<span id="cwos" class="cwcot" dir="ltr">&#163;<span id="cwos" class="cwcot" dir="ltr">18,920</span></span></td>
</tr>
<tr>
<td style="width: 100px;">&#160;Mexico</td>
<td style="text-align: left;">&#160;$1,941</td>
<td>&#160;<span id="cwos" class="cwcot" dir="ltr">&#163;<span id="cwos" class="cwcot" dir="ltr">14,739</span></span></td>
</tr>
<tr>
<td style="width: 100px;">&#160;Latvia</td>
<td style="text-align: left;">&#160;$1,785</td>
<td>&#160;<span id="cwos" class="cwcot" dir="ltr">&#163;<span id="cwos" class="cwcot" dir="ltr">13,554</span></span></td>
</tr>
<tr>
<td style="width: 100px;">&#160;Kazakhstan</td>
<td style="text-align: left;">&#160;$1,553</td>
<td>&#160;<span id="cwos" class="cwcot" dir="ltr">&#163;<span id="cwos" class="cwcot" dir="ltr">11,792</span></span></td>
</tr>
<tr>
<td style="width: 100px;">&#160;Ethiopia</td>
<td style="text-align: left;">&#160;$1,207</td>
<td>&#160;<span id="cwos" class="cwcot" dir="ltr">&#163;<span id="cwos" class="cwcot" dir="ltr">9,152</span></span></td>
</tr>
<tr>
<td style="width: 100px;">&#160;China</td>
<td style="text-align: left;">&#160;$720</td>
<td>&#160;<span id="cwos" class="cwcot" dir="ltr">&#163;<span id="cwos" class="cwcot" dir="ltr">5,467</span></span></td>
</tr>
<tr>
<td style="width: 100px;">&#160;Russia</td>
<td style="text-align: left;">&#160;$617</td>
<td>&#160;<span id="cwos" class="cwcot" dir="ltr">&#163;<span id="cwos" class="cwcot" dir="ltr">4,685</span></span></td>
</tr>
<tr>
<td style="width: 100px;">&#160;Armenia</td>
<td style="text-align: left;">&#160;$538</td>
<td>&#160;<span id="cwos" class="cwcot" dir="ltr">&#163;<span id="cwos" class="cwcot" dir="ltr">4,085</span></span></td>
</tr>
</tbody>
</table>
<p style="text-align: justify;">&#160;Source: La Tercera.</p><div class="item_footer"><p><small><a href="http://www.chileno.co.uk/chile/academic-salary-in-29-countries">Original post</a> blogged on <a href="http://www.chileno.co.uk/">Chileno</a>.</small></p></div>]]></content:encoded>
								<comments>http://www.chileno.co.uk/chile/academic-salary-in-29-countries#comments</comments>
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			<title>Pi&#241;era has not had the Presidency he dreamed of...</title>
			<link>http://www.chileno.co.uk/featured-articles/pinera-has-not-had-the-presidency-he-dreamed-of</link>
			<pubDate>Sat, 19 Jan 2013 11:08:00 +0000</pubDate>			<dc:creator>Chileno</dc:creator>
			<category domain="alt">Chile</category>
<category domain="main">Featured articles</category>			<guid isPermaLink="false">179@http://www.chileno.co.uk/</guid>
						<description>&lt;p style=&quot;text-align: left;&quot; align=&quot;center&quot;&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&lt;strong&gt;&lt;em&gt;&lt;br /&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: left;&quot; align=&quot;center&quot;&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&lt;strong&gt;&lt;em&gt;Washington political analyst Patricio Zamorano reflects on a turbulent term for the Chilean President. For a Spanish version of this article see below.&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&lt;strong&gt;&lt;em&gt;&lt;br /&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&lt;strong&gt;&lt;em&gt;&lt;a href=&quot;http://www.chileno.co.uk/blogs/blog1.php/contributors/patricio-zamorano-1&quot;&gt;Patricio Zamorano&lt;/a&gt;, political analyst&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&lt;strong&gt;&lt;em&gt;Washington&lt;/em&gt;&lt;/strong&gt;&lt;strong&gt;&lt;em&gt; DC&lt;/em&gt;&lt;/strong&gt;&lt;strong&gt;&lt;em&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&lt;a href=&quot;http://www.chileno.co.uk/blogs&quot;&gt;&lt;strong&gt;&lt;em&gt;www.chileno.co.uk/blogs&lt;/em&gt;&lt;/strong&gt;&lt;/a&gt;&lt;/span&gt;&lt;strong&gt;&lt;em&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&amp;#160;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;Four publishing companies with global reach have focused their attention on the case of Chile in the last few years. Of these media, all have dealt in some way or another with the Chilean student movement of 2011-2012 (which is still active) and, by extension, with the problems of political management in Sebastian Pi&amp;#241;era&amp;#8217;s government. Now added to this in recent months is the Government&#039;s controversial decision to use the full force of an anti-terrorist law against Mapuche activists accused of acts of violence in southern Chile. Pi&amp;#241;era has chosen a military rather than a socio-economic approach to the complex situation of the Mapuche people, who are engaged in a struggle to recover their lands. The Secretary General of the Organisation of American States (OAS) Jos&amp;#233; Miguel Insulza, who is also a Chilean, has recently stated that the policy of applying anti-terrorist laws against indigenous activists &quot;has a complicated international image,&quot; and should be eliminated. Furthermore, he stated that the way the law is being implemented by the Pi&amp;#241;era Government makes it appear that it only applies to Mapuche people implicated in acts of violence.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;The topic of the student crisis has received worldwide coverage. First, &lt;em&gt;The Guardian&lt;/em&gt; named the leader of the Chilean student movement Camila Vallejo &amp;#8220;Person of the Year&amp;#8221; at the end of 2011. Shortly afterwards, &lt;em&gt;The New York Times&lt;/em&gt; described Vallejo as &amp;#8220;the world&amp;#8217;s most glamorous revolutionary.&amp;#8221; In April 2012, &lt;em&gt;The Economist&lt;/em&gt; called Pi&amp;#241;era &amp;#8220;inept,&amp;#8221; a strange adjective for a conservative publication to use when, in reality, he should be a &amp;#8220;favourite son&amp;#8221; according to their editorial line. The same month &lt;em&gt;The Wall Street Journal&lt;/em&gt; accused Pi&amp;#241;era of being &amp;#8220;weak and incompetent&amp;#8221; and of becoming a &amp;#8220;leftist&amp;#8221;. The newspaper considered the implementation of social policies as a sign of weakness against the student movement which enjoyed legitimacy both internationally and at home. The student reform movement and the activism of hundreds of thousands of young people has lead to a new wave of political leaders who, despite their youth, have started political careers to be elected to the Chilean Congress, amongst them Camila Vallejo, Giorgio Jackson and Camilo Ballesteros.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;strong&gt;&amp;#160;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;strong&gt;Pi&amp;#241;era, defending the role of the State?&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;The country, thought to be a miracle of macroeconomics, is an illusion of development which owes a huge debt: to clean up the high levels of inequality in income, the workplace, and education and, in general, to address the issues that the Concertaci&amp;#243;n [centre-left coalition] did not or could not remedy. The consequences are very clear. After the aggressive assertion of &lt;em&gt;The Wall Street Journal&lt;/em&gt; against the &quot;leftist leanings&quot; of Pi&amp;#241;era&amp;#8217;s public policies in response to the student movement, we encounter a historical paradox of huge proportions, stemming from the words of the former Secretary General of the Presidency and current Minister of the Interior, Andr&amp;#233;s Chadwick. The leader, who defected from the radical left under the Unidad Popular party to become the most committed Pinochet devotee, is a central figure of the Uni&amp;#243;n Dem&amp;#243;crata Independiente (UDI), the party that represents the most conservative values in Chile, with a strong presence of Opus Dei in their ranks. When the strong criticism was published in &lt;em&gt;The Wall Street Journal&lt;/em&gt;, Chadwick came out before the television cameras, defending the social policies of Pi&amp;#241;era. &quot;The State has to play a role to create equal opportunities,&quot; he said as a defence to the criticism of the US newspaper. And he suggested that the critique coming from the newspaper of Pi&amp;#241;era&#039;s government &quot;was not surprising&quot; since the publication is &quot;very committed to economic freedom and the business world&quot; -- odd statements from one who provides advice to a President whose fortune is one of the four greatest in Chile.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;The words of justification from a conservative like Chadwick defending the role of the State are interesting. They demonstrate, first, that &lt;em&gt;The&lt;/em&gt; &lt;em&gt;Wall Street Journal&lt;/em&gt; is indeed correct, the Pi&amp;#241;era Government has had to move its strategy of public policies to the left. But the main issue goes beyond that: it demonstrates that, 20 years after the end of the dictatorship, there is an accumulation of progressive values in the political and economic spheres in Chile about which there is consensus in all sectors. Chilean society has learned from the debacle caused by years of aggressive neoliberal policies in the 1990s and profound inequality. The Frei Government in the Nineties had a worse distribution of wealth than the dictatorship. This process of progressing towards a more constructive role of the State as regulator and protector of the most vulnerable sectors of society opened the door to a paradigm more focused on equal opportunity as a basis for the great dream of all the political groups: to achieve the socioeconomic level of a developed country. Pi&amp;#241;era has no other option but to continue on that path.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;strong&gt;&amp;#160;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;strong&gt;Popular&lt;/strong&gt;&lt;strong&gt; approval: historical lows&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;I personally met the then Senator Pi&amp;#241;era in the Nineties, whilst working as a reporter on the right wing parties for the now defunct newspaper &lt;em&gt;La &amp;#201;poca&lt;/em&gt;. I do not agree at all with the adjective &quot;inept&quot; offered by &lt;em&gt;The Economist&lt;/em&gt;. I remember him as an intelligent leader who took a hard line in the political game with internal adversaries within his party, Renovaci&amp;#243;n Nacional, and especially with the UDI, although he was open on social issues and values. However, at that time, the scandal that had produced audio recordings of Pi&amp;#241;era instructing a journalist friend to ridicule his opponent in presidential primaries in a television interview, Evelyn Matthei, his current Minister of Labour, was still fresh. It never crossed my mind that the Chilean people would honour him with the Presidency. His race for the presidential seat seemed stained forever after that scandal.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;Pi&amp;#241;era now governs with a very low level of approval, which fell to a historic low of 26% according to an Adimark survey in April 2012. In the Centro de Estudios P&amp;#250;blicos (CEP) survey of May 2012, Pi&amp;#241;era&amp;#8217;s popularity fell even further to a mere 24 percent and, in January 2013, he was still polling at 31 percent. Furthermore, 61% believe that the government has acted &quot;without skill or ability.&quot; 52% disapprove of Pi&amp;#241;era&amp;#8217;s economic management, and 63% stated that the President &quot;does not give [them] confidence.&quot; A full 72% considered him &quot;distant&quot;.&lt;/span&gt;&lt;/p&gt;
&lt;center&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;
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&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;strong&gt;&amp;#160;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;strong&gt;The errant President&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;President Pi&amp;#241;era has cloistered himself in a political realism that he wasn&#039;t accustomed to. He has had to abandon all the business acumen and entrepreneurship that he surely would have wanted to use to thrive as President, and instead has had to invest all his political capital in a series of political and social crises which he has been unable to dispatch completely. This lack of proper tools in the political game can be appreciated from Washington DC. He has worn out the recurring theme of the impressive rescue of the 33 miners trapped underground in the north of Chile in October 2010 -- the only noteworthy message coming out of the Chilean Embassy in the US city for two years -- as a communicational strategy for promoting Chile. That President Obama mentioned the rescue in his State of the Union address to Congress was enough for Pi&amp;#241;era to cling to the issue, repeating it as a monothematic message in the U.S. capital. It must be remembered, however, that Obama mentioned the Chilean rescue, on that occasion, primarily to draw attention to the US company and workers who built the evacuation tunnel that managed to reach the miners first.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;Furthermore, in an incomprehensible act of political strategy last year in the aftermath of the student crisis of 2011, President Pi&amp;#241;era appointed the former Minister of Education, Felipe Bulnes, Ambassador of Chile to the United States, perhaps the most important diplomatic post on the planet for a Chilean to hold. During Bulnes&amp;#8217;s administration as Minister, the Government exercised tough police repression against young people in the streets, with the conflict ending in deadlock, without a concrete solution. In the same Adimark survey last April, a year after the beginning of the student demonstrations, there was still a clear 72% disapproval in the way the government handled the issue of education.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;In another example of his lack of connection with political reality, Pi&amp;#241;era still keeps Minister Rodrigo Hinzpeter in the government, another politician responsible for strong police repression against the students during 2011. The police are now under the command of the Ministry of the Interior, which was directed by Hinzpeter during that period. In addition, Hinzpeter failed on the subject he had declared to be the most important of his tenure as Minister of the Interior: crime. This area was evaluated as the worst of all in April 2012, with an 82% rate of disapproval. In the CEP survey of May 2012, Hinzpeter managed to reach 30% approval. Recently, in November 2012, rather than removing Hinzpeter from the Government, Pi&amp;#241;era appointed him Minister of Defence...&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;Similarly, in the case of ex-minister Bulnes, President Pi&amp;#241;era appears to betray his own business past. &quot;Successful management&quot; is based on managerial responsibilities and should be directly related to results. Performance failures have consequences, and successes, rewards. But for two Ministers in key posts, Education and the Interior, with abysmal performances, far from being asked to relinquish their posts and being replaced, they have been rewarded. On Bulnes, Pi&amp;#241;era declared that he was accepting his resignation from office and appointed Harald Beyer because the Ministry required &quot;a person who can calm tempers, bring more temperance, rationality, dialogue,&quot; -- that is to say, a clear listing of the fundamental characteristics that Bulnes lacked. In November 2011, Bulnes was the worst Minister evaluated with only 34% approval according to Adimark. It is incomprehensible, then, that Pi&amp;#241;era again risked his political capital by giving an enviable consolation prize, an Embassy with global influence, to the person who lead the handling of a crisis in education that most affected the popularity of his Government.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;strong&gt;&amp;#160;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;strong&gt;A trap of his own making&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;Pi&amp;#241;era has fallen into a peculiar pattern, the same trap that the Concertaci&amp;#243;n de Partidos por la Democracia fell into. The centre-left coalition had to administer and maintain part of the institutional legacy of a previous Government -- in this case, Pinochet&amp;#8217;s dictatorship -- to maintain a minimum level of governability in the country. A comparable situation now keeps the Pi&amp;#241;era government in a similar condition: a terrible earthquake and tsunami near the beginning of his Government, and the subsequent social unrest over an educational system in deep crisis, caused Pi&amp;#241;era to postpone more aggressive market policies and exercise instead a political realism favouring an urgent social agenda. In that sense, he has had to maintain the protective role of the State, in some ways obliged to continue the spirit of the social-welfare-state under President Bachelet, who is still extremely popular (the first female President in Chile leaving power with a historic high of 84% approval, according to an Adimark survey in March 2010). Likewise, Pi&amp;#241;era has had to endure strong tensions with militaristic and radical sectors of his own right-wing coalition in order to preserve the progress on human rights policies promoted by Bachelet. That is, Pi&amp;#241;era has been forced by the still precarious circumstances of the social situation in Chile to advance Bachelet policy and many of the values that his own sector opposes.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;If there had been no earthquake in 2010 or social crisis over education, Pi&amp;#241;era would have followed the script that he had prepared during his entrepreneurial career. Concepts such as &quot;modernisation&quot;, &amp;#8220;technology&amp;#8221;, &amp;#8220;generation of markets&amp;#8221;, &quot;forward-thinking vision&quot;, &quot;foreign investment&quot;, and &quot;innovation&quot; would have been the key words of his discourse during his term. He has had to replace them with &quot;social crisis&quot;, &quot;earthquake and reconstruction&quot;, &quot;educational reform&quot;, &quot;poverty&quot;, &quot; population in need&quot;, &quot;protective role of the State&quot;, &quot;inequality&quot;, &quot;human rights&quot;, &quot;street violence&quot;, &quot;indigenous claims&quot;. It is not the Presidency that he dreamed of. It is not the country embodied in his socio-political ideal. Perhaps that explains his errant way of behaving on many key issues, and the criticism from the population, including a large segment that voted for him, but gives him very poor ratings in the polls.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;In that sense, Pi&amp;#241;era has not been inept in his government. Strictly speaking, he has not been able to govern. Or rather, to be fair, he has not had the Presidency he dreamed of...&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;br /&gt;&lt;span style=&quot;font-size: large;&quot;&gt;SPANISH VERSION&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&lt;strong&gt;Pi&amp;#241;era no ha gobernado la Presidencia que so&amp;#241;&amp;#243;&amp;#8230;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&amp;#160;&lt;br /&gt;&lt;em&gt;&amp;#160;&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&lt;strong&gt;&lt;em&gt;Patricio Zamorano, analista pol&amp;#237;tico&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&lt;strong&gt;&lt;em&gt;Washington DC&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&amp;#160;&lt;a href=&quot;http://www.chileno.co.uk/blogs&quot;&gt;&lt;strong&gt;&lt;em&gt;www.chileno.co.uk/blogs&lt;/em&gt;&lt;/strong&gt;&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&amp;#160;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;Cuatro empresas editoriales de alcance mundial han puesto su atenci&amp;#243;n en el caso chileno en el &amp;#250;ltimo par de a&amp;#241;os. De ellas, todas han tenido que ver de alguna u otra forma con el movimiento estudiantil chileno de 2011-2012 (y a&amp;#250;n activo) y, por extensi&amp;#243;n, con los problemas de gesti&amp;#243;n pol&amp;#237;tica del gobierno de Sebasti&amp;#225;n Pi&amp;#241;era. Ahora, en los &amp;#250;ltimos meses, se suma la pol&amp;#233;mica decisi&amp;#243;n del gobierno de usar todo el rigor de la ley antiterrorista contra activistas mapuches acusados de actos de violencia en el sur de Chile. Pi&amp;#241;era ha elegido una estrategia militarista en lugar de un acercamiento socio-econ&amp;#243;mico a la compleja situaci&amp;#243;n del pueblo mapuche, que lucha por la recuperaci&amp;#243;n de sus tierras. El Secretario General de la OEA, el tambi&amp;#233;n chileno Jos&amp;#233; Miguel Insulza, ha se&amp;#241;alado recientemente respecto de esa pol&amp;#237;tica de aplicar la ley antiterrorista contra los activistas ind&amp;#237;genas, que esa normativa &amp;#8220;tiene una imagen internacional complicada&amp;#8221;, y que esta deber&amp;#237;a ser eliminada. Asimismo, se&amp;#241;al&amp;#243; que en la forma en que estaba siendo aplicada por el gobierno de Pi&amp;#241;era, pareciera que solo se aplica en contra de los mapuches implicados en hechos de violencia.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;El tema de la crisis estudiantil ha sido portada mundial. Primero, &lt;em&gt;The Guardian&lt;/em&gt; nombra a Camila Vallejo como &amp;#8220;persona del a&amp;#241;o&amp;#8221; a fines de 2011. Poco despu&amp;#233;s, el &lt;em&gt;New York Times&lt;/em&gt; se&amp;#241;ala a Vallejo como &amp;#8220;la revolucionaria m&amp;#225;s glamorosa del mundo&amp;#8221;. En abril de 2012, &lt;em&gt;The Economist&lt;/em&gt; calific&amp;#243; a Pi&amp;#241;era de &amp;#8220;inepto&amp;#8221;, en una extra&amp;#241;a adjetivaci&amp;#243;n de un medio de corte conservador contra quien deber&amp;#237;a ser un supuesto &amp;#8220;hijo predilecto&amp;#8221; de la l&amp;#237;nea editorial. En el cuarto cap&amp;#237;tulo de esa atenci&amp;#243;n &amp;#8220;al m&amp;#225;s alto nivel&amp;#8221; sobre el caso chileno, &lt;em&gt;The Wall Street Journal&lt;/em&gt;, en el mismo mes de abril, acus&amp;#243; a Pi&amp;#241;era de &amp;#8220;d&amp;#233;bil e incompetente&amp;#8221;, de haberse &amp;#8220;izquierdizado&amp;#8221; y de implementar pol&amp;#237;ticas sociales como muestra de debilidad frente a la movilizaci&amp;#243;n estudiantil, que dicho sea de paso, goz&amp;#243; de alta legitimidad internacional e interna. La reforma estudiantil y el activismo generado en cientos de miles de j&amp;#243;venes ha provocado una oleada de nuevos l&amp;#237;deres pol&amp;#237;ticos, que pese a su corta edad han comenzado carreras pol&amp;#237;ticas para ser elegidos en el Congreso chileno, entre ellos Camila Vallejo, Giorgio Jackson y Camilo Ballesteros.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&amp;#160;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;P&lt;strong&gt;i&amp;#241;era, &amp;#191;defendiendo el rol del Estado?&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;El pa&amp;#237;s, supuesto milagro macroecon&amp;#243;mico, es una ilusi&amp;#243;n de desarrollo, que tiene una inmensa deuda: sanear la fuerte desigualdad de ingreso, laboral, educativa y en general de oportunidades que la Concertaci&amp;#243;n no supo o no pudo remediar. Las consecuencias son clar&amp;#237;simas. Tras la agresiva aserci&amp;#243;n de &lt;em&gt;The Wall Street Journal&lt;/em&gt; contra la &amp;#8220;izquierdizaci&amp;#243;n&amp;#8221; de las pol&amp;#237;ticas p&amp;#250;blicas de Pi&amp;#241;era como respuesta al movimiento estudiantil, nos encontramos con una paradoja hist&amp;#243;rica de proporciones, tras las palabras del ex secretario general de la Presidencia y actual ministro del Interior, Andr&amp;#233;s Chadwick. El dirigente, que emigr&amp;#243; desde la izquierda radical bajo la Unidad Popular al pinochetismo m&amp;#225;s comprometido, es una figura fuerte de la Uni&amp;#243;n Dem&amp;#243;crata Independiente, partido que representa los valores m&amp;#225;s conservadores de Chile, con fuerte presencia del Opus Dei en sus filas. Cuando se public&amp;#243; la fuerte cr&amp;#237;tica de &lt;em&gt;The Wall Street Journal&lt;/em&gt;, Chadwick sali&amp;#243; en su momento ante las c&amp;#225;maras de televisi&amp;#243;n defendiendo las pol&amp;#237;ticas sociales de Pi&amp;#241;era. &amp;#8220;El Estado tiene que jugar un rol, de generar igualdad de oportunidades&amp;#8221;, se&amp;#241;al&amp;#243; como defensa a las fuertes cr&amp;#237;ticas del peri&amp;#243;dico estadounidense. Y record&amp;#243; que las cr&amp;#237;ticas contra el gobierno de Pi&amp;#241;era de parte del peri&amp;#243;dico &amp;#8220;no eran de extra&amp;#241;ar&amp;#8221; debido a que el diario era un medio de comunicaci&amp;#243;n &amp;#8220;muy comprometido con la libertad econ&amp;#243;mica y mundo empresarial&amp;#8221;. Extra&amp;#241;as declaraciones de quien asesora a un Presidente cuya fortuna es una de las cuatro m&amp;#225;s poderosas de Chile.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;Las palabras de justificaci&amp;#243;n de un conservador como Chadwick defendiendo el rol de Estado son interesantes. Demuestran, en primer lugar, que &lt;em&gt;The Wall Street Journal&lt;/em&gt; est&amp;#225; en efecto en lo cierto, que el gobierno de Pi&amp;#241;era ha tenido que &amp;#8220;izquierdizar&amp;#8221; su estrategia de pol&amp;#237;ticas p&amp;#250;blicas. Pero que el tema de fondo va m&amp;#225;s all&amp;#225; de eso: demuestra que tras 20 a&amp;#241;os del t&amp;#233;rmino de la dictadura, existe en la actualidad un c&amp;#250;mulo de valores progresistas en lo pol&amp;#237;tico-econ&amp;#243;mico en Chile sobre el que existe consenso en todos los sectores. La sociedad chilena ha aprendido de la debacle provocada por los a&amp;#241;os de pol&amp;#237;ticas agresivas neoliberales en los noventa y que profundizaron la desigualdad (el gobierno de Frei en los noventa tuvo una peor distribuci&amp;#243;n del ingreso que durante la dictadura). Ese proceso de avance hacia un rol m&amp;#225;s constructivo del Estado como ente regulador y protector de los sectores m&amp;#225;s vulnerables, abri&amp;#243; la puerta a un paradigma m&amp;#225;s centrado en la igualdad de oportunidades como base para el gran sue&amp;#241;o de todos los grupos pol&amp;#237;ticos: alcanzar niveles socioecon&amp;#243;micos de pa&amp;#237;s desarrollado. Pi&amp;#241;era no tiene otra opci&amp;#243;n sino continuar en ese camino.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&amp;#160;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;strong&gt;Aprobaci&amp;#243;n popular: m&amp;#237;nimos hist&amp;#243;ricos&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;Conoc&amp;#237; personalmente al entonces senador Pi&amp;#241;era en los noventa, mientras cubr&amp;#237;a como reportero a los partidos de derecha para el desaparecido peri&amp;#243;dico &lt;em&gt;La &amp;#201;poca&lt;/em&gt;. No concuerdo en absoluto con el adjetivo de &amp;#8220;inepto&amp;#8221; que le ofreci&amp;#243; &lt;em&gt;The Economist&lt;/em&gt;. Lo recuerdo como un dirigente inteligente y de l&amp;#237;nea dura en el juego pol&amp;#237;tico con sus adversarios internos del partido, Renovaci&amp;#243;n Nacional, y especialmente de la UDI, aunque abierto en temas val&amp;#243;ricos y sociales. Sin embargo, en esa &amp;#233;poca a&amp;#250;n estaba fresco el esc&amp;#225;ndalo que hab&amp;#237;an provocado grabaciones de audio donde se le escuchaba a Pi&amp;#241;era dando instrucciones a un periodista amigo para ridiculizar en una entrevista televisiva a su contrincante en primarias presidenciales, Evelyn Matthei, su actual ministra del Trabajo. En esa &amp;#233;poca, por cierto, nunca se me cruz&amp;#243; por la mente que el pueblo chileno lo honrar&amp;#237;a con la Presidencia. Su carrera por el sill&amp;#243;n presidencial parec&amp;#237;a diluirse para siempre tras ese esc&amp;#225;ndalo.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;Pi&amp;#241;era ahora gobierna con un baj&amp;#237;simo nivel de aprobaci&amp;#243;n, que ha llegado al m&amp;#237;nimo hist&amp;#243;rico de 26% seg&amp;#250;n una encuesta de Adimark de abril de 2012. En la encuesta CEP de mayo de 2012 Pi&amp;#241;era lleg&amp;#243; a un 24 por ciento de apoyo, y en enero de este a&amp;#241;o 2013 alcanz&amp;#243; todav&amp;#237;a un bajo 31 por ciento. Asimismo, un 61% considera que el gobierno ha actuado &amp;#8220;sin destreza ni habilidad&amp;#8221;. Un 52% desaprueba el manejo econ&amp;#243;mico de Pi&amp;#241;era, y un 63% expresa que el Presidente &amp;#8220;no le da confianza&amp;#8221;. Un 72% lo considera &amp;#8220;lejano&amp;#8221;.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&amp;#160;&lt;/span&gt;&lt;/p&gt;
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&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;strong&gt;El presidente errante&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;El presidente Pi&amp;#241;era est&amp;#225; enclaustrado en el realismo pol&amp;#237;tico al que no estaba acostumbrado, teniendo que abandonar todo su talento de empresario y emprendedor al que seguramente deseaba echar mano para prosperar como presidente, y en cambio ha tenido que invertir todo su capital pol&amp;#237;tico en una serie de crisis pol&amp;#237;ticas y sociales a las que no ha podido dominar completamente. Esta falta de herramientas propias en el juego pol&amp;#237;tico se puede apreciar en Washington DC: ha desgastado la agenda comunicacional de promoci&amp;#243;n del pa&amp;#237;s con el tema del impresionante rescate de los mineros en el norte de Chile en octubre de 2010, lo &amp;#250;nico sobresaliente del mensaje de la embajada en la ciudad por dos a&amp;#241;os. Bast&amp;#243; con que el presidente Obama nombrara el rescate en su mensaje anual ante el Congreso, para que Pi&amp;#241;era se aferrara al tema como mensaje monotem&amp;#225;tico en la capital estadounidense. Hay que recordar, sin embargo, que Obama nombr&amp;#243; en esa oportunidad el tema del rescate minero en Chile para destacar principalmente a la empresa y trabajadores estadounidenses que construyeron el t&amp;#250;nel de evacuaci&amp;#243;n que logr&amp;#243; llegar primero hasta los trabajadores.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;Asimismo, el presidente Pi&amp;#241;era, en un acto de incomprensible estrategia pol&amp;#237;tica, nombr&amp;#243; el a&amp;#241;o pasado al ex ministro de Educaci&amp;#243;n durante la crisis estudiantil de 2011, Felipe Bulnes, como embajador de Chile en Estados Unidos, quiz&amp;#225;s el puesto diplom&amp;#225;tico m&amp;#225;s importante de la diplomacia chilena en el planeta. Durante la gesti&amp;#243;n de Bulnes como ministro, el gobierno ejerci&amp;#243; una fuerte represi&amp;#243;n policial contra los j&amp;#243;venes en las calles, y el conflicto lleg&amp;#243; a un punto muerto, sin ninguna soluci&amp;#243;n concreta. Incluso en la misma encuesta Adimark de abril del a&amp;#241;o pasado, a un a&amp;#241;o del comienzo de las manifestaciones estudiantiles, se evidenciaba a&amp;#250;n un 72% de desaprobaci&amp;#243;n a la forma en que el gobierno gestionaba el tema de la educaci&amp;#243;n.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;En otra muestra de su falta de conexi&amp;#243;n con la realidad pol&amp;#237;tica, Pi&amp;#241;era a&amp;#250;n mantiene en el gobierno al ministro Rodrigo Hinzpeter, tambi&amp;#233;n responsable pol&amp;#237;tico de la fuerte represi&amp;#243;n policial contra los estudiantes durante 2011 (Carabineros est&amp;#225; ahora bajo el mando de ministerio del Interior, que fue dirigido por Hinzpeter en ese periodo). Adem&amp;#225;s, Hinzpeter fracas&amp;#243; en el tema que hab&amp;#237;a declarado como m&amp;#225;s importante de su gesti&amp;#243;n como ministro del Interior: la delincuencia. Esa &amp;#225;rea fue en abril de 2012 la peor evaluada de todas, con un 82% de desaprobaci&amp;#243;n. En la encuesta CEP de mayo de 2012, &amp;#160;Hinzpeter alcanzaba un 30% de aprobaci&amp;#243;n. Recientemente, en noviembre de 2012, en lugar de sacar a Hinzpeter del gobierno, Pi&amp;#241;era lo nombr&amp;#243; ministro de Defensa&amp;#8230;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;En el mismo caso del ex ministro Bulnes, Pi&amp;#241;era parece traicionar su propio pasado empresarial. La &amp;#8220;gerencia exitosa&amp;#8221; se basa en que las responsabilidades de gesti&amp;#243;n deben relacionarse directamente con los resultados, los errores de desempe&amp;#241;o tienen consecuencias, y los &amp;#233;xitos, recompensas. Pero a dos ministros en puestos clave, Educaci&amp;#243;n e Interior, con un pobr&amp;#237;simo desempe&amp;#241;o, lejos de pedirles la renuncia y reemplazarlos, los ha premiado. Sobre Bulnes, Pi&amp;#241;era declar&amp;#243; al aceptar su renuncia del cargo y nombrar a Harald Beyer que se requer&amp;#237;a en el ministerio &amp;#8220;una persona que apacig&amp;#252;e los &amp;#225;nimos, introduzca m&amp;#225;s templanza, racionalidad, di&amp;#225;logo&amp;#8221;, en decir, en forma clara enumerando las caracter&amp;#237;sticas fundamentales de las que careci&amp;#243; Bulnes. En noviembre de 2011 Bulnes era el peor ministro evaluado seg&amp;#250;n Adimark, con 34% de aprobaci&amp;#243;n. Resulta incomprensible, entonces, que Pi&amp;#241;era nuevamente arriesgue su capital pol&amp;#237;tico otorgando un premio de consuelo de envergadura, una embajada de alcance mundial, a quien lider&amp;#243; el manejo de una crisis, la educaci&amp;#243;n, que m&amp;#225;s afect&amp;#243; la popularidad de su gobierno.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&amp;#160;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;strong&gt;Una trampa &amp;#8220;a medida&amp;#8221;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;Pi&amp;#241;era ha ca&amp;#237;do en un proceso peculiar, en la misma trampa en que cay&amp;#243; la Concertaci&amp;#243;n de Partidos por la Democracia. El conglomerado de centro izquierda tuvo que administrar y mantener parte de la herencia institucional de un gobierno anterior, en este caso, la dictadura de Pinochet, para otorgar un m&amp;#237;nimo de gobernabilidad al pa&amp;#237;s. Una situaci&amp;#243;n comparable ahora mantiene al gobierno de Pi&amp;#241;era en similares condiciones: un terrible terremoto y maremoto casi apenas iniciado su gobierno, y posteriormente el estallido social en torno a un sistema educativo en profunda crisis, provoc&amp;#243; que Pi&amp;#241;era tuviera que dejar pendientes pol&amp;#237;ticas de mercado m&amp;#225;s agresivas y hacer, en cambio, un ejercicio de realismo pol&amp;#237;tico a favor de una agenda social urgente. En ese sentido, ha debido mantener un rol protector del Estado, en cierta forma obligado a continuar el esp&amp;#237;ritu asistencialista-social-estatal de la Presidenta Bachelet, altamente popular (la primera presidenta mujer de Chile dej&amp;#243; el poder con un m&amp;#225;ximo hist&amp;#243;rico de aprobaci&amp;#243;n de 84%, seg&amp;#250;n una encuesta Adimark de marzo de 2010). Asimismo, Pi&amp;#241;era ha tenido tambi&amp;#233;n que soportar fuertes tensiones con sectores militaristas y radicales de su propia alianza de derecha ante la necesidad de mantener el avance en pol&amp;#237;ticas de derechos humanos potenciado por Bachelet. Es decir, Pi&amp;#241;era ha sido forzado por las circunstancias a&amp;#250;n precarias de la situaci&amp;#243;n social en Chile a llevar adelante una pol&amp;#237;tica continuista del &lt;em&gt;bachelletismo&lt;/em&gt; y muchos de los valores a los que su propio sector se opon&amp;#237;a.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;De no haber habido terremoto en 2010 ni crisis social en torno a la educaci&amp;#243;n, Pi&amp;#241;era hubiera seguido el gui&amp;#243;n que ten&amp;#237;a preparado en su vocaci&amp;#243;n empresarial. Conceptos como &amp;#8220;modernizaci&amp;#243;n&amp;#8221;, &amp;#8220;tecnolog&amp;#237;a&amp;#8221;, &amp;#8220;generaci&amp;#243;n de mercados&amp;#8221;, &amp;#8220;visi&amp;#243;n de futuro&amp;#8221;, &amp;#8220;inversi&amp;#243;n extranjera&amp;#8221; e &amp;#8220;innovaci&amp;#243;n&amp;#8221; hubieran sido las palabras clave de su discurso en el poder. Las ha tenido que cambiar por &amp;#8220;crisis social&amp;#8221;, &amp;#8220;terremoto y reconstrucci&amp;#243;n&amp;#8221;, &amp;#8220;reforma educacional&amp;#8221;, &amp;#8220;pobreza&amp;#8221;, &amp;#8220;poblaci&amp;#243;n necesitada&amp;#8221;, &amp;#8220;rol protector del Estado&amp;#8221;, &amp;#8220;desigualdad&amp;#8221;, &amp;#8220;derechos humanos&amp;#8221;, &amp;#8220;violencia callejera&amp;#8221;, &amp;#8220;reivindicaciones ind&amp;#237;genas&amp;#8221;. No es la presidencia con la que so&amp;#241;aba. No es el pa&amp;#237;s que ten&amp;#237;a incrustado en su ideal socio-pol&amp;#237;tico. Quiz&amp;#225;s por eso se explica su actuar errante en muchos temas clave, y la cr&amp;#237;tica de la poblaci&amp;#243;n, incluyendo un amplio sector que vot&amp;#243; por &amp;#233;l, que le otorga p&amp;#233;simas calificaciones en las encuestas.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;En ese sentido, Pi&amp;#241;era no ha sido inepto en su gobierno. En rigor, no ha podido gobernar. O mejor dicho, para ser justos, no ha gobernado la Presidencia con la que so&amp;#241;aba...&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&amp;#160;&lt;/p&gt;&lt;div class=&quot;item_footer&quot;&gt;&lt;p&gt;&lt;small&gt;&lt;a href=&quot;http://www.chileno.co.uk/featured-articles/pinera-has-not-had-the-presidency-he-dreamed-of&quot;&gt;Original post&lt;/a&gt; blogged on &lt;a href=&quot;http://www.chileno.co.uk/&quot;&gt;Chileno&lt;/a&gt;.&lt;/small&gt;&lt;/p&gt;&lt;/div&gt;</description>
			<content:encoded><![CDATA[<p style="text-align: left;" align="center"><span style="font-size: large;"><strong><em><br /></em></strong></span></p>
<p style="text-align: left;" align="center"><span style="font-size: large;"><strong><em>Washington political analyst Patricio Zamorano reflects on a turbulent term for the Chilean President. For a Spanish version of this article see below.</em></strong></span></p>
<p><span style="font-size: large;"><strong><em><br /></em></strong></span></p>
<p><span style="font-size: large;"><strong><em><a href="http://www.chileno.co.uk/blogs/blog1.php/contributors/patricio-zamorano-1">Patricio Zamorano</a>, political analyst</em></strong></span></p>
<p><span style="font-size: large;"><strong><em>Washington</em></strong><strong><em> DC</em></strong><strong><em></em></strong></span></p>
<p><span style="font-size: large;"><a href="http://www.chileno.co.uk/blogs"><strong><em>www.chileno.co.uk/blogs</em></strong></a></span><strong><em></em></strong></p>
<p>&#160;</p>
<p><span style="font-size: medium;">Four publishing companies with global reach have focused their attention on the case of Chile in the last few years. Of these media, all have dealt in some way or another with the Chilean student movement of 2011-2012 (which is still active) and, by extension, with the problems of political management in Sebastian Pi&#241;era&#8217;s government. Now added to this in recent months is the Government's controversial decision to use the full force of an anti-terrorist law against Mapuche activists accused of acts of violence in southern Chile. Pi&#241;era has chosen a military rather than a socio-economic approach to the complex situation of the Mapuche people, who are engaged in a struggle to recover their lands. The Secretary General of the Organisation of American States (OAS) Jos&#233; Miguel Insulza, who is also a Chilean, has recently stated that the policy of applying anti-terrorist laws against indigenous activists "has a complicated international image," and should be eliminated. Furthermore, he stated that the way the law is being implemented by the Pi&#241;era Government makes it appear that it only applies to Mapuche people implicated in acts of violence.</span></p>
<p><span style="font-size: medium;">The topic of the student crisis has received worldwide coverage. First, <em>The Guardian</em> named the leader of the Chilean student movement Camila Vallejo &#8220;Person of the Year&#8221; at the end of 2011. Shortly afterwards, <em>The New York Times</em> described Vallejo as &#8220;the world&#8217;s most glamorous revolutionary.&#8221; In April 2012, <em>The Economist</em> called Pi&#241;era &#8220;inept,&#8221; a strange adjective for a conservative publication to use when, in reality, he should be a &#8220;favourite son&#8221; according to their editorial line. The same month <em>The Wall Street Journal</em> accused Pi&#241;era of being &#8220;weak and incompetent&#8221; and of becoming a &#8220;leftist&#8221;. The newspaper considered the implementation of social policies as a sign of weakness against the student movement which enjoyed legitimacy both internationally and at home. The student reform movement and the activism of hundreds of thousands of young people has lead to a new wave of political leaders who, despite their youth, have started political careers to be elected to the Chilean Congress, amongst them Camila Vallejo, Giorgio Jackson and Camilo Ballesteros.</span></p>
<p><span style="font-size: medium;"><strong>&#160;</strong></span></p>
<p><span style="font-size: medium;"><strong>Pi&#241;era, defending the role of the State?</strong></span></p>
<p><span style="font-size: medium;">The country, thought to be a miracle of macroeconomics, is an illusion of development which owes a huge debt: to clean up the high levels of inequality in income, the workplace, and education and, in general, to address the issues that the Concertaci&#243;n [centre-left coalition] did not or could not remedy. The consequences are very clear. After the aggressive assertion of <em>The Wall Street Journal</em> against the "leftist leanings" of Pi&#241;era&#8217;s public policies in response to the student movement, we encounter a historical paradox of huge proportions, stemming from the words of the former Secretary General of the Presidency and current Minister of the Interior, Andr&#233;s Chadwick. The leader, who defected from the radical left under the Unidad Popular party to become the most committed Pinochet devotee, is a central figure of the Uni&#243;n Dem&#243;crata Independiente (UDI), the party that represents the most conservative values in Chile, with a strong presence of Opus Dei in their ranks. When the strong criticism was published in <em>The Wall Street Journal</em>, Chadwick came out before the television cameras, defending the social policies of Pi&#241;era. "The State has to play a role to create equal opportunities," he said as a defence to the criticism of the US newspaper. And he suggested that the critique coming from the newspaper of Pi&#241;era's government "was not surprising" since the publication is "very committed to economic freedom and the business world" -- odd statements from one who provides advice to a President whose fortune is one of the four greatest in Chile.</span></p>
<p><span style="font-size: medium;">The words of justification from a conservative like Chadwick defending the role of the State are interesting. They demonstrate, first, that <em>The</em> <em>Wall Street Journal</em> is indeed correct, the Pi&#241;era Government has had to move its strategy of public policies to the left. But the main issue goes beyond that: it demonstrates that, 20 years after the end of the dictatorship, there is an accumulation of progressive values in the political and economic spheres in Chile about which there is consensus in all sectors. Chilean society has learned from the debacle caused by years of aggressive neoliberal policies in the 1990s and profound inequality. The Frei Government in the Nineties had a worse distribution of wealth than the dictatorship. This process of progressing towards a more constructive role of the State as regulator and protector of the most vulnerable sectors of society opened the door to a paradigm more focused on equal opportunity as a basis for the great dream of all the political groups: to achieve the socioeconomic level of a developed country. Pi&#241;era has no other option but to continue on that path.</span></p>
<p><span style="font-size: medium;"><strong>&#160;</strong></span></p>
<p><span style="font-size: medium;"><strong>Popular</strong><strong> approval: historical lows</strong></span></p>
<p><span style="font-size: medium;">I personally met the then Senator Pi&#241;era in the Nineties, whilst working as a reporter on the right wing parties for the now defunct newspaper <em>La &#201;poca</em>. I do not agree at all with the adjective "inept" offered by <em>The Economist</em>. I remember him as an intelligent leader who took a hard line in the political game with internal adversaries within his party, Renovaci&#243;n Nacional, and especially with the UDI, although he was open on social issues and values. However, at that time, the scandal that had produced audio recordings of Pi&#241;era instructing a journalist friend to ridicule his opponent in presidential primaries in a television interview, Evelyn Matthei, his current Minister of Labour, was still fresh. It never crossed my mind that the Chilean people would honour him with the Presidency. His race for the presidential seat seemed stained forever after that scandal.</span></p>
<p><span style="font-size: medium;">Pi&#241;era now governs with a very low level of approval, which fell to a historic low of 26% according to an Adimark survey in April 2012. In the Centro de Estudios P&#250;blicos (CEP) survey of May 2012, Pi&#241;era&#8217;s popularity fell even further to a mere 24 percent and, in January 2013, he was still polling at 31 percent. Furthermore, 61% believe that the government has acted "without skill or ability." 52% disapprove of Pi&#241;era&#8217;s economic management, and 63% stated that the President "does not give [them] confidence." A full 72% considered him "distant".</span></p>
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<p><span style="font-size: medium;"><strong>&#160;</strong></span></p>
<p><span style="font-size: medium;"><strong>The errant President</strong></span></p>
<p><span style="font-size: medium;">President Pi&#241;era has cloistered himself in a political realism that he wasn't accustomed to. He has had to abandon all the business acumen and entrepreneurship that he surely would have wanted to use to thrive as President, and instead has had to invest all his political capital in a series of political and social crises which he has been unable to dispatch completely. This lack of proper tools in the political game can be appreciated from Washington DC. He has worn out the recurring theme of the impressive rescue of the 33 miners trapped underground in the north of Chile in October 2010 -- the only noteworthy message coming out of the Chilean Embassy in the US city for two years -- as a communicational strategy for promoting Chile. That President Obama mentioned the rescue in his State of the Union address to Congress was enough for Pi&#241;era to cling to the issue, repeating it as a monothematic message in the U.S. capital. It must be remembered, however, that Obama mentioned the Chilean rescue, on that occasion, primarily to draw attention to the US company and workers who built the evacuation tunnel that managed to reach the miners first.</span></p>
<p><span style="font-size: medium;">Furthermore, in an incomprehensible act of political strategy last year in the aftermath of the student crisis of 2011, President Pi&#241;era appointed the former Minister of Education, Felipe Bulnes, Ambassador of Chile to the United States, perhaps the most important diplomatic post on the planet for a Chilean to hold. During Bulnes&#8217;s administration as Minister, the Government exercised tough police repression against young people in the streets, with the conflict ending in deadlock, without a concrete solution. In the same Adimark survey last April, a year after the beginning of the student demonstrations, there was still a clear 72% disapproval in the way the government handled the issue of education.</span></p>
<p><span style="font-size: medium;">In another example of his lack of connection with political reality, Pi&#241;era still keeps Minister Rodrigo Hinzpeter in the government, another politician responsible for strong police repression against the students during 2011. The police are now under the command of the Ministry of the Interior, which was directed by Hinzpeter during that period. In addition, Hinzpeter failed on the subject he had declared to be the most important of his tenure as Minister of the Interior: crime. This area was evaluated as the worst of all in April 2012, with an 82% rate of disapproval. In the CEP survey of May 2012, Hinzpeter managed to reach 30% approval. Recently, in November 2012, rather than removing Hinzpeter from the Government, Pi&#241;era appointed him Minister of Defence...</span></p>
<p><span style="font-size: medium;">Similarly, in the case of ex-minister Bulnes, President Pi&#241;era appears to betray his own business past. "Successful management" is based on managerial responsibilities and should be directly related to results. Performance failures have consequences, and successes, rewards. But for two Ministers in key posts, Education and the Interior, with abysmal performances, far from being asked to relinquish their posts and being replaced, they have been rewarded. On Bulnes, Pi&#241;era declared that he was accepting his resignation from office and appointed Harald Beyer because the Ministry required "a person who can calm tempers, bring more temperance, rationality, dialogue," -- that is to say, a clear listing of the fundamental characteristics that Bulnes lacked. In November 2011, Bulnes was the worst Minister evaluated with only 34% approval according to Adimark. It is incomprehensible, then, that Pi&#241;era again risked his political capital by giving an enviable consolation prize, an Embassy with global influence, to the person who lead the handling of a crisis in education that most affected the popularity of his Government.</span></p>
<p><span style="font-size: medium;"><strong>&#160;</strong></span></p>
<p><span style="font-size: medium;"><strong>A trap of his own making</strong></span></p>
<p><span style="font-size: medium;">Pi&#241;era has fallen into a peculiar pattern, the same trap that the Concertaci&#243;n de Partidos por la Democracia fell into. The centre-left coalition had to administer and maintain part of the institutional legacy of a previous Government -- in this case, Pinochet&#8217;s dictatorship -- to maintain a minimum level of governability in the country. A comparable situation now keeps the Pi&#241;era government in a similar condition: a terrible earthquake and tsunami near the beginning of his Government, and the subsequent social unrest over an educational system in deep crisis, caused Pi&#241;era to postpone more aggressive market policies and exercise instead a political realism favouring an urgent social agenda. In that sense, he has had to maintain the protective role of the State, in some ways obliged to continue the spirit of the social-welfare-state under President Bachelet, who is still extremely popular (the first female President in Chile leaving power with a historic high of 84% approval, according to an Adimark survey in March 2010). Likewise, Pi&#241;era has had to endure strong tensions with militaristic and radical sectors of his own right-wing coalition in order to preserve the progress on human rights policies promoted by Bachelet. That is, Pi&#241;era has been forced by the still precarious circumstances of the social situation in Chile to advance Bachelet policy and many of the values that his own sector opposes.</span></p>
<p><span style="font-size: medium;">If there had been no earthquake in 2010 or social crisis over education, Pi&#241;era would have followed the script that he had prepared during his entrepreneurial career. Concepts such as "modernisation", &#8220;technology&#8221;, &#8220;generation of markets&#8221;, "forward-thinking vision", "foreign investment", and "innovation" would have been the key words of his discourse during his term. He has had to replace them with "social crisis", "earthquake and reconstruction", "educational reform", "poverty", " population in need", "protective role of the State", "inequality", "human rights", "street violence", "indigenous claims". It is not the Presidency that he dreamed of. It is not the country embodied in his socio-political ideal. Perhaps that explains his errant way of behaving on many key issues, and the criticism from the population, including a large segment that voted for him, but gives him very poor ratings in the polls.</span></p>
<p><span style="font-size: medium;">In that sense, Pi&#241;era has not been inept in his government. Strictly speaking, he has not been able to govern. Or rather, to be fair, he has not had the Presidency he dreamed of...</span></p>
<p><strong><br /></strong></p>
<p><strong><br /><span style="font-size: large;">SPANISH VERSION</span></strong></p>
<p><strong><br /></strong></p>
<p><span style="font-size: large;"><strong>Pi&#241;era no ha gobernado la Presidencia que so&#241;&#243;&#8230;</strong></span></p>
<p>&#160;<br /><em>&#160;</em></p>
<p><span style="font-size: large;"><strong><em>Patricio Zamorano, analista pol&#237;tico</em></strong></span></p>
<p><span style="font-size: large;"><strong><em>Washington DC</em></strong></span></p>
<p><span style="font-size: large;">&#160;<a href="http://www.chileno.co.uk/blogs"><strong><em>www.chileno.co.uk/blogs</em></strong></a></span></p>
<p>&#160;</p>
<p><span style="font-size: medium;">Cuatro empresas editoriales de alcance mundial han puesto su atenci&#243;n en el caso chileno en el &#250;ltimo par de a&#241;os. De ellas, todas han tenido que ver de alguna u otra forma con el movimiento estudiantil chileno de 2011-2012 (y a&#250;n activo) y, por extensi&#243;n, con los problemas de gesti&#243;n pol&#237;tica del gobierno de Sebasti&#225;n Pi&#241;era. Ahora, en los &#250;ltimos meses, se suma la pol&#233;mica decisi&#243;n del gobierno de usar todo el rigor de la ley antiterrorista contra activistas mapuches acusados de actos de violencia en el sur de Chile. Pi&#241;era ha elegido una estrategia militarista en lugar de un acercamiento socio-econ&#243;mico a la compleja situaci&#243;n del pueblo mapuche, que lucha por la recuperaci&#243;n de sus tierras. El Secretario General de la OEA, el tambi&#233;n chileno Jos&#233; Miguel Insulza, ha se&#241;alado recientemente respecto de esa pol&#237;tica de aplicar la ley antiterrorista contra los activistas ind&#237;genas, que esa normativa &#8220;tiene una imagen internacional complicada&#8221;, y que esta deber&#237;a ser eliminada. Asimismo, se&#241;al&#243; que en la forma en que estaba siendo aplicada por el gobierno de Pi&#241;era, pareciera que solo se aplica en contra de los mapuches implicados en hechos de violencia.</span></p>
<p><span style="font-size: medium;">El tema de la crisis estudiantil ha sido portada mundial. Primero, <em>The Guardian</em> nombra a Camila Vallejo como &#8220;persona del a&#241;o&#8221; a fines de 2011. Poco despu&#233;s, el <em>New York Times</em> se&#241;ala a Vallejo como &#8220;la revolucionaria m&#225;s glamorosa del mundo&#8221;. En abril de 2012, <em>The Economist</em> calific&#243; a Pi&#241;era de &#8220;inepto&#8221;, en una extra&#241;a adjetivaci&#243;n de un medio de corte conservador contra quien deber&#237;a ser un supuesto &#8220;hijo predilecto&#8221; de la l&#237;nea editorial. En el cuarto cap&#237;tulo de esa atenci&#243;n &#8220;al m&#225;s alto nivel&#8221; sobre el caso chileno, <em>The Wall Street Journal</em>, en el mismo mes de abril, acus&#243; a Pi&#241;era de &#8220;d&#233;bil e incompetente&#8221;, de haberse &#8220;izquierdizado&#8221; y de implementar pol&#237;ticas sociales como muestra de debilidad frente a la movilizaci&#243;n estudiantil, que dicho sea de paso, goz&#243; de alta legitimidad internacional e interna. La reforma estudiantil y el activismo generado en cientos de miles de j&#243;venes ha provocado una oleada de nuevos l&#237;deres pol&#237;ticos, que pese a su corta edad han comenzado carreras pol&#237;ticas para ser elegidos en el Congreso chileno, entre ellos Camila Vallejo, Giorgio Jackson y Camilo Ballesteros.</span></p>
<p><span style="font-size: medium;">&#160;</span></p>
<p><span style="font-size: medium;">P<strong>i&#241;era, &#191;defendiendo el rol del Estado?</strong></span></p>
<p><span style="font-size: medium;">El pa&#237;s, supuesto milagro macroecon&#243;mico, es una ilusi&#243;n de desarrollo, que tiene una inmensa deuda: sanear la fuerte desigualdad de ingreso, laboral, educativa y en general de oportunidades que la Concertaci&#243;n no supo o no pudo remediar. Las consecuencias son clar&#237;simas. Tras la agresiva aserci&#243;n de <em>The Wall Street Journal</em> contra la &#8220;izquierdizaci&#243;n&#8221; de las pol&#237;ticas p&#250;blicas de Pi&#241;era como respuesta al movimiento estudiantil, nos encontramos con una paradoja hist&#243;rica de proporciones, tras las palabras del ex secretario general de la Presidencia y actual ministro del Interior, Andr&#233;s Chadwick. El dirigente, que emigr&#243; desde la izquierda radical bajo la Unidad Popular al pinochetismo m&#225;s comprometido, es una figura fuerte de la Uni&#243;n Dem&#243;crata Independiente, partido que representa los valores m&#225;s conservadores de Chile, con fuerte presencia del Opus Dei en sus filas. Cuando se public&#243; la fuerte cr&#237;tica de <em>The Wall Street Journal</em>, Chadwick sali&#243; en su momento ante las c&#225;maras de televisi&#243;n defendiendo las pol&#237;ticas sociales de Pi&#241;era. &#8220;El Estado tiene que jugar un rol, de generar igualdad de oportunidades&#8221;, se&#241;al&#243; como defensa a las fuertes cr&#237;ticas del peri&#243;dico estadounidense. Y record&#243; que las cr&#237;ticas contra el gobierno de Pi&#241;era de parte del peri&#243;dico &#8220;no eran de extra&#241;ar&#8221; debido a que el diario era un medio de comunicaci&#243;n &#8220;muy comprometido con la libertad econ&#243;mica y mundo empresarial&#8221;. Extra&#241;as declaraciones de quien asesora a un Presidente cuya fortuna es una de las cuatro m&#225;s poderosas de Chile.</span></p>
<p><span style="font-size: medium;">Las palabras de justificaci&#243;n de un conservador como Chadwick defendiendo el rol de Estado son interesantes. Demuestran, en primer lugar, que <em>The Wall Street Journal</em> est&#225; en efecto en lo cierto, que el gobierno de Pi&#241;era ha tenido que &#8220;izquierdizar&#8221; su estrategia de pol&#237;ticas p&#250;blicas. Pero que el tema de fondo va m&#225;s all&#225; de eso: demuestra que tras 20 a&#241;os del t&#233;rmino de la dictadura, existe en la actualidad un c&#250;mulo de valores progresistas en lo pol&#237;tico-econ&#243;mico en Chile sobre el que existe consenso en todos los sectores. La sociedad chilena ha aprendido de la debacle provocada por los a&#241;os de pol&#237;ticas agresivas neoliberales en los noventa y que profundizaron la desigualdad (el gobierno de Frei en los noventa tuvo una peor distribuci&#243;n del ingreso que durante la dictadura). Ese proceso de avance hacia un rol m&#225;s constructivo del Estado como ente regulador y protector de los sectores m&#225;s vulnerables, abri&#243; la puerta a un paradigma m&#225;s centrado en la igualdad de oportunidades como base para el gran sue&#241;o de todos los grupos pol&#237;ticos: alcanzar niveles socioecon&#243;micos de pa&#237;s desarrollado. Pi&#241;era no tiene otra opci&#243;n sino continuar en ese camino.</span></p>
<p><span style="font-size: medium;">&#160;</span></p>
<p><span style="font-size: medium;"><strong>Aprobaci&#243;n popular: m&#237;nimos hist&#243;ricos</strong></span></p>
<p><span style="font-size: medium;">Conoc&#237; personalmente al entonces senador Pi&#241;era en los noventa, mientras cubr&#237;a como reportero a los partidos de derecha para el desaparecido peri&#243;dico <em>La &#201;poca</em>. No concuerdo en absoluto con el adjetivo de &#8220;inepto&#8221; que le ofreci&#243; <em>The Economist</em>. Lo recuerdo como un dirigente inteligente y de l&#237;nea dura en el juego pol&#237;tico con sus adversarios internos del partido, Renovaci&#243;n Nacional, y especialmente de la UDI, aunque abierto en temas val&#243;ricos y sociales. Sin embargo, en esa &#233;poca a&#250;n estaba fresco el esc&#225;ndalo que hab&#237;an provocado grabaciones de audio donde se le escuchaba a Pi&#241;era dando instrucciones a un periodista amigo para ridiculizar en una entrevista televisiva a su contrincante en primarias presidenciales, Evelyn Matthei, su actual ministra del Trabajo. En esa &#233;poca, por cierto, nunca se me cruz&#243; por la mente que el pueblo chileno lo honrar&#237;a con la Presidencia. Su carrera por el sill&#243;n presidencial parec&#237;a diluirse para siempre tras ese esc&#225;ndalo.</span></p>
<p><span style="font-size: medium;">Pi&#241;era ahora gobierna con un baj&#237;simo nivel de aprobaci&#243;n, que ha llegado al m&#237;nimo hist&#243;rico de 26% seg&#250;n una encuesta de Adimark de abril de 2012. En la encuesta CEP de mayo de 2012 Pi&#241;era lleg&#243; a un 24 por ciento de apoyo, y en enero de este a&#241;o 2013 alcanz&#243; todav&#237;a un bajo 31 por ciento. Asimismo, un 61% considera que el gobierno ha actuado &#8220;sin destreza ni habilidad&#8221;. Un 52% desaprueba el manejo econ&#243;mico de Pi&#241;era, y un 63% expresa que el Presidente &#8220;no le da confianza&#8221;. Un 72% lo considera &#8220;lejano&#8221;.</span></p>
<p><span style="font-size: medium;">&#160;</span></p>
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<p><span style="font-size: medium;"><strong>El presidente errante</strong></span></p>
<p><span style="font-size: medium;">El presidente Pi&#241;era est&#225; enclaustrado en el realismo pol&#237;tico al que no estaba acostumbrado, teniendo que abandonar todo su talento de empresario y emprendedor al que seguramente deseaba echar mano para prosperar como presidente, y en cambio ha tenido que invertir todo su capital pol&#237;tico en una serie de crisis pol&#237;ticas y sociales a las que no ha podido dominar completamente. Esta falta de herramientas propias en el juego pol&#237;tico se puede apreciar en Washington DC: ha desgastado la agenda comunicacional de promoci&#243;n del pa&#237;s con el tema del impresionante rescate de los mineros en el norte de Chile en octubre de 2010, lo &#250;nico sobresaliente del mensaje de la embajada en la ciudad por dos a&#241;os. Bast&#243; con que el presidente Obama nombrara el rescate en su mensaje anual ante el Congreso, para que Pi&#241;era se aferrara al tema como mensaje monotem&#225;tico en la capital estadounidense. Hay que recordar, sin embargo, que Obama nombr&#243; en esa oportunidad el tema del rescate minero en Chile para destacar principalmente a la empresa y trabajadores estadounidenses que construyeron el t&#250;nel de evacuaci&#243;n que logr&#243; llegar primero hasta los trabajadores.</span></p>
<p><span style="font-size: medium;">Asimismo, el presidente Pi&#241;era, en un acto de incomprensible estrategia pol&#237;tica, nombr&#243; el a&#241;o pasado al ex ministro de Educaci&#243;n durante la crisis estudiantil de 2011, Felipe Bulnes, como embajador de Chile en Estados Unidos, quiz&#225;s el puesto diplom&#225;tico m&#225;s importante de la diplomacia chilena en el planeta. Durante la gesti&#243;n de Bulnes como ministro, el gobierno ejerci&#243; una fuerte represi&#243;n policial contra los j&#243;venes en las calles, y el conflicto lleg&#243; a un punto muerto, sin ninguna soluci&#243;n concreta. Incluso en la misma encuesta Adimark de abril del a&#241;o pasado, a un a&#241;o del comienzo de las manifestaciones estudiantiles, se evidenciaba a&#250;n un 72% de desaprobaci&#243;n a la forma en que el gobierno gestionaba el tema de la educaci&#243;n.</span></p>
<p><span style="font-size: medium;">En otra muestra de su falta de conexi&#243;n con la realidad pol&#237;tica, Pi&#241;era a&#250;n mantiene en el gobierno al ministro Rodrigo Hinzpeter, tambi&#233;n responsable pol&#237;tico de la fuerte represi&#243;n policial contra los estudiantes durante 2011 (Carabineros est&#225; ahora bajo el mando de ministerio del Interior, que fue dirigido por Hinzpeter en ese periodo). Adem&#225;s, Hinzpeter fracas&#243; en el tema que hab&#237;a declarado como m&#225;s importante de su gesti&#243;n como ministro del Interior: la delincuencia. Esa &#225;rea fue en abril de 2012 la peor evaluada de todas, con un 82% de desaprobaci&#243;n. En la encuesta CEP de mayo de 2012, &#160;Hinzpeter alcanzaba un 30% de aprobaci&#243;n. Recientemente, en noviembre de 2012, en lugar de sacar a Hinzpeter del gobierno, Pi&#241;era lo nombr&#243; ministro de Defensa&#8230;</span></p>
<p><span style="font-size: medium;">En el mismo caso del ex ministro Bulnes, Pi&#241;era parece traicionar su propio pasado empresarial. La &#8220;gerencia exitosa&#8221; se basa en que las responsabilidades de gesti&#243;n deben relacionarse directamente con los resultados, los errores de desempe&#241;o tienen consecuencias, y los &#233;xitos, recompensas. Pero a dos ministros en puestos clave, Educaci&#243;n e Interior, con un pobr&#237;simo desempe&#241;o, lejos de pedirles la renuncia y reemplazarlos, los ha premiado. Sobre Bulnes, Pi&#241;era declar&#243; al aceptar su renuncia del cargo y nombrar a Harald Beyer que se requer&#237;a en el ministerio &#8220;una persona que apacig&#252;e los &#225;nimos, introduzca m&#225;s templanza, racionalidad, di&#225;logo&#8221;, en decir, en forma clara enumerando las caracter&#237;sticas fundamentales de las que careci&#243; Bulnes. En noviembre de 2011 Bulnes era el peor ministro evaluado seg&#250;n Adimark, con 34% de aprobaci&#243;n. Resulta incomprensible, entonces, que Pi&#241;era nuevamente arriesgue su capital pol&#237;tico otorgando un premio de consuelo de envergadura, una embajada de alcance mundial, a quien lider&#243; el manejo de una crisis, la educaci&#243;n, que m&#225;s afect&#243; la popularidad de su gobierno.</span></p>
<p><span style="font-size: medium;">&#160;</span></p>
<p><span style="font-size: medium;"><strong>Una trampa &#8220;a medida&#8221;</strong></span></p>
<p><span style="font-size: medium;">Pi&#241;era ha ca&#237;do en un proceso peculiar, en la misma trampa en que cay&#243; la Concertaci&#243;n de Partidos por la Democracia. El conglomerado de centro izquierda tuvo que administrar y mantener parte de la herencia institucional de un gobierno anterior, en este caso, la dictadura de Pinochet, para otorgar un m&#237;nimo de gobernabilidad al pa&#237;s. Una situaci&#243;n comparable ahora mantiene al gobierno de Pi&#241;era en similares condiciones: un terrible terremoto y maremoto casi apenas iniciado su gobierno, y posteriormente el estallido social en torno a un sistema educativo en profunda crisis, provoc&#243; que Pi&#241;era tuviera que dejar pendientes pol&#237;ticas de mercado m&#225;s agresivas y hacer, en cambio, un ejercicio de realismo pol&#237;tico a favor de una agenda social urgente. En ese sentido, ha debido mantener un rol protector del Estado, en cierta forma obligado a continuar el esp&#237;ritu asistencialista-social-estatal de la Presidenta Bachelet, altamente popular (la primera presidenta mujer de Chile dej&#243; el poder con un m&#225;ximo hist&#243;rico de aprobaci&#243;n de 84%, seg&#250;n una encuesta Adimark de marzo de 2010). Asimismo, Pi&#241;era ha tenido tambi&#233;n que soportar fuertes tensiones con sectores militaristas y radicales de su propia alianza de derecha ante la necesidad de mantener el avance en pol&#237;ticas de derechos humanos potenciado por Bachelet. Es decir, Pi&#241;era ha sido forzado por las circunstancias a&#250;n precarias de la situaci&#243;n social en Chile a llevar adelante una pol&#237;tica continuista del <em>bachelletismo</em> y muchos de los valores a los que su propio sector se opon&#237;a.</span></p>
<p><span style="font-size: medium;">De no haber habido terremoto en 2010 ni crisis social en torno a la educaci&#243;n, Pi&#241;era hubiera seguido el gui&#243;n que ten&#237;a preparado en su vocaci&#243;n empresarial. Conceptos como &#8220;modernizaci&#243;n&#8221;, &#8220;tecnolog&#237;a&#8221;, &#8220;generaci&#243;n de mercados&#8221;, &#8220;visi&#243;n de futuro&#8221;, &#8220;inversi&#243;n extranjera&#8221; e &#8220;innovaci&#243;n&#8221; hubieran sido las palabras clave de su discurso en el poder. Las ha tenido que cambiar por &#8220;crisis social&#8221;, &#8220;terremoto y reconstrucci&#243;n&#8221;, &#8220;reforma educacional&#8221;, &#8220;pobreza&#8221;, &#8220;poblaci&#243;n necesitada&#8221;, &#8220;rol protector del Estado&#8221;, &#8220;desigualdad&#8221;, &#8220;derechos humanos&#8221;, &#8220;violencia callejera&#8221;, &#8220;reivindicaciones ind&#237;genas&#8221;. No es la presidencia con la que so&#241;aba. No es el pa&#237;s que ten&#237;a incrustado en su ideal socio-pol&#237;tico. Quiz&#225;s por eso se explica su actuar errante en muchos temas clave, y la cr&#237;tica de la poblaci&#243;n, incluyendo un amplio sector que vot&#243; por &#233;l, que le otorga p&#233;simas calificaciones en las encuestas.</span></p>
<p><span style="font-size: medium;">En ese sentido, Pi&#241;era no ha sido inepto en su gobierno. En rigor, no ha podido gobernar. O mejor dicho, para ser justos, no ha gobernado la Presidencia con la que so&#241;aba...</span></p>
<p>&#160;</p><div class="item_footer"><p><small><a href="http://www.chileno.co.uk/featured-articles/pinera-has-not-had-the-presidency-he-dreamed-of">Original post</a> blogged on <a href="http://www.chileno.co.uk/">Chileno</a>.</small></p></div>]]></content:encoded>
								<comments>http://www.chileno.co.uk/featured-articles/pinera-has-not-had-the-presidency-he-dreamed-of#comments</comments>
			<wfw:commentRss>http://www.chileno.co.uk/?tempskin=_rss2&#38;disp=comments&#38;p=179</wfw:commentRss>
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			<title>University of Cambridge: Manuel Antonio Garret&#243;n</title>
			<link>http://www.chileno.co.uk/chile/university-of-cambridge-manuel-antonio-garreton</link>
			<pubDate>Fri, 18 Jan 2013 18:31:00 +0000</pubDate>			<dc:creator>Chileno</dc:creator>
			<category domain="main">Chile</category>			<guid isPermaLink="false">180@http://www.chileno.co.uk/</guid>
						<description>&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;a href=&quot;http://www.latin-american.cam.ac.uk/&quot; target=&quot;_blank&quot;&gt;&lt;img class=&quot;ucam&quot; style=&quot;float: left;&quot; src=&quot;http://www.latin-american.cam.ac.uk/global/images/identifier.gif&quot; alt=&quot;University of Cambridge&quot; /&gt;&lt;/a&gt;The &lt;a href=&quot;http://www.latin-american.cam.ac.uk/&quot; target=&quot;_blank&quot;&gt;Centre of Latin American Studies&lt;/a&gt; (CLAS), University of Cambridge has appointed the prestigious Sim&amp;#243;n Bol&amp;#237;var Chair for 2013, Chilean Sociologist Professor &lt;a href=&quot;http://www.chileno.co.uk/blogs/with%20a%20grant%20from%20the%20Venezuelan%20government%20for%20the%20purpose%20of%20bringing%20a%20distinguished%20Latin%20American%20scholar%20or%20intellectual%20each%20year%20to%20Cambridge.&quot; target=&quot;_blank&quot;&gt;Manuel Antonio Garret&amp;#243;n&lt;/a&gt;. The &lt;a href=&quot;http://www.latin-american.cam.ac.uk/staff/bolivar.html&quot; target=&quot;_blank&quot;&gt;Sim&amp;#243;n Bol&amp;#237;var Chair&lt;/a&gt; has been offered since 1968, funded by a grant from the Venezuelan government in order to bring a distinguished Latin American academic to Cambridge each year. Manuel will be speaking this MONDAY the 21st of January 2013 and several times this year in open seminars in Cambridge, definitely worth a trip. See the announcement below passed on by CLAS with the link to the seminar page at the bottom:&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span class=&quot;status action&quot;&gt;&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;strong&gt;CLAS welcomes Professor MANUEL ANTONIO GARRET&amp;#211;N for Lent Term at Cambridge where he will deliver two seminars in the series below and a symposium on March 8th, details to follow.&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&amp;#160;Centre of Latin American Studies&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;University of Cambridge&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;Alison Richard Building, 7 West Road, CB3 9DT&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;Seminar Room &lt;strong&gt;SG1&amp;#160;&lt;/strong&gt;&amp;#160;&amp;#160; Ground Floor&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;Open Seminar&amp;#160;&amp;#160; Lent Term 2013&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&amp;#160;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;Monday January 21&lt;sup&gt;st&lt;/sup&gt; 5.15pm&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&amp;#160;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;strong&gt;FORTY YEARS AFTER : NEW POLITICS IN CHILE WITHIN THE CONTEXT OF LATIN AMERICA&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;strong&gt;&amp;#160;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;a href=&quot;http://www.latin-american.cam.ac.uk/staff/magcv.pdf&quot; target=&quot;_blank&quot;&gt;&lt;strong&gt;Manuel Antonio Garret&amp;#243;n&lt;/strong&gt;&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;University of Chile &amp;amp; Sim&amp;#243;n Bol&amp;#237;var Chair Professor, CLAS, Cambridge University&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&amp;#160;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;strong&gt;This seminar will be followed by a wine reception at CLAS to welcome Professor Manuel Antonio Garret&amp;#243;n&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&amp;#160;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;ALL WELCOME&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&amp;#160;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;strong&gt;CLAS OPEN SEMINAR SERIES LENT TERM 2013&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;a href=&quot;http://www.latin-american.cam.ac.uk/events/seminars/&quot;&gt;&lt;strong&gt;http://www.latin-american.cam.ac.uk/events/seminars/&lt;/strong&gt;&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class=&quot;item_footer&quot;&gt;&lt;p&gt;&lt;small&gt;&lt;a href=&quot;http://www.chileno.co.uk/chile/university-of-cambridge-manuel-antonio-garreton&quot;&gt;Original post&lt;/a&gt; blogged on &lt;a href=&quot;http://www.chileno.co.uk/&quot;&gt;Chileno&lt;/a&gt;.&lt;/small&gt;&lt;/p&gt;&lt;/div&gt;</description>
			<content:encoded><![CDATA[<p><span style="font-size: medium;"><a href="http://www.latin-american.cam.ac.uk/" target="_blank"><img class="ucam" style="float: left;" src="http://www.latin-american.cam.ac.uk/global/images/identifier.gif" alt="University of Cambridge" /></a>The <a href="http://www.latin-american.cam.ac.uk/" target="_blank">Centre of Latin American Studies</a> (CLAS), University of Cambridge has appointed the prestigious Sim&#243;n Bol&#237;var Chair for 2013, Chilean Sociologist Professor <a href="http://www.chileno.co.uk/blogs/with%20a%20grant%20from%20the%20Venezuelan%20government%20for%20the%20purpose%20of%20bringing%20a%20distinguished%20Latin%20American%20scholar%20or%20intellectual%20each%20year%20to%20Cambridge." target="_blank">Manuel Antonio Garret&#243;n</a>. The <a href="http://www.latin-american.cam.ac.uk/staff/bolivar.html" target="_blank">Sim&#243;n Bol&#237;var Chair</a> has been offered since 1968, funded by a grant from the Venezuelan government in order to bring a distinguished Latin American academic to Cambridge each year. Manuel will be speaking this MONDAY the 21st of January 2013 and several times this year in open seminars in Cambridge, definitely worth a trip. See the announcement below passed on by CLAS with the link to the seminar page at the bottom:</span></p>
<p><span class="status action"><strong><br /></strong></span></p>
<p><span style="font-size: medium;"><strong>CLAS welcomes Professor MANUEL ANTONIO GARRET&#211;N for Lent Term at Cambridge where he will deliver two seminars in the series below and a symposium on March 8th, details to follow.</strong></span></p>
<p><span style="font-size: medium;">&#160;Centre of Latin American Studies</span></p>
<p><span style="font-size: medium;">University of Cambridge</span></p>
<p><span style="font-size: medium;">Alison Richard Building, 7 West Road, CB3 9DT</span></p>
<p><span style="font-size: medium;">Seminar Room <strong>SG1&#160;</strong>&#160;&#160; Ground Floor</span></p>
<p><span style="font-size: medium;">Open Seminar&#160;&#160; Lent Term 2013</span></p>
<p>&#160;</p>
<p><strong><span style="font-size: medium;">Monday January 21<sup>st</sup> 5.15pm</span></strong></p>
<p><span style="font-size: medium;">&#160;</span></p>
<p><span style="font-size: medium;"><strong>FORTY YEARS AFTER : NEW POLITICS IN CHILE WITHIN THE CONTEXT OF LATIN AMERICA</strong></span></p>
<p><span style="font-size: medium;"><strong>&#160;</strong></span></p>
<p><span style="font-size: medium;"><a href="http://www.latin-american.cam.ac.uk/staff/magcv.pdf" target="_blank"><strong>Manuel Antonio Garret&#243;n</strong></a></span></p>
<p><span style="font-size: medium;">University of Chile &amp; Sim&#243;n Bol&#237;var Chair Professor, CLAS, Cambridge University</span></p>
<p><span style="font-size: medium;">&#160;</span></p>
<p><span style="font-size: medium;"><strong>This seminar will be followed by a wine reception at CLAS to welcome Professor Manuel Antonio Garret&#243;n</strong></span></p>
<p><span style="font-size: medium;">&#160;</span></p>
<p><span style="font-size: medium;">ALL WELCOME</span></p>
<p><span style="font-size: medium;">&#160;</span></p>
<p><span style="font-size: medium;"><strong>CLAS OPEN SEMINAR SERIES LENT TERM 2013</strong></span></p>
<p><span style="font-size: medium;"><a href="http://www.latin-american.cam.ac.uk/events/seminars/"><strong>http://www.latin-american.cam.ac.uk/events/seminars/</strong></a></span></p><div class="item_footer"><p><small><a href="http://www.chileno.co.uk/chile/university-of-cambridge-manuel-antonio-garreton">Original post</a> blogged on <a href="http://www.chileno.co.uk/">Chileno</a>.</small></p></div>]]></content:encoded>
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			<title>Share your Chilean stories! Compartan sus historias de Chile!</title>
			<link>http://www.chileno.co.uk/chile/share-your-chilean-stories-compartan</link>
			<pubDate>Fri, 11 Jan 2013 21:30:00 +0000</pubDate>			<dc:creator>Chileno</dc:creator>
			<category domain="main">Chile</category>			<guid isPermaLink="false">102@http://www.chileno.co.uk/</guid>
						<description>&lt;div&gt;&lt;div&gt;&lt;a href=&quot;http://www.chileno.co.uk/media/blogs/a/writing.jpg?mtime=1359403755&quot; rel=&quot;lightbox[p102]&quot;&gt;&lt;img alt=&quot;&quot; src=&quot;http://www.chileno.co.uk/media/blogs/a/./_evocache/writing.jpg/fit-320x320.jpg?mtime=1359403755&quot; width=&quot;320&quot; height=&quot;216&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;p&gt;Tienes una historia interesante de Chile que quieras compartir con nosotros?&amp;#160; &lt;a href=&quot;http://www.chileno.co.uk/?disp=msgform&amp;amp;recipient_id=1&amp;amp;redirect_to=http%3A%2F%2Fwww.chileno.co.uk%2F%3Fblog%3D1&quot; target=&quot;_self&quot;&gt;Env&amp;#237;ala a nosotros&lt;/a&gt; para que sea considerada y publicada en nuestro blog!&lt;/p&gt;
&lt;p&gt;Requisitos: una buena historia y bien escrita, no m&amp;#225;s de 500 palabras y una foto de buena calidad (m&amp;#225;x. 100 kb).&amp;#160;&lt;/p&gt;
&lt;p&gt;Do you have an interesting story about Chile that you would like to share with us? &lt;a href=&quot;http://www.chileno.co.uk/?disp=msgform&amp;amp;recipient_id=1&amp;amp;redirect_to=http%3A%2F%2Fwww.chileno.co.uk%2F%3Fblog%3D1&quot; target=&quot;_self&quot;&gt;Send it to us&lt;/a&gt; so that it can be considered for publication on our blog!&lt;/p&gt;
&lt;p&gt;Requirements: a good well written story, no more than 500 words and a good photo (max. 100 kb)&lt;/p&gt;
&lt;p&gt;&amp;#160;&lt;/p&gt;&lt;div class=&quot;item_footer&quot;&gt;&lt;p&gt;&lt;small&gt;&lt;a href=&quot;http://www.chileno.co.uk/chile/share-your-chilean-stories-compartan&quot;&gt;Original post&lt;/a&gt; blogged on &lt;a href=&quot;http://www.chileno.co.uk/&quot;&gt;Chileno&lt;/a&gt;.&lt;/small&gt;&lt;/p&gt;&lt;/div&gt;</description>
			<content:encoded><![CDATA[<div><div><a href="http://www.chileno.co.uk/media/blogs/a/writing.jpg?mtime=1359403755" rel="lightbox[p102]"><img alt="" src="http://www.chileno.co.uk/media/blogs/a/./_evocache/writing.jpg/fit-320x320.jpg?mtime=1359403755" width="320" height="216" /></a></div></div><p>Tienes una historia interesante de Chile que quieras compartir con nosotros?&#160; <a href="http://www.chileno.co.uk/?disp=msgform&amp;recipient_id=1&amp;redirect_to=http%3A%2F%2Fwww.chileno.co.uk%2F%3Fblog%3D1" target="_self">Env&#237;ala a nosotros</a> para que sea considerada y publicada en nuestro blog!</p>
<p>Requisitos: una buena historia y bien escrita, no m&#225;s de 500 palabras y una foto de buena calidad (m&#225;x. 100 kb).&#160;</p>
<p>Do you have an interesting story about Chile that you would like to share with us? <a href="http://www.chileno.co.uk/?disp=msgform&amp;recipient_id=1&amp;redirect_to=http%3A%2F%2Fwww.chileno.co.uk%2F%3Fblog%3D1" target="_self">Send it to us</a> so that it can be considered for publication on our blog!</p>
<p>Requirements: a good well written story, no more than 500 words and a good photo (max. 100 kb)</p>
<p>&#160;</p><div class="item_footer"><p><small><a href="http://www.chileno.co.uk/chile/share-your-chilean-stories-compartan">Original post</a> blogged on <a href="http://www.chileno.co.uk/">Chileno</a>.</small></p></div>]]></content:encoded>
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			<title>The militarisation of Mapuche regions in Chile</title>
			<link>http://www.chileno.co.uk/featured-articles/militarising-araucania-a-bad-idea</link>
			<pubDate>Thu, 10 Jan 2013 22:30:00 +0000</pubDate>			<dc:creator>Chileno</dc:creator>
			<category domain="alt">Chile</category>
<category domain="main">Featured articles</category>			<guid isPermaLink="false">169@http://www.chileno.co.uk/</guid>
						<description>&lt;div&gt;&lt;div&gt;&lt;a href=&quot;http://www.chileno.co.uk/media/blogs/a/mapuche_carabineros.jpg?mtime=1359403088&quot; rel=&quot;lightbox[p169]&quot;&gt;&lt;img alt=&quot;&quot; src=&quot;http://www.chileno.co.uk/media/blogs/a/./_evocache/mapuche_carabineros.jpg/fit-320x320.jpg?mtime=1359403088&quot; width=&quot;320&quot; height=&quot;213&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;p&gt;&lt;span style=&quot;font-size: small;&quot;&gt;Photo: elclarin.cl&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;By Claudio Fuentes&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;On the heels of political controversy in Chile over the treatment of the &lt;a href=&quot;http://www.chileno.co.uk/blogs/blog1.php/chile/the-mapuche-people&quot; target=&quot;_self&quot;&gt;Mapuche people&lt;/a&gt; in Araucan&amp;#237;a (Southern region of Chile), political scientist Claudio Fuentes gives his considered view on the recent &#039;anti-terror&#039; announcement by Chilean President Sebast&amp;#237;an Pi&lt;span style=&quot;font-family: Cambria,arial,helvetica,sans-serif; font-size: medium;&quot;&gt;&lt;strong&gt;&amp;#241;&lt;/strong&gt;&lt;/span&gt;era.&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;Translation by chileno&lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;Militarizing Araucan&amp;#237;a: A bad idea&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt; Is it advisable to militarise Araucan&amp;#237;a? Although the Government has not for the moment invoked any state of emergency, it has taken two steps. A decision was made to restrict the freedom of individuals that began with major police roadblocks and involving the armed forces with intelligence work. Indeed, in addition to an increase in the number of police officers, the President announced that police would establish a &quot;special area of control and security in those places that have been most affected by these crimes, so as to establish permanent control daytime and night, both vehicular traffic and the identities of persons travelling in the most affected areas. &quot;&lt;/span&gt;&lt;/p&gt;
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&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;The question that immediately arises is under what legal framework this &quot;special zone of control and security&quot; will be defined. The Criminal Procedure Code clearly states the circumstances under which the police can make an &amp;#8216;identity stop&amp;#8217; [without a warrant from a prosecutor, the police may require citizens to show their identity cards]: (a) when it is considered that the person has committed an offence, (b) when it could provide useful information to investigate a crime, (c ) or if the person is wearing a hooded top. Unless we proceed from the premise that all people in the area are suspected of a crime, of course undoubtedly ridiculous, the President&#039;s announcement is problematic for two reasons: first, it significantly affects the rights enshrined in the Constitution (freedom of movement, for example), second, this decision is not supported by any legal framework that could validate the action of the police who, in fact, have already established identity checks at various points in the area.&lt;/span&gt;&lt;br /&gt; &lt;br /&gt;&lt;span style=&quot;font-size: medium;&quot;&gt; The classic dilemma of security &lt;em&gt;versus&lt;/em&gt; freedom is not resolved by providing a blank cheque for police. We know that too much discretion carries abuse, therefore delivering more power to police institutions ought to be backed by regulatory bodies governing their actions. By what criteria will a police officer decide to stop a person in the street tomorrow? The colour of their skin? The type of clothes they are wearing? The nervousness that they show interacting with armed police? The Guarantee Court of Pichilemu has already ruled against &quot;nervousness&quot; being a legitimate basis to justify an identity stop and subsequent arrest of a suspect (20/02/2011).&lt;/span&gt;&lt;br /&gt; &lt;br /&gt;&lt;span style=&quot;font-size: medium;&quot;&gt; A second announcement by the President is also worrying. He said, &quot;I have asked the director of the National Intelligence Agency, within its legal mandate, to collect information of a residual or complementary nature that the Armed Forces may have, and that is useful in order to increase the effectiveness and efficiency in the fight against terrorism and violence in the region&quot;.&lt;/span&gt;&lt;br /&gt; &lt;br /&gt;&lt;span style=&quot;font-size: medium;&quot;&gt; If the Armed Forces are gathering &quot;complementary information&quot; about events that are clearly internal matters for the police then they are violating the Law of National Intelligence. This delimits the functions of military intelligence to matters strictly having to do with &quot;national defence&quot; with two exceptions: concerning police functions that correspond to the naval and air authorities over maritime and air controls. Therefore the call made by the President is also inappropriate because it is not the place of the Armed Forces to hold intelligence on things that are obviously internal in nature.&lt;/span&gt;&lt;br /&gt; &lt;br /&gt;&lt;span style=&quot;font-size: medium;&quot;&gt; The next step, proposed by the presidents of UDI and RN, has been the establishment of a state of emergency in the area, that will allow the restriction of freedom of assembly and movement and appoint a Chief of National Defence in the area. Besides constituting an extreme measure, the main difficulty is that since the amendment of the normative constitution of the Estados de Excepci&amp;#243;n [akin to state of emergency], so far a new Act to regulate them has not been established. You read correctly. Since August 2005 the provision emanating from the Constitution issued to establish a new regulatory framework for states of extraordinary circumstances, emergency and disaster has not been complied with. We have&amp;#160; states of emergency that have been reformed during democracy, but the law that regulates these is from 1985.&lt;/span&gt;&lt;br /&gt; &lt;br /&gt;&lt;span style=&quot;font-size: medium;&quot;&gt; In short, to establish a zone of &quot;control and security&quot; and to request &quot;complementary&quot; information from the Armed Forces are two steps of dubious legal status and will militarise the area. We hope that these announcements are reevaluated and rationality prevails given that their eventual implementation will exacerbate tensions in the area and will force, again, the courts and the Constitutional Court to assess whether these actions conform to the rule of law.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;The original Spanish version of this article appeared in Chilean online newspaper &lt;a href=&quot;http://www.elmostrador.cl/opinion/2013/01/08/militarizar-la-araucania-mala-idea/&quot; target=&quot;_blank&quot;&gt;El Mostrador&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;strong&gt;&lt;span style=&quot;text-decoration: underline;&quot;&gt;About the author&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: Cambria,arial,helvetica,sans-serif; font-size: medium;&quot;&gt;&lt;span style=&quot;font-family: Cambria,arial,helvetica,sans-serif; font-size: medium;&quot;&gt;&lt;a href=&quot;http://www.icso.cl/&quot; target=&quot;_blank&quot;&gt;&lt;img style=&quot;float: left; margin: 5px;&quot; src=&quot;http://www.chileno.co.uk/blogs/media/blogs/a/Claudio_Fuentes_Saavedra.jpg&quot; alt=&quot;&quot; width=&quot;212&quot; /&gt;&lt;/a&gt;Claudio Fuentes is Professor of Political Science and the Director of the Institute of Investigation in Social Science (&lt;a href=&quot;http://www.udp.cl/difusion/columnas/columnistas/Claudio_Fuentes_Saavedra.htm&quot; target=&quot;_blank&quot;&gt;ICSO&lt;/a&gt;) at Diego Portales University in Chile. Claudio graduated from Chile&#039;s prestigious Pontificia Universidad Catolica de Chile with a first degree in History, going on to earn his MA and Doctorate in Political Science from the University of North Carolina, USA. He has published on a broad range of political themes in books and academic journals and writes for many outlets in Chile (in Spanish) including&amp;#160; &lt;a href=&quot;http://blog.latercera.com/blog/cfuentes/&quot; target=&quot;_blank&quot;&gt;La Tercera&lt;/a&gt;, &lt;a href=&quot;http://blogs.cooperativa.cl/opinion/claudio-fuentes-saavedra/&quot; target=&quot;_blank&quot;&gt;Cooperativa&lt;/a&gt; and &lt;a href=&quot;http://www.eldinamo.cl/2012/10/30/claudio-fuentes-icso-udp-los-ricos-votan-mas/&quot; target=&quot;_blank&quot;&gt;El D&amp;#237;namo&lt;/a&gt;.&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class=&quot;item_footer&quot;&gt;&lt;p&gt;&lt;small&gt;&lt;a href=&quot;http://www.chileno.co.uk/featured-articles/militarising-araucania-a-bad-idea&quot;&gt;Original post&lt;/a&gt; blogged on &lt;a href=&quot;http://www.chileno.co.uk/&quot;&gt;Chileno&lt;/a&gt;.&lt;/small&gt;&lt;/p&gt;&lt;/div&gt;</description>
			<content:encoded><![CDATA[<div><div><a href="http://www.chileno.co.uk/media/blogs/a/mapuche_carabineros.jpg?mtime=1359403088" rel="lightbox[p169]"><img alt="" src="http://www.chileno.co.uk/media/blogs/a/./_evocache/mapuche_carabineros.jpg/fit-320x320.jpg?mtime=1359403088" width="320" height="213" /></a></div></div><p><span style="font-size: small;">Photo: elclarin.cl</span></p>
<p><strong><span style="font-size: medium;">By Claudio Fuentes</span></strong></p>
<p><strong><span style="font-size: medium;">On the heels of political controversy in Chile over the treatment of the <a href="http://www.chileno.co.uk/blogs/blog1.php/chile/the-mapuche-people" target="_self">Mapuche people</a> in Araucan&#237;a (Southern region of Chile), political scientist Claudio Fuentes gives his considered view on the recent 'anti-terror' announcement by Chilean President Sebast&#237;an Pi<span style="font-family: Cambria,arial,helvetica,sans-serif; font-size: medium;"><strong>&#241;</strong></span>era.</span></strong></p>
<p><strong><span style="font-size: medium;">Translation by chileno<br /></span></strong></p>
<p><strong><span style="font-size: medium;">Militarizing Araucan&#237;a: A bad idea</span></strong></p>
<p><span style="font-size: medium;"> Is it advisable to militarise Araucan&#237;a? Although the Government has not for the moment invoked any state of emergency, it has taken two steps. A decision was made to restrict the freedom of individuals that began with major police roadblocks and involving the armed forces with intelligence work. Indeed, in addition to an increase in the number of police officers, the President announced that police would establish a "special area of control and security in those places that have been most affected by these crimes, so as to establish permanent control daytime and night, both vehicular traffic and the identities of persons travelling in the most affected areas. "</span></p>
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<p><span style="font-size: medium;">The question that immediately arises is under what legal framework this "special zone of control and security" will be defined. The Criminal Procedure Code clearly states the circumstances under which the police can make an &#8216;identity stop&#8217; [without a warrant from a prosecutor, the police may require citizens to show their identity cards]: (a) when it is considered that the person has committed an offence, (b) when it could provide useful information to investigate a crime, (c ) or if the person is wearing a hooded top. Unless we proceed from the premise that all people in the area are suspected of a crime, of course undoubtedly ridiculous, the President's announcement is problematic for two reasons: first, it significantly affects the rights enshrined in the Constitution (freedom of movement, for example), second, this decision is not supported by any legal framework that could validate the action of the police who, in fact, have already established identity checks at various points in the area.</span><br /> <br /><span style="font-size: medium;"> The classic dilemma of security <em>versus</em> freedom is not resolved by providing a blank cheque for police. We know that too much discretion carries abuse, therefore delivering more power to police institutions ought to be backed by regulatory bodies governing their actions. By what criteria will a police officer decide to stop a person in the street tomorrow? The colour of their skin? The type of clothes they are wearing? The nervousness that they show interacting with armed police? The Guarantee Court of Pichilemu has already ruled against "nervousness" being a legitimate basis to justify an identity stop and subsequent arrest of a suspect (20/02/2011).</span><br /> <br /><span style="font-size: medium;"> A second announcement by the President is also worrying. He said, "I have asked the director of the National Intelligence Agency, within its legal mandate, to collect information of a residual or complementary nature that the Armed Forces may have, and that is useful in order to increase the effectiveness and efficiency in the fight against terrorism and violence in the region".</span><br /> <br /><span style="font-size: medium;"> If the Armed Forces are gathering "complementary information" about events that are clearly internal matters for the police then they are violating the Law of National Intelligence. This delimits the functions of military intelligence to matters strictly having to do with "national defence" with two exceptions: concerning police functions that correspond to the naval and air authorities over maritime and air controls. Therefore the call made by the President is also inappropriate because it is not the place of the Armed Forces to hold intelligence on things that are obviously internal in nature.</span><br /> <br /><span style="font-size: medium;"> The next step, proposed by the presidents of UDI and RN, has been the establishment of a state of emergency in the area, that will allow the restriction of freedom of assembly and movement and appoint a Chief of National Defence in the area. Besides constituting an extreme measure, the main difficulty is that since the amendment of the normative constitution of the Estados de Excepci&#243;n [akin to state of emergency], so far a new Act to regulate them has not been established. You read correctly. Since August 2005 the provision emanating from the Constitution issued to establish a new regulatory framework for states of extraordinary circumstances, emergency and disaster has not been complied with. We have&#160; states of emergency that have been reformed during democracy, but the law that regulates these is from 1985.</span><br /> <br /><span style="font-size: medium;"> In short, to establish a zone of "control and security" and to request "complementary" information from the Armed Forces are two steps of dubious legal status and will militarise the area. We hope that these announcements are reevaluated and rationality prevails given that their eventual implementation will exacerbate tensions in the area and will force, again, the courts and the Constitutional Court to assess whether these actions conform to the rule of law.</span></p>
<p><span style="font-size: medium;">The original Spanish version of this article appeared in Chilean online newspaper <a href="http://www.elmostrador.cl/opinion/2013/01/08/militarizar-la-araucania-mala-idea/" target="_blank">El Mostrador</a></span></p>
<p><span style="font-size: medium;"><span style="font-size: medium;"><strong><span style="text-decoration: underline;">About the author</span></strong></span><br /></span></p>
<p><span style="font-family: Cambria,arial,helvetica,sans-serif; font-size: medium;"><span style="font-family: Cambria,arial,helvetica,sans-serif; font-size: medium;"><a href="http://www.icso.cl/" target="_blank"><img style="float: left; margin: 5px;" src="http://www.chileno.co.uk/blogs/media/blogs/a/Claudio_Fuentes_Saavedra.jpg" alt="" width="212" /></a>Claudio Fuentes is Professor of Political Science and the Director of the Institute of Investigation in Social Science (<a href="http://www.udp.cl/difusion/columnas/columnistas/Claudio_Fuentes_Saavedra.htm" target="_blank">ICSO</a>) at Diego Portales University in Chile. Claudio graduated from Chile's prestigious Pontificia Universidad Catolica de Chile with a first degree in History, going on to earn his MA and Doctorate in Political Science from the University of North Carolina, USA. He has published on a broad range of political themes in books and academic journals and writes for many outlets in Chile (in Spanish) including&#160; <a href="http://blog.latercera.com/blog/cfuentes/" target="_blank">La Tercera</a>, <a href="http://blogs.cooperativa.cl/opinion/claudio-fuentes-saavedra/" target="_blank">Cooperativa</a> and <a href="http://www.eldinamo.cl/2012/10/30/claudio-fuentes-icso-udp-los-ricos-votan-mas/" target="_blank">El D&#237;namo</a>.</span><br /></span></p>
<p><span style="font-size: medium;"><br /></span></p><div class="item_footer"><p><small><a href="http://www.chileno.co.uk/featured-articles/militarising-araucania-a-bad-idea">Original post</a> blogged on <a href="http://www.chileno.co.uk/">Chileno</a>.</small></p></div>]]></content:encoded>
								<comments>http://www.chileno.co.uk/featured-articles/militarising-araucania-a-bad-idea#comments</comments>
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			<title>Man on drugs electrocuted by electricity pylon</title>
			<link>http://www.chileno.co.uk/chile/man-on-drugs-electrocuted-by-electricity-pylon</link>
			<pubDate>Wed, 09 Jan 2013 23:25:00 +0000</pubDate>			<dc:creator>Chileno</dc:creator>
			<category domain="main">Chile</category>			<guid isPermaLink="false">168@http://www.chileno.co.uk/</guid>
						<description>&lt;p&gt;A man has died in the Lo Prado area of Santiago after being electrocuted by an electricity pylon. The man, identified as Miguel, was&amp;#160; swinging on the pylon for more than an hour when at around 4pm&amp;#160; his leg touched one one of the high voltagr wires. Onlookers witnessed the horrific event as Miguel received a more than 100,000 volt shock and fell more than 120 metres to the ground. One witness described his antics saying that at one point he was calling down to the crowd below for a cigarette. Police and emergency services were at the scene and had positioned an inflatable safety mattress as they had feared the worst. The acrobatics were thought to be something of a game likely fuelled by the consumption of drugs. Some readers may find the following videos distressing.&lt;/p&gt;
&lt;p&gt;&amp;#160;&lt;/p&gt;
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			<content:encoded><![CDATA[<p>A man has died in the Lo Prado area of Santiago after being electrocuted by an electricity pylon. The man, identified as Miguel, was&#160; swinging on the pylon for more than an hour when at around 4pm&#160; his leg touched one one of the high voltagr wires. Onlookers witnessed the horrific event as Miguel received a more than 100,000 volt shock and fell more than 120 metres to the ground. One witness described his antics saying that at one point he was calling down to the crowd below for a cigarette. Police and emergency services were at the scene and had positioned an inflatable safety mattress as they had feared the worst. The acrobatics were thought to be something of a game likely fuelled by the consumption of drugs. Some readers may find the following videos distressing.</p>
<p>&#160;</p>
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<p><iframe style="display: block; margin-left: auto; margin-right: auto;" src="http://www.youtube.com/embed/mw0jk13PIJY" frameborder="0" width="560" height="315"></iframe></p><div class="item_footer"><p><small><a href="http://www.chileno.co.uk/chile/man-on-drugs-electrocuted-by-electricity-pylon">Original post</a> blogged on <a href="http://www.chileno.co.uk/">Chileno</a>.</small></p></div>]]></content:encoded>
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			<title>Patricio Zamorano: Why do I feel so much pain, Violeta Parra?</title>
			<link>http://www.chileno.co.uk/featured-articles/patricio-zamorano-why-do-i-feel-so-much-pain-violeta-parra</link>
			<pubDate>Fri, 04 Jan 2013 12:00:00 +0000</pubDate>			<dc:creator>Chileno</dc:creator>
			<category domain="alt">Chile</category>
<category domain="alt">Film</category>
<category domain="main">Featured articles</category>			<guid isPermaLink="false">167@http://www.chileno.co.uk/</guid>
						<description>&lt;div&gt;&lt;div&gt;&lt;a href=&quot;http://www.chileno.co.uk/media/blogs/a/violeta_parra.jpg?mtime=1359403719&quot; rel=&quot;lightbox[p167]&quot;&gt;&lt;img alt=&quot;&quot; src=&quot;http://www.chileno.co.uk/media/blogs/a/./_evocache/violeta_parra.jpg/fit-320x320.jpg?mtime=1359403719&quot; width=&quot;320&quot; height=&quot;213&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;p&gt;&lt;span style=&quot;font-size: small;&quot;&gt;Photo: &lt;a href=&quot;http://www.violetalapelicula.cl&quot;&gt;www.violetalapelicula.cl&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&amp;#160;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&lt;strong&gt;Why do I feel so much pain, Violeta Parra?&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;em&gt;Or on how to assess the Chilean film &amp;#8220;Violeta went to heaven&amp;#8221; on opening night in Washington DC&lt;/em&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&amp;#169; Patricio Zamorano&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;Translation by &lt;em&gt;chileno&lt;/em&gt; and the author. Para la vers&amp;#237;on original en castellano ver abajo.&lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;So much pain I have felt tonight, Violeta, so much pain&amp;#8230;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;It hurts because Chile hurts&amp;#8230; That&amp;#8217;s it, isn&amp;#8217;t it singer? Painter? Creator of forms and illusions? Chile hurt you with every second of recognition given in the few countries that through the miracle of your poverty chose to give shelter to your singing, your paintings, your intense tapestries like the brilliance of your sad eyes. Everything was empty upon returning to the homeland, down in the lost South of painful childhood and wandering life, where the people let you down in your dreams to universalize (in the half moon of the audience) each drop of creation exuded from your hands. The people let you down when the indifference of the public you longed for and loved so much hit you like a Santiago winter. How many artists have succumbed to the loneliness of the stage, beloved singer? So much despair, isn&amp;#8217;t it? When silence is deaf to applause...&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;Oh singer of my soul! Chile killed you. Chile killed V&amp;#237;ctor Jara. Chile killed Allende. Chile also killed Neruda (without a doubt, the soldiers spread the cancer with the demonic stench that grew amongst the flames from La Moneda&lt;sup&gt;1&lt;/sup&gt;). Chile killed De Rokha, another genius buried under the cold murmur spread by the mainstream. In a short time, Chile physically lost its most profound figures. It lost its land. The earth moaned.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;Years before, Chile had also killed her first Nobel Laureate, the barefoot girl from Valle del Elqui, Gabriela&lt;sup&gt;2&lt;/sup&gt; of profound &amp;#8220;Mistralian&amp;#8221; pain, always looking out of the corner of her eye towards the southern country that denied her so much, despite a sacred litany of verse and prose.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;Chile killed democracy, Chile killed the communists and the socialists. Chile killed the joy of life for two, even three decades, if we add up the frustration of the Concertaci&amp;#243;n&lt;sup&gt;3&lt;/sup&gt; in the nineties... Dearest Violeta, with your trigger and shot you began the dark age that was upon us, that fatal 1967, under the tent only visited during those last weeks by the wind accompanied by cold rain, as it only rains in the Mapocho Valley.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;Don&amp;#8217;t worry, my dear Violeta.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;With your gunshot, Chile received an urgent affront, the fruit of our own miseries: The soldiers preyed on the people, supported at the same time by many twisted in their cannibalistic frenzies. The people killed the people. That 11th of September in 1973, dearest Violeta, your heart would have tightened in a grimace of horror to see the slaughter led by the jingoistic soldier. The Chile that ignored you in life, dear Violeta, was the same that squeezed your trigger, and the trigger of Allende, and the trigger of the soldier who took no mercy on V&amp;#237;ctor, and the trigger of the thousands of those executed in the streets of Santiago&amp;#8230; (the eternal trigger, as long as the rifle that the real contours of Chile represents in a map of its own geography. Santiago, where death circled the majority trapped for the massacre, is situated --oh sweet irony!-- near the firing pin&amp;#8230;).&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;Oh Violeta, but your songs remain! Oh Violeta, you left us your &amp;#8220;&lt;a href=&quot;http://www.youtube.com/watch?v=2ozG2tjy3QM&quot; target=&quot;_blank&quot;&gt;Volver a los diecisiete&lt;/a&gt;&amp;#8221;! Violeta, you left us your &lt;a href=&quot;http://www.youtube.com/watch?v=5DWjgIsGTso&quot; target=&quot;_blank&quot;&gt;hawk&lt;/a&gt;, the sorrows of your &lt;a href=&quot;http://www.youtube.com/watch?v=oiHWgl1M_FU&quot; target=&quot;_blank&quot;&gt;Arauco&lt;/a&gt;, your &amp;#8220;&lt;a href=&quot;http://www.youtube.com/watch?v=cJ9CeICphL8&quot; target=&quot;_blank&quot;&gt;Run-run&lt;/a&gt;&amp;#8221; that made you suffer so much from unrequited love! Your guitar transpositions, peasant girl from Lautaro, universalized you. Your &amp;#8220;Thanks to life&amp;#8221; (&amp;#8220;&lt;a href=&quot;http://www.youtube.com/watch?v=UW3IgDs-NnA&quot; target=&quot;_blank&quot;&gt;Gracias a la vida&lt;/a&gt;&amp;#8221;), that profound song full of laughter and tears, is enjoyed by both rich snobs and blue-collar workers. Diplomatic bodies take advantage of you to sell the &amp;#8220;Chile&amp;#8221; brand, and your soul writhes&amp;#8230; A little bit ironic, isn&amp;#8217;t? A bit of pissing yourself laughing, that Chilean way of laughing, at the same time bitter, sarcastic and full of the joy of life, the life of islands adrift, the life of the Chilean isle, where your glory came to die in a body, a female Christ crucified on guitar timbers, to free you and liberate us from your soul that flies, now full of your desires, before the wide sky of our misery&amp;#8230;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;em&gt;Notes.&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;em&gt;&lt;sup&gt;1&lt;/sup&gt;&lt;/em&gt;&lt;em&gt;La Moneda is the Palace in Santiago that serves as the seat of the President of the Republic of Chile.&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;em&gt;&lt;sup&gt;2&lt;/sup&gt;&lt;/em&gt;&lt;em&gt;Gabriela Mistral was a Chilean poet, educator, diplomat and feminist. She was the first Latin American to win the Nobel Prize in Literature (1945).&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;em&gt;&lt;sup&gt;3&lt;/sup&gt;Center-left political party coalition. Candidates from these parties won every election in Chile from the end of Pinochet&amp;#8217;s dictatorship (1990) until the election victory of Sebasti&amp;#225;n Pi&amp;#241;era in 2010.&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&amp;#160;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;strong&gt;&lt;span style=&quot;text-decoration: underline;&quot;&gt;About the author&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;img style=&quot;float: left; margin: 5px;&quot; src=&quot;http://www.chileno.co.uk/blogs/media/blogs/a/patricio_zamorano.jpg&quot; alt=&quot;&quot; /&gt;&lt;/span&gt;Patricio Zamorano is a singer song-writer, poet, writer, journalist, political analyst and academic currently at George Washington University. Recently in 2010 Patricio Zamorano won by unanimous decision the First Prize of the national competition &amp;#8220;The Chilean Press and the Bicentennial&amp;#8221;, organized by&amp;#160; the Society of Journalists of Chile and the University of Santiago, with his, &amp;#8220;&lt;a href=&quot;http://patriciozamorano.com/chile_en_tres_actos.html&quot;&gt;Chile en tres actos&lt;/a&gt;&amp;#8221; (&amp;#8220;Chile in three acts&amp;#8221;) (http://patriciozamorano.com/chile_en_tres_actos.html).&amp;#160; Patricio Zamorano is also an analyst of international affairs and writer, and has published innumerable journalistic articles including stories, interviews and columns, in various American and Spanish media outlets. His collaborations as a political analyst and writer include CNN in Spanish, Al Jazeera, Telesur, Univision, BBC and BBC Mundo, La Opini&amp;#243;n de California, ContraPunto de El Salvador, Radio Pac&amp;#237;fica y Radio Miami, and various Chilean media (magazines like El Periodista, Mensaje, Caras, Plan B, The Clinic; newspapers like La Naci&amp;#243;n and La &amp;#201;poca; radio-station like B&amp;#237;o B&amp;#237;o and Cooperativa; TV stations like TVN, CNN Chile, Canal 2). Patricio Zamorano is also a member of the Chilean Performing Rights Organization, as well as the Professional Association of Chilean Journalists, and the National Association of Hispanic Journalists of the United States.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;Feel free to comment below in Spanish or English.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
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&lt;p&gt;&lt;strong&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&lt;a id=&quot;castellano&quot;&gt;&amp;#191;Por qu&amp;#233; me dueles, Violeta Parra?&lt;/a&gt;&lt;/span&gt; &lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;em&gt;O sobre c&amp;#243;mo valorar la pel&amp;#237;cula chilena &amp;#8220;Violeta se fue a los cielos&amp;#8221; en noche de estreno en Washington DC&lt;/em&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;em&gt;&amp;#169; Patricio Zamorano&lt;/em&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;Tanto me dueles, tanto me doliste esta noche&amp;#8230;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;Me dueles por que me duele Chile&amp;#8230; Eso es, &amp;#191;no, cantora? &amp;#191;Pintora? &amp;#191;Creadora de formas y de ilusiones? Chile te doli&amp;#243; en cada segundo de reconocimiento en los pocos pa&amp;#237;ses que el milagro de tu pobreza eligi&amp;#243; para cobijar tu canto, tus pinturas, tus arpilleras tan intensas como el brillo de tus ojos tristes. Todo era el vac&amp;#237;o si volviendo a la patria all&amp;#225; en el sur perdido de dolores de infancia y de vida errante, el pueblo no te era pueblo en tus sue&amp;#241;os de universalizar en la media luna de la audiencia cada gota de creaci&amp;#243;n que exudaba de tus manos. El pueblo no te era pueblo cuando te golpeaba como invierno santiaguino la indiferencia del gran p&amp;#250;blico que&amp;#160; a&amp;#241;orabas y amabas tanto. &amp;#191;Cu&amp;#225;nto artista no ha sucumbido a la soledad del auditorio, amada cantora? Cu&amp;#225;nta desesperaci&amp;#243;n, &amp;#191;no?, cuando el silencio es sordo de aplausos&amp;#8230;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&amp;#161;Ay cantora de mis adentros! Chile te mat&amp;#243;. Chile mat&amp;#243; a V&amp;#237;ctor Jara. Chile mat&amp;#243; a Allende. Chile mat&amp;#243; tambi&amp;#233;n a Neruda (los milicos sin duda empujaron con su tufo de demonios el c&amp;#225;ncer que creci&amp;#243; junto con las llamas en La Moneda). Chile mat&amp;#243; a De Rokha, otro genio sepultado bajo el fr&amp;#237;o rumor del Chile oficial. En una brizna de a&amp;#241;os Chile perdi&amp;#243; f&amp;#237;sicamente a sus figuras m&amp;#225;s profundas. Perdi&amp;#243; a su tierra.&amp;#160; Gimi&amp;#243; la tierra.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;A&amp;#241;os antes, Chile tambi&amp;#233;n matar&amp;#237;a a su primera premio N&amp;#243;bel, a la ni&amp;#241;a sin zapatos del Valle del Elqui, Gabriela de dolores profundos mistralianos, mirando siempre de lado a esa patria sure&amp;#241;a que le negaba tanto, a pesar de tanto verso y tanta prosa regalada como en una letan&amp;#237;a&amp;#8230;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;Chile mat&amp;#243; la democracia, Chile mat&amp;#243; a los comunistas y a los socialistas. Chile mat&amp;#243; la alegr&amp;#237;a de vivir por dos, tres d&amp;#233;cadas, si sumamos a la frustraci&amp;#243;n concertacionista en los noventa&amp;#8230; Violeta, querida, inauguraste con tu gatillo y tu disparo la &amp;#233;poca oscura que se nos ven&amp;#237;a encima, ese 1967 fatal, bajo la carpa a la que asist&amp;#237;a en esas &amp;#250;ltimas semanas s&amp;#243;lo el viento acompa&amp;#241;ado de lluvia fr&amp;#237;a, como solo llueve en el valle del Mapocho.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;No te preocupes, Violeta querida.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;Chile con tu balazo recibi&amp;#243; como un escarnio urgente el fruto de nuestras propias miserias: los milicos se cebaron en pueblo, apoyados a su vez por tanto pueblo torcido en sus devaneos can&amp;#237;bales. El pueblo mat&amp;#243; al pueblo. Ese 11 de septiembre de 1973, querida Violeta, tu coraz&amp;#243;n se habr&amp;#237;a apretado en una mueca de horror al ver la masacre liderada por el milico patriotero. El Chile que te ignor&amp;#243; en vida, querida Violeta, fue el mismo que apret&amp;#243; tu gatillo, y el gatillo de Allende, y el gatillo del soldado que se ensa&amp;#241;&amp;#243; con V&amp;#237;ctor, y el gatillo de los miles de ejecutados en la calles de Santiago&amp;#8230; (el gatillo eterno, tan largo como el fusil que representa el contorno del Chile real en el mapa de su propia geograf&amp;#237;a. Santiago, donde la muerte rond&amp;#243; a la mayor&amp;#237;a cebada por la masacre, se ubica ah&amp;#237; en el sector aproximado &amp;#161;oh dulce iron&amp;#237;a! del percutor&amp;#8230;)&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&amp;#161;Ay, Violeta, pero quedaron tus canciones! &amp;#161;Ay, Violeta, quedaron tus &amp;#8220;diecisietes&amp;#8221;! &amp;#161;Violeta, nos dejaste tu Gavil&amp;#225;n, las penas de tu Arauco, tus run-runes que tanto te hicieron sufrir de amor de hembra! Tus guitarras traspuestas te universalizaron, campesina de Lautaro. Tus gracias a la vida, con risa y con llanto, las disfrutan pijes y obreros, cuerpos diplom&amp;#225;ticos aprovechan de vender la marca &amp;#8220;Chile&amp;#8221; y tu alma se contorsiona, un poco ir&amp;#243;nica, &amp;#191;no?, un poco cagada de la risa, de esa risa a la chilena, al mismo tiempo amarga, sarc&amp;#225;stica y llena del gozo de la vida, la vida de las islas a la deriva, la vida de la isla Chile, donde vino a morir tu gloria en cuerpo, una Cristo crucificada en maderos de guitarra, para liberarte y liberarnos de tu alma, que vuela, ahora s&amp;#237;, plena de tus deseos, ante el cielo ancho de nuestra miseria&amp;#8230;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&amp;#160;&lt;strong&gt;&lt;span style=&quot;text-decoration: underline;&quot;&gt;Sobre el autor&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;img style=&quot;float: left; margin: 5px;&quot; src=&quot;http://www.chileno.co.uk/blogs/media/blogs/a/patricio_zamorano.jpg&quot; alt=&quot;&quot; /&gt;Patricio Zamorano es cantautor, poeta, escritor, periodista, analista pol&amp;#237;tico y acad&amp;#233;mico, actualmente de la Universidad George Washington.&amp;#160; Recientemente en 2010 Patricio Zamorano gan&amp;#243; por unanimidad el Primer Premio del concurso nacional de cr&amp;#243;nica y ensayo &amp;#8220;La Prensa Chilena y el Bicentenario&amp;#8221;, organizado por el C&amp;#237;rculo de Periodistas de Chile y la Universidad de Santiago, con su relato &amp;#8220;&lt;a href=&quot;http://patriciozamorano.com/chile_en_tres_actos.html&quot;&gt;Chile en tres actos&lt;/a&gt;&amp;#8221; (http://patriciozamorano.com/chile_en_tres_actos.html). &lt;em&gt;&lt;/em&gt;Patricio Zamorano es tambi&amp;#233;n analista de temas internacionales y escritor, y ha publicado innumerables art&amp;#237;culos period&amp;#237;sticos que incluyen cr&amp;#243;nicas, entrevistas y columnas en varios medios de Am&amp;#233;rica y Espa&amp;#241;a. Sus colaboraciones como analista pol&amp;#237;tico y cronista incluyen CNN en Espa&amp;#241;ol, Al Jazeera, Telesur, Univision, BBC y BBC Mundo, La Opini&amp;#243;n de California, ContraPunto de El Salvador, Radio Pac&amp;#237;fica y Radio Miami, entre otros, adem&amp;#225;s de varios medios de comunicaci&amp;#243;n de su Chile natal (revistas El Periodista, Mensaje, Caras, Plan B, The Clinic; diarios La Naci&amp;#243;n y La &amp;#201;poca; radios B&amp;#237;o B&amp;#237;o y Cooperativa; canales de televisi&amp;#243;n TVN, CNN Chile, Canal 2). Patricio Zamorano es miembro de la Sociedad del Derecho de Autor, del Colegio de Periodistas de Chile y del National Association of Hispanic Journalists de Estados Unidos.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&amp;#160;&lt;/span&gt;&lt;/p&gt;
&lt;script type=&quot;text/javascript&quot; src=&quot;http://webplayer.yahooapis.com/player.js&quot;&gt;&lt;/script&gt;&lt;div class=&quot;item_footer&quot;&gt;&lt;p&gt;&lt;small&gt;&lt;a href=&quot;http://www.chileno.co.uk/featured-articles/patricio-zamorano-why-do-i-feel-so-much-pain-violeta-parra&quot;&gt;Original post&lt;/a&gt; blogged on &lt;a href=&quot;http://www.chileno.co.uk/&quot;&gt;Chileno&lt;/a&gt;.&lt;/small&gt;&lt;/p&gt;&lt;/div&gt;</description>
			<content:encoded><![CDATA[<div><div><a href="http://www.chileno.co.uk/media/blogs/a/violeta_parra.jpg?mtime=1359403719" rel="lightbox[p167]"><img alt="" src="http://www.chileno.co.uk/media/blogs/a/./_evocache/violeta_parra.jpg/fit-320x320.jpg?mtime=1359403719" width="320" height="213" /></a></div></div><p><span style="font-size: small;">Photo: <a href="http://www.violetalapelicula.cl">www.violetalapelicula.cl</a></span></p>
<p>&#160;</p>
<p><span style="font-size: large;"><strong>Why do I feel so much pain, Violeta Parra?</strong></span></p>
<p><strong><span style="font-size: medium;"><em>Or on how to assess the Chilean film &#8220;Violeta went to heaven&#8221; on opening night in Washington DC</em></span></strong></p>
<p><strong><span style="font-size: medium;">&#169; Patricio Zamorano</span></strong></p>
<p><strong><span style="font-size: medium;">Translation by <em>chileno</em> and the author. Para la vers&#237;on original en castellano ver abajo.<br /></span></strong></p>
<p><span style="font-size: medium;">So much pain I have felt tonight, Violeta, so much pain&#8230;</span></p>
<p><span style="font-size: medium;">It hurts because Chile hurts&#8230; That&#8217;s it, isn&#8217;t it singer? Painter? Creator of forms and illusions? Chile hurt you with every second of recognition given in the few countries that through the miracle of your poverty chose to give shelter to your singing, your paintings, your intense tapestries like the brilliance of your sad eyes. Everything was empty upon returning to the homeland, down in the lost South of painful childhood and wandering life, where the people let you down in your dreams to universalize (in the half moon of the audience) each drop of creation exuded from your hands. The people let you down when the indifference of the public you longed for and loved so much hit you like a Santiago winter. How many artists have succumbed to the loneliness of the stage, beloved singer? So much despair, isn&#8217;t it? When silence is deaf to applause...</span></p>
<p><span style="font-size: medium;">Oh singer of my soul! Chile killed you. Chile killed V&#237;ctor Jara. Chile killed Allende. Chile also killed Neruda (without a doubt, the soldiers spread the cancer with the demonic stench that grew amongst the flames from La Moneda<sup>1</sup>). Chile killed De Rokha, another genius buried under the cold murmur spread by the mainstream. In a short time, Chile physically lost its most profound figures. It lost its land. The earth moaned.</span></p>
<p><span style="font-size: medium;">Years before, Chile had also killed her first Nobel Laureate, the barefoot girl from Valle del Elqui, Gabriela<sup>2</sup> of profound &#8220;Mistralian&#8221; pain, always looking out of the corner of her eye towards the southern country that denied her so much, despite a sacred litany of verse and prose.</span></p>
<p><span style="font-size: medium;">Chile killed democracy, Chile killed the communists and the socialists. Chile killed the joy of life for two, even three decades, if we add up the frustration of the Concertaci&#243;n<sup>3</sup> in the nineties... Dearest Violeta, with your trigger and shot you began the dark age that was upon us, that fatal 1967, under the tent only visited during those last weeks by the wind accompanied by cold rain, as it only rains in the Mapocho Valley.</span></p>
<p><span style="font-size: medium;">Don&#8217;t worry, my dear Violeta.</span></p>
<p><span style="font-size: medium;">With your gunshot, Chile received an urgent affront, the fruit of our own miseries: The soldiers preyed on the people, supported at the same time by many twisted in their cannibalistic frenzies. The people killed the people. That 11th of September in 1973, dearest Violeta, your heart would have tightened in a grimace of horror to see the slaughter led by the jingoistic soldier. The Chile that ignored you in life, dear Violeta, was the same that squeezed your trigger, and the trigger of Allende, and the trigger of the soldier who took no mercy on V&#237;ctor, and the trigger of the thousands of those executed in the streets of Santiago&#8230; (the eternal trigger, as long as the rifle that the real contours of Chile represents in a map of its own geography. Santiago, where death circled the majority trapped for the massacre, is situated --oh sweet irony!-- near the firing pin&#8230;).</span></p>
<p><span style="font-size: medium;">Oh Violeta, but your songs remain! Oh Violeta, you left us your &#8220;<a href="http://www.youtube.com/watch?v=2ozG2tjy3QM" target="_blank">Volver a los diecisiete</a>&#8221;! Violeta, you left us your <a href="http://www.youtube.com/watch?v=5DWjgIsGTso" target="_blank">hawk</a>, the sorrows of your <a href="http://www.youtube.com/watch?v=oiHWgl1M_FU" target="_blank">Arauco</a>, your &#8220;<a href="http://www.youtube.com/watch?v=cJ9CeICphL8" target="_blank">Run-run</a>&#8221; that made you suffer so much from unrequited love! Your guitar transpositions, peasant girl from Lautaro, universalized you. Your &#8220;Thanks to life&#8221; (&#8220;<a href="http://www.youtube.com/watch?v=UW3IgDs-NnA" target="_blank">Gracias a la vida</a>&#8221;), that profound song full of laughter and tears, is enjoyed by both rich snobs and blue-collar workers. Diplomatic bodies take advantage of you to sell the &#8220;Chile&#8221; brand, and your soul writhes&#8230; A little bit ironic, isn&#8217;t? A bit of pissing yourself laughing, that Chilean way of laughing, at the same time bitter, sarcastic and full of the joy of life, the life of islands adrift, the life of the Chilean isle, where your glory came to die in a body, a female Christ crucified on guitar timbers, to free you and liberate us from your soul that flies, now full of your desires, before the wide sky of our misery&#8230;</span></p>
<p><span style="font-size: medium;"><em>Notes.</em></span></p>
<p><span style="font-size: medium;"><em><sup>1</sup></em><em>La Moneda is the Palace in Santiago that serves as the seat of the President of the Republic of Chile.</em></span></p>
<p><span style="font-size: medium;"><em><sup>2</sup></em><em>Gabriela Mistral was a Chilean poet, educator, diplomat and feminist. She was the first Latin American to win the Nobel Prize in Literature (1945).</em></span></p>
<p><span style="font-size: medium;"><em><sup>3</sup>Center-left political party coalition. Candidates from these parties won every election in Chile from the end of Pinochet&#8217;s dictatorship (1990) until the election victory of Sebasti&#225;n Pi&#241;era in 2010.</em></span></p>
<p>&#160;<span style="font-size: medium;"><strong><span style="text-decoration: underline;">About the author</span></strong></span></p>
<p><span style="font-size: medium;"><span style="font-size: medium;"><img style="float: left; margin: 5px;" src="http://www.chileno.co.uk/blogs/media/blogs/a/patricio_zamorano.jpg" alt="" /></span>Patricio Zamorano is a singer song-writer, poet, writer, journalist, political analyst and academic currently at George Washington University. Recently in 2010 Patricio Zamorano won by unanimous decision the First Prize of the national competition &#8220;The Chilean Press and the Bicentennial&#8221;, organized by&#160; the Society of Journalists of Chile and the University of Santiago, with his, &#8220;<a href="http://patriciozamorano.com/chile_en_tres_actos.html">Chile en tres actos</a>&#8221; (&#8220;Chile in three acts&#8221;) (http://patriciozamorano.com/chile_en_tres_actos.html).&#160; Patricio Zamorano is also an analyst of international affairs and writer, and has published innumerable journalistic articles including stories, interviews and columns, in various American and Spanish media outlets. His collaborations as a political analyst and writer include CNN in Spanish, Al Jazeera, Telesur, Univision, BBC and BBC Mundo, La Opini&#243;n de California, ContraPunto de El Salvador, Radio Pac&#237;fica y Radio Miami, and various Chilean media (magazines like El Periodista, Mensaje, Caras, Plan B, The Clinic; newspapers like La Naci&#243;n and La &#201;poca; radio-station like B&#237;o B&#237;o and Cooperativa; TV stations like TVN, CNN Chile, Canal 2). Patricio Zamorano is also a member of the Chilean Performing Rights Organization, as well as the Professional Association of Chilean Journalists, and the National Association of Hispanic Journalists of the United States.</span></p>
<p><span style="font-size: medium;">Feel free to comment below in Spanish or English.</span></p>
<p><span style="font-size: small;"><strong><br /></strong></span></p>
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<p><strong><span style="font-size: large;"><br /></span></strong></p>
<p><strong><span style="font-size: large;"><a id="castellano">&#191;Por qu&#233; me dueles, Violeta Parra?</a></span> </strong></p>
<p><strong><span style="font-size: medium;"><em>O sobre c&#243;mo valorar la pel&#237;cula chilena &#8220;Violeta se fue a los cielos&#8221; en noche de estreno en Washington DC</em></span></strong></p>
<p><strong><span style="font-size: medium;"><em>&#169; Patricio Zamorano</em></span></strong></p>
<p><span style="font-size: medium;">Tanto me dueles, tanto me doliste esta noche&#8230;</span></p>
<p><span style="font-size: medium;">Me dueles por que me duele Chile&#8230; Eso es, &#191;no, cantora? &#191;Pintora? &#191;Creadora de formas y de ilusiones? Chile te doli&#243; en cada segundo de reconocimiento en los pocos pa&#237;ses que el milagro de tu pobreza eligi&#243; para cobijar tu canto, tus pinturas, tus arpilleras tan intensas como el brillo de tus ojos tristes. Todo era el vac&#237;o si volviendo a la patria all&#225; en el sur perdido de dolores de infancia y de vida errante, el pueblo no te era pueblo en tus sue&#241;os de universalizar en la media luna de la audiencia cada gota de creaci&#243;n que exudaba de tus manos. El pueblo no te era pueblo cuando te golpeaba como invierno santiaguino la indiferencia del gran p&#250;blico que&#160; a&#241;orabas y amabas tanto. &#191;Cu&#225;nto artista no ha sucumbido a la soledad del auditorio, amada cantora? Cu&#225;nta desesperaci&#243;n, &#191;no?, cuando el silencio es sordo de aplausos&#8230;</span></p>
<p><span style="font-size: medium;">&#161;Ay cantora de mis adentros! Chile te mat&#243;. Chile mat&#243; a V&#237;ctor Jara. Chile mat&#243; a Allende. Chile mat&#243; tambi&#233;n a Neruda (los milicos sin duda empujaron con su tufo de demonios el c&#225;ncer que creci&#243; junto con las llamas en La Moneda). Chile mat&#243; a De Rokha, otro genio sepultado bajo el fr&#237;o rumor del Chile oficial. En una brizna de a&#241;os Chile perdi&#243; f&#237;sicamente a sus figuras m&#225;s profundas. Perdi&#243; a su tierra.&#160; Gimi&#243; la tierra.</span></p>
<p><span style="font-size: medium;">A&#241;os antes, Chile tambi&#233;n matar&#237;a a su primera premio N&#243;bel, a la ni&#241;a sin zapatos del Valle del Elqui, Gabriela de dolores profundos mistralianos, mirando siempre de lado a esa patria sure&#241;a que le negaba tanto, a pesar de tanto verso y tanta prosa regalada como en una letan&#237;a&#8230;</span></p>
<p><span style="font-size: medium;">Chile mat&#243; la democracia, Chile mat&#243; a los comunistas y a los socialistas. Chile mat&#243; la alegr&#237;a de vivir por dos, tres d&#233;cadas, si sumamos a la frustraci&#243;n concertacionista en los noventa&#8230; Violeta, querida, inauguraste con tu gatillo y tu disparo la &#233;poca oscura que se nos ven&#237;a encima, ese 1967 fatal, bajo la carpa a la que asist&#237;a en esas &#250;ltimas semanas s&#243;lo el viento acompa&#241;ado de lluvia fr&#237;a, como solo llueve en el valle del Mapocho.</span></p>
<p><span style="font-size: medium;">No te preocupes, Violeta querida.</span></p>
<p><span style="font-size: medium;">Chile con tu balazo recibi&#243; como un escarnio urgente el fruto de nuestras propias miserias: los milicos se cebaron en pueblo, apoyados a su vez por tanto pueblo torcido en sus devaneos can&#237;bales. El pueblo mat&#243; al pueblo. Ese 11 de septiembre de 1973, querida Violeta, tu coraz&#243;n se habr&#237;a apretado en una mueca de horror al ver la masacre liderada por el milico patriotero. El Chile que te ignor&#243; en vida, querida Violeta, fue el mismo que apret&#243; tu gatillo, y el gatillo de Allende, y el gatillo del soldado que se ensa&#241;&#243; con V&#237;ctor, y el gatillo de los miles de ejecutados en la calles de Santiago&#8230; (el gatillo eterno, tan largo como el fusil que representa el contorno del Chile real en el mapa de su propia geograf&#237;a. Santiago, donde la muerte rond&#243; a la mayor&#237;a cebada por la masacre, se ubica ah&#237; en el sector aproximado &#161;oh dulce iron&#237;a! del percutor&#8230;)</span></p>
<p><span style="font-size: medium;">&#161;Ay, Violeta, pero quedaron tus canciones! &#161;Ay, Violeta, quedaron tus &#8220;diecisietes&#8221;! &#161;Violeta, nos dejaste tu Gavil&#225;n, las penas de tu Arauco, tus run-runes que tanto te hicieron sufrir de amor de hembra! Tus guitarras traspuestas te universalizaron, campesina de Lautaro. Tus gracias a la vida, con risa y con llanto, las disfrutan pijes y obreros, cuerpos diplom&#225;ticos aprovechan de vender la marca &#8220;Chile&#8221; y tu alma se contorsiona, un poco ir&#243;nica, &#191;no?, un poco cagada de la risa, de esa risa a la chilena, al mismo tiempo amarga, sarc&#225;stica y llena del gozo de la vida, la vida de las islas a la deriva, la vida de la isla Chile, donde vino a morir tu gloria en cuerpo, una Cristo crucificada en maderos de guitarra, para liberarte y liberarnos de tu alma, que vuela, ahora s&#237;, plena de tus deseos, ante el cielo ancho de nuestra miseria&#8230;</span></p>
<p><span style="font-size: medium;">&#160;<strong><span style="text-decoration: underline;">Sobre el autor</span></strong></span></p>
<p><span style="font-size: medium;"><img style="float: left; margin: 5px;" src="http://www.chileno.co.uk/blogs/media/blogs/a/patricio_zamorano.jpg" alt="" />Patricio Zamorano es cantautor, poeta, escritor, periodista, analista pol&#237;tico y acad&#233;mico, actualmente de la Universidad George Washington.&#160; Recientemente en 2010 Patricio Zamorano gan&#243; por unanimidad el Primer Premio del concurso nacional de cr&#243;nica y ensayo &#8220;La Prensa Chilena y el Bicentenario&#8221;, organizado por el C&#237;rculo de Periodistas de Chile y la Universidad de Santiago, con su relato &#8220;<a href="http://patriciozamorano.com/chile_en_tres_actos.html">Chile en tres actos</a>&#8221; (http://patriciozamorano.com/chile_en_tres_actos.html). <em></em>Patricio Zamorano es tambi&#233;n analista de temas internacionales y escritor, y ha publicado innumerables art&#237;culos period&#237;sticos que incluyen cr&#243;nicas, entrevistas y columnas en varios medios de Am&#233;rica y Espa&#241;a. Sus colaboraciones como analista pol&#237;tico y cronista incluyen CNN en Espa&#241;ol, Al Jazeera, Telesur, Univision, BBC y BBC Mundo, La Opini&#243;n de California, ContraPunto de El Salvador, Radio Pac&#237;fica y Radio Miami, entre otros, adem&#225;s de varios medios de comunicaci&#243;n de su Chile natal (revistas El Periodista, Mensaje, Caras, Plan B, The Clinic; diarios La Naci&#243;n y La &#201;poca; radios B&#237;o B&#237;o y Cooperativa; canales de televisi&#243;n TVN, CNN Chile, Canal 2). Patricio Zamorano es miembro de la Sociedad del Derecho de Autor, del Colegio de Periodistas de Chile y del National Association of Hispanic Journalists de Estados Unidos.</span></p>
<p><span style="font-size: medium;">&#160;</span></p>
<script type="text/javascript" src="http://webplayer.yahooapis.com/player.js"></script><div class="item_footer"><p><small><a href="http://www.chileno.co.uk/featured-articles/patricio-zamorano-why-do-i-feel-so-much-pain-violeta-parra">Original post</a> blogged on <a href="http://www.chileno.co.uk/">Chileno</a>.</small></p></div>]]></content:encoded>
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			<title>Camila Moreno: Don't mention the F word</title>
			<link>http://www.chileno.co.uk/music/camila-moreno-don-t-mention-the-f-word</link>
			<pubDate>Tue, 01 Jan 2013 22:21:00 +0000</pubDate>			<dc:creator>Chileno</dc:creator>
			<category domain="alt">Chile</category>
<category domain="main">Music</category>			<guid isPermaLink="false">166@http://www.chileno.co.uk/</guid>
						<description>&lt;div&gt;&lt;div&gt;&lt;a href=&quot;http://www.chileno.co.uk/media/blogs/a/Panal.jpg?mtime=1359403648&quot; rel=&quot;lightbox[p166]&quot;&gt;&lt;img alt=&quot;&quot; src=&quot;http://www.chileno.co.uk/media/blogs/a/./_evocache/Panal.jpg/fit-320x320.jpg?mtime=1359403648&quot; width=&quot;320&quot; height=&quot;320&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-size: large; font-family: book antiqua,palatino;&quot;&gt;&lt;a title=&quot;Camila Moreno. Photo: LUN.&quot; href=&quot;http://www.chileno.co.uk/blogs/media/blogs/a/camila_moreno1_LUN.jpg&quot; rel=&quot;lightbox&quot;&gt;&lt;img style=&quot;float: left; margin: 5px;&quot; src=&quot;http://www.chileno.co.uk/blogs/media/blogs/a/camila_moreno1_LUN.jpg&quot; alt=&quot;&quot; width=&quot;192&quot; height=&quot;289&quot; /&gt;&lt;/a&gt; Camila Moreno&#039;s newly released album &lt;em&gt;Panal (honeycomb) &lt;/em&gt;is the latest and third offering from the young Chilean musician. In something of a departure from her earlier work (e.g. about half the songs in her debut album &lt;em&gt;&lt;a href=&quot;http://chileno.co.uk/index.php?main_page=page&amp;amp;id=15&amp;amp;chapter=0#Camila%20Moreno&quot; target=&quot;_blank&quot;&gt;almismotiempo&lt;/a&gt;&lt;/em&gt; are heavily influenced by Chilean folclor), Moreno makes a first step in the transition from Chilean pop-fusion to rock. The change in direction is certainly not an unconscious one; in fact Moreno has for some time been mindful of not getting bogged down in a single musical style or form. The sentiment is no better illustrated than in a December article from online Chilean news outlet emol.com that quoted Moreno as saying, &quot;Me aburr&amp;#237; que me encasillaran en el folk y en toda esa movida tan estrecha&quot; or, &quot;I&#039;m bored with being typecast as a folk singer and all that narrow movement&quot;. Indeed, when we told her that we were keen to cover her new album she said, &quot;I hope that you will not call it folk!&quot; So in the spirit of good Anglo-Chilean relations we will henceforth refrain from using the &#039;&lt;strong&gt;F&lt;/strong&gt;&#039; word! Camila Moreno has been compared variously to artists like Bj&amp;#246;rk and PJ Harvey and indeed these are some of her influences. Significant others include The Beatles and Radiohead. Most often thus far, however, she has been compared to the Chilean Nueva Canci&amp;#243;n f**k movement of the 1960s. Nevertheless Moreno resists the label and has been determined to free herself from what she sees as the shackles of being defined as belonging to the movement or even, as some say, being part of the legacy of and torchbearer for Chilean Legends Violeta Parra and Victor Jara. Some have noticed the seeming &lt;a href=&quot;http://musica.terra.cl/lollapalooza/2012/camila-moreno-salto-del-folk-al-rock-en-lollapalooza,e40df9dd0ce66310VgnVCM5000009ccceb0aRCRD.html&quot; target=&quot;_blank&quot;&gt;jump from f**k to rock&lt;/a&gt; and suggest overtones of Radiohead are apparent in the new music. As paniko.cl succinctly put it &quot;&lt;a href=&quot;http://www.paniko.cl/2012/04/camila-moreno-mas-radiohead-chao-parra/&quot; target=&quot;_blank&quot;&gt;Mas Radiohead, Chao Parra?&lt;/a&gt;&quot; This certainly would make sense given that Moreno often cites the English band as a major influence, but is there any substance to the suggestion or is it more simply a desire to change? Now that the album is out, we can decide for ourselves. Incidentally, the release of the album courted some controversy in that &lt;em&gt;Panal &lt;/em&gt;was partly financed through the use of &#039;crowdfunding&#039;. Moreno used website &lt;a href=&quot;http://idea.me/proyecto/187/disco%22panal%22decamilamoreno&quot; target=&quot;_blank&quot;&gt;idea.me&lt;/a&gt; in which fans were encouraged to contribute to production funds in return for rewards ranging from early release copies of the album with personalised messages to intimate concerts with the singer. Moreno had received some criticism for raising funds in this way and posted a &lt;a href=&quot;https://www.facebook.com/camilamorenoficial/posts/10151907702305497&quot; target=&quot;_blank&quot;&gt;rebuttal on facebook&lt;/a&gt;, saying that artists deserve to be paid properly as in other professions and that ultimately, &quot;Es super simple , si no quieres , no participes del disco , pero ah&amp;#243;rrense la mala onda, porque eso sobra en este pa&amp;#237;s y en el mundo...&quot; &quot;It&#039;s super simple, if you don&#039;t want to, don&#039;t participate in making the album, save yourself the bad vibe, because there&#039;s plenty of that in this country and the world ...&quot;&amp;#160; the singer said.&lt;/span&gt;&lt;/p&gt;
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&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-family: book antiqua,palatino; font-size: large;&quot;&gt;&lt;em&gt;Panal&lt;/em&gt;, the album:&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-family: book antiqua,palatino; font-size: large;&quot;&gt;&lt;iframe src=&quot;https://w.soundcloud.com/player/?url=http%3A%2F%2Fapi.soundcloud.com%2Fplaylists%2F2851665&quot; frameborder=&quot;no&quot; scrolling=&quot;no&quot; width=&quot;100%&quot; height=&quot;450&quot;&gt;&lt;/iframe&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-size: large; font-family: book antiqua,palatino;&quot;&gt;&lt;em&gt;&lt;br /&gt;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-size: large; font-family: book antiqua,palatino;&quot;&gt;The album starts with an explosion, that&#039;s for sure. Incendi&amp;#233;, a well-chosen&lt;a title=&quot;Camila Moreno. Photo: LUN.&quot; href=&quot;http://www.chileno.co.uk/blogs/media/blogs/a/camila_moreno2_LUN.jpg&quot; rel=&quot;lightbox&quot;&gt;&lt;img style=&quot;float: right; margin: 5px;&quot; src=&quot;http://www.chileno.co.uk/blogs/media/blogs/a/camila_moreno2_LUN.jpg&quot; alt=&quot;&quot; width=&quot;192&quot; height=&quot;289&quot; /&gt;&lt;/a&gt; powerful &#039;dropped d&#039; tuning heavy anthemic opener, remains distinctly South American in flavour (at least to the European ear) with incessant batucama-style drumming creating an immense percussive drive, fused with indigenous Mapuche instrumentation. Yet simultaneously, the track has a classic rock feel to it that recalls Led Zeppelin&#039;s &lt;em&gt;Four Sticks &lt;/em&gt;or perhaps, with the drums marching us onwards, &lt;em&gt;The Immigrant Song.&lt;/em&gt; Incendi&amp;#233; leaves us wanting more and with high expectations. We are not disappointed with the follow up &lt;em&gt;De Que&lt;/em&gt;, which one can imagine could have been influenced by Radiohead&#039;s &lt;em&gt;Go To Sleep, &lt;/em&gt;also featuring overlaid Zeppelin-esque mandolins giving sumptuous tone. The track builds to such a bass-filled crescendo that at this point one could be forgiven for not knowing what the word f**k means! That&#039;s not to say that there aren&#039;t delicate slices to the record like the beautifully evocative title track for example. The album also holds some very wistful, melancholic tracks like the haunting piano led &lt;em&gt;Te Quise &lt;/em&gt;which is accompanied by Moreno&#039;s powerful vocals. &lt;em&gt;Panal &lt;/em&gt;is an intelligent album both mature and in its outlook and rooted in core passionate beliefs such as the repression of indigenous peoples (Yo Enterr&amp;#233;)&lt;em&gt;. &lt;/em&gt;It is not a rejection of f**k but a recognition that there are great musical possibilities to be had when one is free of certain constraints. What is slightly disappointing though is that the album is not a truly novel work but rather the potential beginning of a sea change in Camila Moreno&#039;s musical sound scape. I don&#039;t think Oxfordshire&#039;s five-piece have got anything to worry about just yet but then as Camila herself recognises in her facebook rebuttal, &quot;I don&#039;t consider myself an established artist, but hopefully an artist though. I know that I&#039;m working on it and I love doing it.&quot; Arguably the best indication of a transition to a new sound comes from a track called &lt;a href=&quot;http://youtu.be/BARsrwXkT0s&quot; target=&quot;_blank&quot;&gt;&lt;em&gt;&lt;span class=&quot;long-title yt-uix-expander-head&quot; title=&quot;Camila Moreno - 1, 2, 3, por m&amp;#237;, por ti, por todos mis compa&amp;#241;eros (MUSICA X MEMORIA)&quot; dir=&quot;ltr&quot;&gt;1, 2, 3, por m&amp;#237;, por ti, por todos mis compa&amp;#241;eros&lt;/span&gt;&lt;/em&gt;&lt;/a&gt;, ironically not included in this album. Interestingly the song contains a doffing of the hat to Radiohead&#039;s &lt;em&gt;Kid A &lt;/em&gt;track &lt;em&gt;optimistic&lt;/em&gt;. So if Camila Moreno is still playing in a f**k band someone has clearly failed to mention it to her. Chileno gives &lt;em&gt;Panal &lt;/em&gt;7/10.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;font-family: book antiqua,palatino; font-size: large;&quot;&gt;You can download the single &lt;em&gt;Raptado &lt;/em&gt;free from &lt;a href=&quot;http://www.camilamoreno.cl/&quot; target=&quot;_blank&quot;&gt;Camila Moreno&#039;s website&lt;/a&gt; and get the album from Chilean music download site &lt;a href=&quot;http://www.portaldisc.com/english/disco.php?id=5977&quot; target=&quot;_blank&quot;&gt;Portaldisc&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class=&quot;item_footer&quot;&gt;&lt;p&gt;&lt;small&gt;&lt;a href=&quot;http://www.chileno.co.uk/music/camila-moreno-don-t-mention-the-f-word&quot;&gt;Original post&lt;/a&gt; blogged on &lt;a href=&quot;http://www.chileno.co.uk/&quot;&gt;Chileno&lt;/a&gt;.&lt;/small&gt;&lt;/p&gt;&lt;/div&gt;</description>
			<content:encoded><![CDATA[<div><div><a href="http://www.chileno.co.uk/media/blogs/a/Panal.jpg?mtime=1359403648" rel="lightbox[p166]"><img alt="" src="http://www.chileno.co.uk/media/blogs/a/./_evocache/Panal.jpg/fit-320x320.jpg?mtime=1359403648" width="320" height="320" /></a></div></div><p style="text-align: justify;"><span style="font-size: large; font-family: book antiqua,palatino;"><a title="Camila Moreno. Photo: LUN." href="http://www.chileno.co.uk/blogs/media/blogs/a/camila_moreno1_LUN.jpg" rel="lightbox"><img style="float: left; margin: 5px;" src="http://www.chileno.co.uk/blogs/media/blogs/a/camila_moreno1_LUN.jpg" alt="" width="192" height="289" /></a> Camila Moreno's newly released album <em>Panal (honeycomb) </em>is the latest and third offering from the young Chilean musician. In something of a departure from her earlier work (e.g. about half the songs in her debut album <em><a href="http://chileno.co.uk/index.php?main_page=page&amp;id=15&amp;chapter=0#Camila%20Moreno" target="_blank">almismotiempo</a></em> are heavily influenced by Chilean folclor), Moreno makes a first step in the transition from Chilean pop-fusion to rock. The change in direction is certainly not an unconscious one; in fact Moreno has for some time been mindful of not getting bogged down in a single musical style or form. The sentiment is no better illustrated than in a December article from online Chilean news outlet emol.com that quoted Moreno as saying, "Me aburr&#237; que me encasillaran en el folk y en toda esa movida tan estrecha" or, "I'm bored with being typecast as a folk singer and all that narrow movement". Indeed, when we told her that we were keen to cover her new album she said, "I hope that you will not call it folk!" So in the spirit of good Anglo-Chilean relations we will henceforth refrain from using the '<strong>F</strong>' word! Camila Moreno has been compared variously to artists like Bj&#246;rk and PJ Harvey and indeed these are some of her influences. Significant others include The Beatles and Radiohead. Most often thus far, however, she has been compared to the Chilean Nueva Canci&#243;n f**k movement of the 1960s. Nevertheless Moreno resists the label and has been determined to free herself from what she sees as the shackles of being defined as belonging to the movement or even, as some say, being part of the legacy of and torchbearer for Chilean Legends Violeta Parra and Victor Jara. Some have noticed the seeming <a href="http://musica.terra.cl/lollapalooza/2012/camila-moreno-salto-del-folk-al-rock-en-lollapalooza,e40df9dd0ce66310VgnVCM5000009ccceb0aRCRD.html" target="_blank">jump from f**k to rock</a> and suggest overtones of Radiohead are apparent in the new music. As paniko.cl succinctly put it "<a href="http://www.paniko.cl/2012/04/camila-moreno-mas-radiohead-chao-parra/" target="_blank">Mas Radiohead, Chao Parra?</a>" This certainly would make sense given that Moreno often cites the English band as a major influence, but is there any substance to the suggestion or is it more simply a desire to change? Now that the album is out, we can decide for ourselves. Incidentally, the release of the album courted some controversy in that <em>Panal </em>was partly financed through the use of 'crowdfunding'. Moreno used website <a href="http://idea.me/proyecto/187/disco%22panal%22decamilamoreno" target="_blank">idea.me</a> in which fans were encouraged to contribute to production funds in return for rewards ranging from early release copies of the album with personalised messages to intimate concerts with the singer. Moreno had received some criticism for raising funds in this way and posted a <a href="https://www.facebook.com/camilamorenoficial/posts/10151907702305497" target="_blank">rebuttal on facebook</a>, saying that artists deserve to be paid properly as in other professions and that ultimately, "Es super simple , si no quieres , no participes del disco , pero ah&#243;rrense la mala onda, porque eso sobra en este pa&#237;s y en el mundo..." "It's super simple, if you don't want to, don't participate in making the album, save yourself the bad vibe, because there's plenty of that in this country and the world ..."&#160; the singer said.</span></p>
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<p style="text-align: justify;"><span style="font-family: book antiqua,palatino; font-size: large;"><em>Panal</em>, the album:</span></p>
<p style="text-align: justify;"><span style="font-family: book antiqua,palatino; font-size: large;"><iframe src="https://w.soundcloud.com/player/?url=http%3A%2F%2Fapi.soundcloud.com%2Fplaylists%2F2851665" frameborder="no" scrolling="no" width="100%" height="450"></iframe></span></p>
<p style="text-align: justify;"><span style="font-size: large; font-family: book antiqua,palatino;"><em><br /></em></span></p>
<p style="text-align: justify;"><span style="font-size: large; font-family: book antiqua,palatino;">The album starts with an explosion, that's for sure. Incendi&#233;, a well-chosen<a title="Camila Moreno. Photo: LUN." href="http://www.chileno.co.uk/blogs/media/blogs/a/camila_moreno2_LUN.jpg" rel="lightbox"><img style="float: right; margin: 5px;" src="http://www.chileno.co.uk/blogs/media/blogs/a/camila_moreno2_LUN.jpg" alt="" width="192" height="289" /></a> powerful 'dropped d' tuning heavy anthemic opener, remains distinctly South American in flavour (at least to the European ear) with incessant batucama-style drumming creating an immense percussive drive, fused with indigenous Mapuche instrumentation. Yet simultaneously, the track has a classic rock feel to it that recalls Led Zeppelin's <em>Four Sticks </em>or perhaps, with the drums marching us onwards, <em>The Immigrant Song.</em> Incendi&#233; leaves us wanting more and with high expectations. We are not disappointed with the follow up <em>De Que</em>, which one can imagine could have been influenced by Radiohead's <em>Go To Sleep, </em>also featuring overlaid Zeppelin-esque mandolins giving sumptuous tone. The track builds to such a bass-filled crescendo that at this point one could be forgiven for not knowing what the word f**k means! That's not to say that there aren't delicate slices to the record like the beautifully evocative title track for example. The album also holds some very wistful, melancholic tracks like the haunting piano led <em>Te Quise </em>which is accompanied by Moreno's powerful vocals. <em>Panal </em>is an intelligent album both mature and in its outlook and rooted in core passionate beliefs such as the repression of indigenous peoples (Yo Enterr&#233;)<em>. </em>It is not a rejection of f**k but a recognition that there are great musical possibilities to be had when one is free of certain constraints. What is slightly disappointing though is that the album is not a truly novel work but rather the potential beginning of a sea change in Camila Moreno's musical sound scape. I don't think Oxfordshire's five-piece have got anything to worry about just yet but then as Camila herself recognises in her facebook rebuttal, "I don't consider myself an established artist, but hopefully an artist though. I know that I'm working on it and I love doing it." Arguably the best indication of a transition to a new sound comes from a track called <a href="http://youtu.be/BARsrwXkT0s" target="_blank"><em><span class="long-title yt-uix-expander-head" title="Camila Moreno - 1, 2, 3, por m&#237;, por ti, por todos mis compa&#241;eros (MUSICA X MEMORIA)" dir="ltr">1, 2, 3, por m&#237;, por ti, por todos mis compa&#241;eros</span></em></a>, ironically not included in this album. Interestingly the song contains a doffing of the hat to Radiohead's <em>Kid A </em>track <em>optimistic</em>. So if Camila Moreno is still playing in a f**k band someone has clearly failed to mention it to her. Chileno gives <em>Panal </em>7/10.<br /></span></p>
<p style="text-align: justify;"><span style="font-family: book antiqua,palatino; font-size: large;">You can download the single <em>Raptado </em>free from <a href="http://www.camilamoreno.cl/" target="_blank">Camila Moreno's website</a> and get the album from Chilean music download site <a href="http://www.portaldisc.com/english/disco.php?id=5977" target="_blank">Portaldisc</a><br /></span></p><div class="item_footer"><p><small><a href="http://www.chileno.co.uk/music/camila-moreno-don-t-mention-the-f-word">Original post</a> blogged on <a href="http://www.chileno.co.uk/">Chileno</a>.</small></p></div>]]></content:encoded>
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